Concerning the Spiritual in Art

Concerning the Spiritual in Art
Author: Wassily Kandinsky
Publisher: Courier Corporation
Total Pages: 111
Release: 2012-04-20
Genre: Art
ISBN: 048613248X

Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.

Signs and Symbols

Signs and Symbols
Author: Adrian Frutiger
Publisher:
Total Pages: 372
Release: 1998
Genre: Literary Criticism
ISBN:

Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.

Artbibliographies Modern

Artbibliographies Modern
Author:
Publisher:
Total Pages: 672
Release: 1988
Genre: Art
ISBN:

Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.

Radical Blake

Radical Blake
Author: S. Dent
Publisher: Springer
Total Pages: 249
Release: 2002-10-02
Genre: Literary Criticism
ISBN: 0230287409

Blake has maintained an enduring popularity amongst a large and diverse audience as a poet, artist and engraver. There are probably more artists, writers, filmmakers and composers working under the influence of Blake than any other figure from the Romantic era. Radical Blake traces his influence and afterlife across a range of major themes such as Metropolitan Blake, Blake and Nationalism, and Blake and Women.

Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
Total Pages: 241
Release: 1995-08-24
Genre: Art
ISBN: 0892363223

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Problems of Style

Problems of Style
Author: Alois Riegl
Publisher: Princeton University Press
Total Pages: 442
Release: 2018-12-04
Genre: Art
ISBN: 0691193967

Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate. His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention. "Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri Zerner Alois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

American Theological Inquiry, Volume Five, Issue Two

American Theological Inquiry, Volume Five, Issue Two
Author: Gannon Murphy
Publisher: Wipf and Stock Publishers
Total Pages: 114
Release: 2012-07-20
Genre: Religion
ISBN: 1725247836

American Theological Inquiry (ATI) reaches thousands of Christian scholars, clergy, and other interested parties, primarily in the U.S. and U.K. The journal was formed in 2007 by Gannon Murphy (PhD Theology, Univ. Wales, Lampeter; Presbyterian/Reformed) and Stephen Patrick (PhD Philosophy, Univ. Illinois; Eastern Orthodox) to open up space for Christian scholars who affirm the Ecumenical Creeds to contribute research throughout the broader Christian scholarly community in America and the West. The purpose of ATI is to provide an inter-tradition forum for scholars who affirm the historic Ecumenical Creeds of Christendom to constructively communicate contemporary theologies, developments, ideas, commentaries, and insights pertaining to theology, culture, and history toward reforming and elevating Western Christianity. ATI seeks a critical function as much or more so as a quasi-ecumenical one. The purpose is not to erase or weaken the distinctives of the various ecclesial traditions, but to widen the dialogue and increase inter-tradition understanding while mutually affirming Christ's power to transform culture and the importance of strengthening Western Christianity with special reference to Her historic, creedal roots. "Theologians, would-be theologians, and the theologically attentive will want to check out American Theological Inquiry." ~ Richard John Neuhaus (1936-2009), First Things