An Aztec Calendar Stone In Yale University Museum By George Grant Mac Curdy
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The Delineation of the Day-signs in the Aztec Manuscripts
Author | : Thomas Talbot Waterman |
Publisher | : |
Total Pages | : 624 |
Release | : 1916 |
Genre | : Aztec calendar |
ISBN | : |
Monthly Bulletin of the International Bureau of the American Republics
Author | : Pan American Union |
Publisher | : |
Total Pages | : 764 |
Release | : 1912 |
Genre | : Pan-Americanism |
ISBN | : |
Dictionary Catalog of the History of the Americas
Author | : New York Public Library. Reference Department |
Publisher | : |
Total Pages | : 1014 |
Release | : 1961 |
Genre | : America |
ISBN | : |
Circa 1492
Author | : Jean Michel Massing |
Publisher | : Yale University Press |
Total Pages | : 684 |
Release | : 1991-01-01 |
Genre | : History |
ISBN | : 0300051670 |
Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
Collecting Mesoamerican Art before 1940
Author | : Andrew D. Turner |
Publisher | : Getty Publications |
Total Pages | : 354 |
Release | : 2024-02-13 |
Genre | : Art |
ISBN | : 1606068733 |
The untold chronicles of the looting and collecting of ancient Mesoamerican objects. This book traces the fascinating history of how and why ancient Mesoamerican objects have been collected. It begins with the pre-Hispanic antiquities that first entered European collections in the sixteenth century as gifts or seizures, continues through the rise of systematic collecting in Europe and the Americas during the nineteenth and twentieth centuries, and ends in 1940—the start of Europe’s art market collapse at the outbreak of World War II and the coinciding genesis of the large-scale art market for pre-Hispanic antiquities in the United States. Drawing upon archival resources and international museum collections, the contributors analyze the ways shifting patterns of collecting and taste—including how pre-Hispanic objects changed from being viewed as anthropological and scientific curiosities to collectible artworks—have shaped modern academic disciplines as well as public, private, institutional, and nationalistic attitudes toward Mesoamerican art. As many nations across the world demand the return of their cultural patrimony and ancestral heritage, it is essential to examine the historical processes, events, and actors that initially removed so many objects from their countries of origin.