An Emporium Of Automata
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| Author | : D. P. Watt |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2013-03-01 |
| Genre | : Fiction |
| ISBN | : 9781908125187 |
'This new edition of An Emporium of Automata delivers a thesis of the theatrically strange placing in the hands of all seekers after the beautiful and weird a grand collection which, for so long, has been privy to the locked bookcases of collectors and connoisseurs of the macabre and fantastique. Story after uncanny story unfolds before the reader; a maze of carnival mirrors that we fear we might never escape from. Here are missing tales from some lost, darkly romantic Germanic madman's attic. The rotting, wooden fissures that manifest fill in a gaping and pockmarked wooden maw somewhere between E.T.A. Hoffmann, Nabokov and Ligotti. To name these vaguely reminiscent stylists is far too simple. Watt dips first and foremost into his own, personal experience. A literary answer to the modern neon sewer, these pages embrace the worship of decay, the altars of the desolate and all things archaic or fundamentally grotesque. The violently attractive, dangerously jagged islands of the mind which Mr. Watt guides us to are his own half-charted territories. I must also note that the book is structured in a manner, and so dense, that one is really getting three books of first-rate outre literature for the price of one. Puppets rejoice! Read herein these baroque fables in which the drifting souls, toys and ticking things of men revert to fulfill far more ancient impulses. You have nothing to lose but the strings of your mind.' -Charles Schneider, author of The Mauve Embellishments
| Author | : Ellen Datlow |
| Publisher | : Start Publishing LLC |
| Total Pages | : 532 |
| Release | : 2014-05-20 |
| Genre | : Fiction |
| ISBN | : 1597805238 |
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers. The best horror writers of today do the same thing that horror writers of a hundred years ago did. They tell good stories—stories that scare us. And when these writers tell really good stories that really scare us, Ellen Datlow notices. She’s been noticing for more than a quarter century. For twenty-one years, she coedited The Year’s Best Fantasy and Horror, and for the last six years, she’s edited this series. In addition to this monumental cataloging of the best, she has edited hundreds of other horror anthologies and won numerous awards, including the Hugo, Bram Stoker, and World Fantasy awards. More than any other editor or critic, Ellen Datlow has charted the shadowy abyss of horror fiction. Join
| Author | : Ray Garton |
| Publisher | : Crossroad Press |
| Total Pages | : 216 |
| Release | : 2022-08-17 |
| Genre | : Fiction |
| ISBN | : |
A “lot lizard” is a female hooker who works a highway truck stop as her territory. When trucker Bill Ketter looks for a little relaxation and release, he discovers, too late, that he has bitten off more than he can chew. In fact, his lot lizard is the one who does the biting—she is a vampire, one of a number who move from one truck stop to the next under the watchful and vicious eyes of the repulsive Carsey Brothers. Against his will, Bill becomes one of the undead. He follows the brothers and their cargo to another stop where he meets his ex‑wife and children, and Bill finds himself battling the vampires and their age‑old leader for the life of his teenage son. Garton has created another small masterpiece, contemporary adult horror at its most gruesome and loaded with extra doses of sex and gore. The confined setting creates a perfect claustrophobic stage for the story and the hellaciously quick pace never lets the action slow down.
| Author | : Stephen Jones |
| Publisher | : Robinson |
| Total Pages | : 667 |
| Release | : 2011-10-20 |
| Genre | : Fiction |
| ISBN | : 1849017727 |
The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers the most comprehensive annual overview of horror around the world in all its incarnations; a comprehensive necrology of famous names; and a list of indispensable contact addresses for the dedicated horror fan and writer alike. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction.
| Author | : Andreina Cordani |
| Publisher | : Bonnier Zaffre Ltd. |
| Total Pages | : 289 |
| Release | : 2024-10-24 |
| Genre | : Religion |
| ISBN | : 180418747X |
The brand new Christmas murder mystery from the author of The Twelve Days of Murder. Perfect for fans of Agatha Christie, Alexandra Benedict and Janice Hallett's The Christmas Appeal. Christmas shopping can be murder. It's Christmas Eve at the Emporium, a bespoke gift shop hidden in the depths of London's winding streets, where a select few shoppers are browsing its handcrafted delights. But when they go to leave, they find the doors are locked and it isn't long before they realise this is no innocent mix-up. The shoppers have been trapped here by someone who knows their darkest secrets, who will stop at nothing until they have all been unwrapped - and there is a gruesome gift waiting in Santa's grotto . . . For those that survive the night, it will be a Christmas to remember.
| Author | : Agnes W. O'Brien |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 1913 |
| Genre | : Spellers |
| ISBN | : |
| Author | : Richard Hiley |
| Publisher | : |
| Total Pages | : 308 |
| Release | : 1864 |
| Genre | : |
| ISBN | : |
| Author | : Elina Gertsman |
| Publisher | : Cambridge University Press |
| Total Pages | : 254 |
| Release | : 2018-05-31 |
| Genre | : History |
| ISBN | : 1108340814 |
The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.
| Author | : Marina Belozerskaya |
| Publisher | : Getty Publications |
| Total Pages | : 292 |
| Release | : 2005-10-01 |
| Genre | : Art |
| ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
| Author | : William Davidson |
| Publisher | : |
| Total Pages | : 302 |
| Release | : 1889 |
| Genre | : English language |
| ISBN | : |
