An Imaginary Racism
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| Author | : Pascal Bruckner |
| Publisher | : John Wiley & Sons |
| Total Pages | : 224 |
| Release | : 2018-11-26 |
| Genre | : Philosophy |
| ISBN | : 1509530665 |
‘Islamophobia’ is a term that has existed since the nineteenth century. But in recent decades, argues Pascal Bruckner in his controversial new book, it has become a weapon used to silence criticism of Islam. The term allows those who brandish it in the name of Islam to ‘freeze’ the latter, making reform difficult. Whereas Christianity and Judaism have been rejuvenated over the centuries by external criticism, Islam has been shielded from critical examination and has remained impervious to change. This tendency is exacerbated by the hypocrisy of those Western defenders of Islam who, in the name of the principles of the Enlightenment, seek to muzzle its critics while at the same time demanding the right to chastise and criticize other religions. These developments, argues Bruckner, are counter-productive for Western democracies as they struggle with the twin challenges of immigration and terrorism. The return of religion in those democracies must not be equated with the defence of fanaticism, and the right to religious freedom must go hand in hand with freedom of expression, an openness to criticism, and a rejection of all forms of extremism. There are already more than enough forms of racism; there is no need to imagine more. While all violence directed against Muslims is to be strongly condemned and punished, defining these acts as ‘Islamophobic’ rather than criminal does more to damage Islam and weaken the position of Muslims than to strengthen them.
| Author | : Claudia Rankine |
| Publisher | : |
| Total Pages | : 285 |
| Release | : 2015 |
| Genre | : Literary Criticism |
| ISBN | : 9781934200797 |
Frank, fearless letters from poets of all colors, genders, classes about the material conditions under which their art is made.
| Author | : George Lipsitz |
| Publisher | : Temple University Press |
| Total Pages | : 320 |
| Release | : 2011-03-11 |
| Genre | : Business & Economics |
| ISBN | : 1439902577 |
How racism shapes urban spaces and how African Americans create vibrant communities that offer models for more equitable social arrangements.
| Author | : Claudia Rankine |
| Publisher | : Graywolf Press |
| Total Pages | : 165 |
| Release | : 2014-10-07 |
| Genre | : Literary Collections |
| ISBN | : 1555973485 |
* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.
| Author | : Tiffany Jewell |
| Publisher | : Frances Lincoln Children's Books |
| Total Pages | : 163 |
| Release | : 2020-01-07 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0711245207 |
#1 NEW YORK TIMES BESTSELLER Featured by Oprah's Book Club on the Anti-Racist Books for Young Adults list curated by bestselling author Jacqueline Woodson A USA TODAY Bestseller Recommended by The Guardian, Time, Grazia, The Telegraph, Express, and The Sun ‘This is one for you, your neighbour, the children in your lives and especially that ‘only slightly’ racist colleague… A guide to the history of racism and a blueprint for change’ —The Guardian Who are you? What is racism? Where does it come from? Why does it exist? What can you do to disrupt it? Learn about social identities, the history of racism and resistance against it, and how you can use your anti-racist lens and voice to move the world toward equity and liberation. ‘In a racist society, it’s not enough to be non-racist—we must be ANTI-RACIST.’ —Angela Davis Gain a deeper understanding of your anti-racist self as you progress through 20 chapters that spark introspection, reveal the origins of racism that we are still experiencing and give you the courage and power to undo it. Each chapter builds on the previous one as you learn more about yourself and racial oppression. 20 activities get you thinking and help you grow with the knowledge. All you need is a pen and paper. Author Tiffany Jewell, an anti-bias, anti-racist educator and activist, builds solidarity beginning with the language she chooses – using gender neutral words to honour everyone who reads the book. Illustrator Aurélia Durand brings the stories and characters to life with kaleidoscopic vibrancy. After examining the concepts of social identity, race, ethnicity and racism, learn about some of the ways people of different races have been oppressed, from indigenous Americans and Australians being sent to boarding school to be 'civilized' to a generation of Caribbean immigrants once welcomed to the UK being threatened with deportation by strict immigration laws. Find hope in stories of strength, love, joy and revolution that are part of our history, too, with such figures as the former slave Toussaint Louverture, who led a rebellion against white planters that eventually led to Haiti’s independence, and Yuri Kochiyama, who, after spending time in an internment camp for Japanese Americans during WWII, dedicated her life to supporting political prisoners and advocating reparations for those wrongfully interned. Learn language and phrases to interrupt and disrupt racism. So, when you hear a microaggression or racial slur, you'll know how to act next time. This book is written for EVERYONE who lives in this racialised society—including the young person who doesn’t know how to speak up to the racist adults in their life, the kid who has lost themself at times trying to fit into the dominant culture, the children who have been harmed (physically and emotionally) because no one stood up for them or they couldn’t stand up for themselves and also for their families, teachers and administrators. With this book, be empowered to actively defy racism and xenophobia to create a community (large and small) that truly honours everyone.
