An Exploration of Hatred in Pop Music

An Exploration of Hatred in Pop Music
Author: Glenn Fosbraey
Publisher: Cambridge Scholars Publishing
Total Pages: 170
Release: 2022-07-05
Genre: Music
ISBN: 1527586235

‘Love’ may be the major theme of the majority of pop songs, but ‘hate’, including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from ‘Runaround Sue’ to ‘W.A.P’, this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way.

Bad Music

Bad Music
Author: Christopher Washburne
Publisher: Psychology Press
Total Pages: 392
Release: 2004
Genre: Music
ISBN: 0415943655

Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes "good" or "bad" music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical "canon" were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as "bad" by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music "popular" even if it is judged to be "bad." For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!

The Hatred of Music

The Hatred of Music
Author: Pascal Quignard
Publisher: Yale University Press
Total Pages: 216
Release: 2016-03-28
Genre: Music
ISBN: 0300220944

Throughout Pascal Quignard’s distinguished literary career, music has been a recurring obsession. As a musician he organized the International Festival of Baroque Opera and Theatre at Versailles in the early 1990s, and thus was instrumental in the rediscovery of much forgotten classical music. Yet in 1994 he abruptly renounced all musical activities. The Hatred of Music is Quignard’s masterful exploration of the power of music and what history reveals about the dangers it poses. From prehistoric chants to challenging contemporary compositions, Quignard reflects on music of all kinds and eras. He draws on vast cultural knowledge—the Bible, Greek mythology, early modern history, modern philosophy, the Holocaust, and more—to develop ten accessible treatises on music. In each of these small masterpieces the author exposes music’s potential to manipulate, to mesmerize, to domesticate. Especially disturbing is his scrutiny of the role music played in the concentration camps of Nazi Germany. Quignard’s provocative book takes on particular relevance today, as we find ourselves surrounded by music as never before in history.

I Hate New Music

I Hate New Music
Author: Dave Thompson
Publisher: Hal Leonard Corporation
Total Pages: 256
Release: 2008
Genre: Music
ISBN: 9780879309350

Provides a comparative look at the classic rockers of yesteryear, such as Led Zepplin and the Doors, in relation to modern bands to demonstrate what influence the original masters had on their work today and the errors they are making by straying from the true rock-and-roll format.

Listen Again

Listen Again
Author: Eric Weisbard
Publisher: Duke University Press
Total Pages: 333
Release: 2007-11-01
Genre: Music
ISBN: 0822390558

Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship. Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams’s use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member’s performance as the Germs’ front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple “Louie, Louie.” David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample “Apache” to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference “the best thing that’s ever happened to serious consideration of pop music.” Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard

From Blues to Rock

From Blues to Rock
Author: David Hatch
Publisher: Manchester University Press
Total Pages: 232
Release: 1987
Genre: Music
ISBN: 9780719023491

Pop Music, Pop Culture

Pop Music, Pop Culture
Author: Chris Rojek
Publisher: Polity
Total Pages: 248
Release: 2011-06-13
Genre: Music
ISBN: 0745642632

What is happening to pop music and pop culture? Synthesizers, samplers and MDI systems have allowed anyone with basic computing skills to make music. Exchange is now automatic and weightless with the result that the High Street record store is dying. MySpace, Twitter and You Tube are now more important publicity venues for new bands than the concert tour routine. Unauthorized consumption in the form of illegal downloading has created a financial crisis in the industry. The old postwar industrial planning model of pop, which centralized control in the hands of major record corporations, and divided the market into neat segments, is dissolving in front of our eyes. This book offers readers a comprehensive guide to understanding pop music today. It provides a clear survey of the field and a description of core concepts. The main theoretical approaches to the analysis of pop are described and critically assessed. The book includes a major investigation of the revolutionary changes in the production, exchange and consumption of pop music that are currently underway. Pop Music, Pop Culture is an accomplished, magnetically interesting guide to understanding pop music today.

The Political Influence of Pop Music. An Analysis of Michael Jackson's "They Don't Really Care About Us"

The Political Influence of Pop Music. An Analysis of Michael Jackson's
Author: Mohamed Rhounan
Publisher:
Total Pages: 20
Release: 2015-12-09
Genre:
ISBN: 9783668103894

Seminar paper from the year 2015 in the subject American Studies - Miscellaneous, grade: 2.0, University of Wuppertal, language: English, abstract: The thesis of my work is that pop music can be used as a medium of political messages. But what is actually pop music? Can this genre be used to spread a political message? And why is the influence of the media so important in this case? In the following I will introduce the phenomenon of pop music and try to give a definition. Furthermore I will discuss the question whether the lyrics of pop music can be considered as poetry or not. After that we take a closer look on a model that illustrates the relation between pop culture and politics. At the end of my work I will discuss the political role of pop music with the help of the famous song "They don't really care about us" by Michael Jackson. Everybody knows pop music. It is a genre of popular music that found its way into the Western world during the 1950s and 1960s deriving from rock and roll. Its big influence in the Western world is quit remarkable. It is so remarkable that when it comes to the definition of what music in general is people start to think automatically about Pop music. This genre has become one of the most influential music forms in the world. But still there are songs like "They don't really care about us" from Michael Jackson that show the political side of Pop music. The pop culture is a voice that communicates within the mainstream of the Western culture. It contains ideas, perspectives and attitudes towards the everyday lives of the society.

Why Pop Music Sucks

Why Pop Music Sucks
Author: Jerry Baiden
Publisher: Jetlaunch
Total Pages: 0
Release: 2024-03-06
Genre: Young Adult Nonfiction
ISBN:

Why Pop Music Sucks illuminates the modern history of music exploring every decade from the 1950s to the 2020s exposing how pop music developed and evolved to the state within which it exists now. Why Pop Music Sucks tells a story about magic but you know the magic is going to end, and the future is an ugly question mark. Why Pop Music Sucks explores all of this change by change, and element by element, AND... in less than a hundred pages. Why Pop Music Sucks is here to slap you in the face. We have become the "frog in the pot of water that succumbed after being ever so slowly boiled to death." This book will illuminate the facts, events, legislation, economics, human behavior, and technology to which all of pop music and all of us have been affected. The media environment within which young people exist is one that favors visual interaction within a musical performance. For middle-school, high-school, and college students, Why Pop Music Sucks will explore that environment and explain what happened in a succinct, memorable, and interactive way in less than 100 pages.