An Essay On Landscape Painting
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Monet to Matisse
| Author | : Richard Thomson |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 1994 |
| Genre | : Landscape painting |
| ISBN | : |
Chinese Landscape Painting as Western Art History
| Author | : James Elkins |
| Publisher | : Hong Kong University Press |
| Total Pages | : 208 |
| Release | : 2010-06-01 |
| Genre | : Art |
| ISBN | : 9622090001 |
This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.
Romantic Geography
| Author | : Yi-Fu Tuan |
| Publisher | : University of Wisconsin Pres |
| Total Pages | : 216 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 0299296830 |
Geography is useful, indeed necessary, to survival. Everyone must know where to find food, water, and a place of rest, and, in the modern world, all must make an effort to make the Earth -- our home -- habitable. But much present-day geography lacks drama, with its maps and statistics, descriptions and analysis, but no acts of chivalry, no sense of quest. Not long ago, however, geography was romantic. Heroic explorers ventured to forbidding environments -- oceans, mountains, forests, caves, deserts, polar ice caps -- to test their power of endurance for reasons they couldn't fully articulate. Why climb Everest? "Because it is there." In this book, the author considers the human tendency -- stronger in some cultures than in others -- to veer away from the middle ground of common sense to embrace the polarized values of light and darkness, high and low, chaos and form, mind and body. In so doing, venturesome humans can find salvation in geographies that cater not so much to survival needs (or even to good, comfortable living) as to the passionate and romantic aspirations of their nature
Transcendence
| Author | : Richard Mayhew |
| Publisher | : Chronicle Books |
| Total Pages | : 140 |
| Release | : 2020-03-03 |
| Genre | : Art |
| ISBN | : 1452179050 |
Transcendence is the long-awaited, career-spanning monograph of American landscape painter Richard Mayhew. For over half a century, Richard Mayhew has been reinventing the genre of landscape painting. His luminous work evokes not only physical vistas but also emotions, sounds, and the pure experience of color. He's known for his masterful use of color and for his unique creative process, inspired by improvisational jazz, which involves pouring paint directly onto the canvas and shaping it into lush, emotional "moodscapes." • This monograph features 70+ of his most striking works. • Includes an exclusive interview with the artist, an introduction by his gallerist Mikaela Sardo Lamarche, and an essay by Andrew Walker, director of the Amon Carter Museum of American Art • Through engaging with his work, readers are invited into deep explorations of their own inner landscapes. Transcendence is a richly rewarding celebration of an iconic artist that will make you rethink everything you know about landscape painting. Mayhew's distinctive style emerges from his roots as a jazz musician, his immersion in the Abstract Expressionist movement, his African American, Cherokee, and Shinnecock heritage, and his unique affinity for the landscapes of the American West—but his paintings transcend boundaries of location and identity. • Great for lovers of fine art, landscape painting, Abstract Expressionism, as well as those who are interested in the intersection of art, music, and emotion • A lush celebration of Richard Mayhew's work, and an ideal introductory book for new fans • Add it to the collection of books like Abstract Expressionism by Carter Ratcliff, Jeremy Lewison, Susan Davidson, and David Anfam; California Landscapes: Richard Diebenkorn / Wayne Thiebaud by John Yau; and The Art of Richard Mayhew: A Critical Analysis with Interviews by Janet Berry Hess.
Carlson's Guide to Landscape Painting
| Author | : John F. Carlson |
| Publisher | : Courier Corporation |
| Total Pages | : 146 |
| Release | : 2013-07-04 |
| Genre | : Art |
| ISBN | : 0486317455 |
The whys and hows of the various aspects of landscape painting: angles and consequent values, perspective, painting of trees, more. 34 black-and-white reproductions of paintings by Carlson. 58 explanatory diagrams.
Nine Letters on Landscape Painting
| Author | : Carl Gustav Carus |
| Publisher | : Getty Publications |
| Total Pages | : 200 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780892366743 |
Carl Gustav Carus (1789-1869)--court physician to the king of Saxony--was a naturalist, amateur painter, and theoretician of landscape painting whose Nine Letters on Landscape Painting is an important document of early German romanticism and an elegant appeal for the integration of art and science. Carus was inspired by and had contacts with the greatest German intellectuals of his day. Carus prefaced his work with a letter from his correspondence with Johann Wolfgang von Goethe, who was his primary mentor in both science and art. His writings also reflect, however, the influence of the German natural philosopher Friedrich Wilhelm Joseph Schelling, especially Schelling's notion of a world soul, and the writings of the naturalist and explorer Alexander von Humboldt. Carus played a role in the revolution in landscape painting taking place in Saxony around Caspar David Friedrich. The first edition appears here in English for the first time.
Courbet and the Modern Landscape
| Author | : |
| Publisher | : Getty Publications |
| Total Pages | : 158 |
| Release | : 2006 |
| Genre | : Landscape in art |
| ISBN | : 0892368365 |
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Painting the Landscape in Pastel
| Author | : Albert Handell |
| Publisher | : Watson-Guptill |
| Total Pages | : 0 |
| Release | : 2000-11-01 |
| Genre | : Art |
| ISBN | : 0823039129 |
Known for his use of luminous color, Albert Handell, whose lush landscapes light up these pages, provides lucid instructions to help first-time pastelists achieve impressive results as soon as they begin working with the medium. After reviewing pastel supplies, the author discusses landscape composition and how to establish large shapes first, abstract certain areas, develop a focal point, work from dark to light, and capture the illusion of reality through color. Stepped demonstrations isolate specific landscape aspects, showing how the pastelist depicts skies, trees, buildings, water, rocks, woods, snow, and light.
Valenciennes, Daubigny, and the Origins of French Landscape Painting
| Author | : Michael Andrew Marlais |
| Publisher | : Mount Holyoke College Art |
| Total Pages | : 68 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : |
This volume traces the history of French painters' engagement with nature from the late Renaissance, when landscape painting first emerged from the background of narrative representation, up to the eve of Impressionism in the 19th century.