| Author | : Philip Nel |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2017-07-06 |
| Genre | : Literary Criticism |
| ISBN | : 0190635088 |
Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it's embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people. Was the Cat in the Hat Black? presents five serious critiques of the history and current state of children's literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat's roots in blackface minstrelsy-and more opaque, like how the children's book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children's literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.
| Author | : Ibram X. Kendi |
| Publisher | : Penguin |
| Total Pages | : 32 |
| Release | : 2022-06-14 |
| Genre | : Juvenile Fiction |
| ISBN | : 0593110455 |
National Book Award–winning and New York Times bestselling author Ibram X. Kendi (How to Be an Antiracist, Antiracist Baby) returns with a new picture book that serves as a modern bedtime classic. As children all over the world get ready for bed, the moon watches over them. The moon knows that when we sleep, we dream. And when we dream, we imagine what is possible and what the world can be. With dynamic, imaginative art and poetic prose, Goodnight Racism delivers important messages about antiracism, justice, and equality in an easy-to-read format that empowers readers both big and small. Goodnight Racism gives children the language to dream of a better world and is the perfect book to add to their social justice toolkit.
| Author | : Yaba Blay |
| Publisher | : Beacon Press |
| Total Pages | : 290 |
| Release | : 2021-02-16 |
| Genre | : Social Science |
| ISBN | : 0807073369 |
Challenges narrow perceptions of Blackness as both an identity and lived reality to understand the diversity of what it means to be Black in the US and around the world What exactly is Blackness and what does it mean to be Black? Is Blackness a matter of biology or consciousness? Who determines who is Black and who is not? Who’s Black, who’s not, and who cares? In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law in almost all southern states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. Has the social and political landscape changed one hundred years later? One Drop explores the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They have all had their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we can visualize multiple possibilities for Blackness.
| Author | : William R. Jones |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 1997-11-30 |
| Genre | : Religion |
| ISBN | : 0807010332 |
Published originally as part of C. Eric Lincoln's series on the black religious experience, Is God a White Racist? is a landmark critique of the black church's treatment of evil and the nature of suffering. In this powerful examination of the early liberation methodology of James Cone, J. Deotis Roberts, and Joseph Washington, among others, Jones questions whether their foundation for black Christian theism—the belief in an omnibenevolent God who has dominion over human history—can provide an adequate theological foundation to effectively dismantle the economic, social, and political framework of oppression. Seeing divine benevolence as part of oppression's mechanism of disguise, Jones argues that black liberation theologians must adopt a new theism that is informed by humanism and its principle of the functional ultimacy of wo/man, where human choice and action determine whether our condition is slavery or freedom.
| Author | : Miriam Eliav-Feldon |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2013-08-22 |
| Genre | : History |
| ISBN | : 9781107687264 |
Is it possible to speak of western racism before the eighteenth century? The term 'racism' is normally only associated with theories, which first appeared in the eighteenth century, about inherent biological differences that made one group superior to another. Here, however, leading historians argue that racism can be traced back to the attitudes of the ancient Greeks to their Persian enemies and that it was adopted, adjusted and re-formulated by Europeans right through until the dawn of the Enlightenment. From Greek teachings on environmental determinism and heredity, through medieval concepts of physiognomy, down to the crystallization of attitudes to Indians, Blacks, Jews and Gypsies in the early modern era, they analyse the various routes by which racist ideas travelled before maturing into murderous ideologies in the modern western world. In so doing this book offers a major reassessment of the place of racism in pre-modern European thought.
