An Attempt To Ascertain And Illustrate The Authority
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An Attempt to ascertain and illustrate the Authority, Nature, and Design of the Institution of Christ commonly called the Communion and the Lord's Supper. Ms. note [by Samuel Parr].
Author | : William BELL (Prebendary of Westminster.) |
Publisher | : |
Total Pages | : 208 |
Release | : 1780 |
Genre | : |
ISBN | : |
The Will to Power, Book I to IV: An Attempted Transvaluation of all Values (Complete)
Author | : Friedrich Wilhelm Nietzsche |
Publisher | : Library of Alexandria |
Total Pages | : 887 |
Release | : 2020-09-28 |
Genre | : Fiction |
ISBN | : 1465610030 |
In the volume before us we have the first two books of what was to be Nietzsche's greatest theoretical and philosophical prose work. The reception given to Thus Spake Zarathustra had been so unsatisfactory, and misunderstandings relative to its teaching had become so general, that, within a year of the publication of the first part of that famous philosophical poem, Nietzsche was already beginning to see the necessity of bringing his doctrines before the public in a more definite and unmistakable form. During the years that followed—that is to say, between 1883 and 1886—this plan was matured, and although we have no warrant, save his sister's own word and the internal evidence at our disposal, for classing Beyond Good and Evil (published 1886) among the contributions to Nietzsche's grand and final philosophical scheme, "The Will to Power," it is now impossible to separate it entirely from his chief work as we would naturally separate The Birth of Tragedy, the Thoughts out of Season, the volumes entitled Human, all-too-Human, The Dawn of Day, and Joyful Wisdom. Beyond Good and Evil, then, together with its sequel, The Genealogy of Morals, and the two little volumes, The Twilight of the Idols and the Antichrist (published in 1889 and 1894 respectively), must be regarded as forming part of the general plan of which The Will to Power was to be the opus magnum. Unfortunately, The Will to Power was never completed by its author. The text from which this translation was made is a posthumous publication, and it suffers from all the disadvantages that a book must suffer from which has been arranged and ordered by foster hands. When those who were responsible for its publication undertook the task of preparing it for the press, it was very little more than a vast collection of notes and rough drafts, set down by Nietzsche from time to time, as the material for his chief work; and, as any liberty taken with the original manuscript, save that of putting it in order, would probably have resulted in adding or excluding what the author would on no account have added or excluded himself, it follows that in some few cases the paragraphs are no more than hasty memoranda of passing thoughts, which Nietzsche must have had the intention of elaborating at some future time. In these cases the translation follows the German as closely as possible, and the free use even of a conjunction has in certain cases been avoided, for fear lest the meaning might be in the slightest degree modified. It were well, therefore, if the reader could bear these facts in mind whenever he is struck by a certain clumsiness, either of expression or disposition, in the course of reading this translation.
Why I Write
Author | : George Orwell |
Publisher | : Renard Press Ltd |
Total Pages | : 15 |
Release | : 2021-01-01 |
Genre | : Literary Collections |
ISBN | : 1913724263 |
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
How Autocrats Seek Power
Author | : Richard L. Abel |
Publisher | : Taylor & Francis |
Total Pages | : 320 |
Release | : 2024-03-26 |
Genre | : Law |
ISBN | : 104000380X |
Chronicling and analyzing resistance to the threat that autocracy poses to American liberal democracy, this book provides the definitive account of the rise of Trump’s populist support in 2016, and his failed efforts to nullify the result of the 2020 election. This book is about the threat of autocracy, which antedated Donald Trump and will persist after he leaves the stage. Autocracy negates both liberalism—which includes the protection of fundamental rights, the rule of law, separation of powers, and respect for specialist expertise—and democracy—which requires that the state be responsible to an electorate composed of all eligible voters—by concentrating unconstrained power in a single individual. Anticipating defeat in the 2016 election, Trump attacked suggestions that he had sought, or even benefited from, Russian assistance despite the evidence, and he made repeated claims of election fraud. In 2020, fearful that his mishandling of the pandemic had alienated voters, he intensified the allegations of fraud, demanding recounts, pressuring state legislatures and state election officials, advancing bizarre conspiracy theories, and finally, calling for a massive demonstration, urging protesters to march to the Capitol to pressure Congress, promising to accompany them. But as this book documents, Trump’s efforts to nullify the result of the 2020 election failed. As the courts rejected his numerous challenges, state election officials loyally performed their statutory duties, the Justice Department found no evidence of fraud, and politicians from all sides certified Biden’s victory, this book traces the many, and varied, forms of the defense of liberal democracy located within both the state and civil society, including law (judges, government lawyers, and private practitioners), the media, NGOs, science (and other forms of expertise), and civil servants (in federal, state, and local government). Evaluating their efficacy, the book maintains, is vital if—as history has repeatedly taught us—the price of liberal democracy, like that of liberty itself, is eternal vigilance. This definitive account and analysis of Trumpism and the resistance to it will appeal to scholars, students, and others with interests in politics, populism, and the rule of law and, more specifically, to those concerned with resisting the threat that autocracy poses to liberal democracy.