An Ark Of Koans
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Author | : E.D. Blodgett |
Publisher | : University of Alberta |
Total Pages | : 90 |
Release | : 2003-03-28 |
Genre | : Poetry |
ISBN | : 9780888644046 |
An Ark of Koans is a meditation on the mystery of what happens at the moment it happens. Although it takes animals as its threshold, animals only serve as innocent guides toward fathoming, if not understanding, events as small, inconceivable miracles.
Author | : E.D. Blodgett |
Publisher | : University of Alberta |
Total Pages | : 88 |
Release | : 2004-09-15 |
Genre | : Poetry |
ISBN | : 9780888644206 |
E.D. Blodgett, winner of the Governor General's Award for Poetry, returns to Apostrophes with a music passing through his eyes. His latest collection, open the grass, brings glimpses into eternity, visions of a translucent muse trickling through fingers, and places of silence, and darkness, and epiphany. Blodgett's poetry has the ability to penetrate the mundane with a profound aesthetic sense. His spare, strong words kick up pleasure in the eye and unforeseen recognition. These sixty-six poems open the natural world to embrace human passage.
Author | : George Melnyk |
Publisher | : University of Alberta |
Total Pages | : 164 |
Release | : 2003-10-20 |
Genre | : Literary Criticism |
ISBN | : 9780888644091 |
The Poetics of Naming is a fascinating blend of postmodern philosophy and mysticism that challenges our conventional view of language. It begins with the narrator’s discussion of a multi-faceted identity based on his name(s). Because this identity is multi-lingual and multi-national, its layering of the self leads to a confrontation with language. The narrator asks what is the relationship between language and truth? The formative power of language is great, but what happens when we become "languageless?" The book becomes an expression of a mystical experience the narrator calls "poesis" in which he stepped outside of language. Expressing this experience of languagelessness through language is the paradox at the core of the book. To achieve a simulation of languageless reality, the author uses a variety of linguistic techniques that uproot meanings, break-up words, and reconstruct terms in novel ways. Through deconstruction the metaphoric structure of language is revealed. This metaphoric structure is itself approached metaphorically so that the reader begins to sense the trap of a linguistic universe from which there is no escape. The book is a literary exercise that simulates the author’s poesis experience for the reader. Eventually the flood of words on the page begins to go out of focus and dissolve as the reader approaches languagelessness. The Poetics of Naming is not for the faint of heart. It challenges its readers to move away from the comfortable universe of ordinary language and its meanings and enter a world where the boundaries crumble like digital illusions and limitlessness appears on the horizon of consciousness. Poesis is frightening, frustrating and liberating.
Author | : Klaus Martens |
Publisher | : Königshausen & Neumann |
Total Pages | : 166 |
Release | : 2003 |
Genre | : American poetry |
ISBN | : 9783826026355 |
The present volume contains papers and poems presented at Saarland University's international conference "A World of Local Voices: Poetry in English Today" (October 22-23, 1999), and the "Day of International Poetry" (October 24, 1999), both organised by the university's Department of North American Literature and Culture. The conference set out to explore how the modernist tendency towards overarching concepts and a "poetry of ideas" is slowly being superseded by a more modest "poetry of place", which at the same time seems to be loosely subsumed within the unifying medium of English in its various forms. The "Day of International Poetry" was meant to put into operation some of the poetic issues discussed during the conference by asking poets from several English-speaking countries (Canada, India, Jamaica, and the USA) to contribute their individual voices to an international reading of poetry. This volume comprises critical contributions which deal with the interplay of aesthetic, cultural, and political forces in comtemporary poetry. The common reference of this collection is poetry written in varieties of the English language, including translations. The essays show awareness of the current critical debates concerning postcolonialism and intercultural literary relations while also suggesting new paradigms of critical understanding, based on the analyses of individual poetic expression. As a supplement, selected poets and translators have submitted individual poetic texts with accompanying commentaries
Author | : E.D. Blodgett |
Publisher | : University of Alberta |
Total Pages | : 98 |
Release | : 2005-08-04 |
Genre | : Photography |
ISBN | : 9780888644503 |
Elegy is a collaboration of the poetry of E.D. Blodgett and the black and white photography of Yukiko Onley, to create a wistful remembrance of loss, death, and transition, in honor of Onley's late husband. The reflective poetry quietly muses about the unknown, while the still images of natural beauty evoke a related mood. Elegy is not subdivided into separate poems per se; it is rather one long poem of memory, longing, and healing.
Author | : E.D. Blodgett |
Publisher | : University of Alberta |
Total Pages | : 88 |
Release | : 2018-03-22 |
Genre | : Poetry |
ISBN | : 1772123862 |
In a series of poems inspired by Gustav Mahler's Kindertotenlieder, E.D. Blodgett searches for meaning amidst grief. In the contemplative gentleness of his words, he finds the special light children possess in their state of unknowing as they encounter the world. These sparse poems move through acceptance and resignation to the solace that exists in the word. Blodgett's poetry will speak to readers who have experienced loss, are exploring grief, or want to find a way to connect with stillness. as bells that ring through the winter air the clear laughter of children sings in the trees almost like brooks bursting in spring the air stands up its joy unbound the breath of it the bright birth of stars
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Total Pages | : 178 |
Release | : 2003 |
Genre | : Canadian poetry |
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Total Pages | : 508 |
Release | : 2005 |
Genre | : Book industries and trade |
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Publisher | : University of Toronto Press |
Total Pages | : 1610 |
Release | : 1975 |
Genre | : Canada Imprints |
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Author | : Judith Seligson |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 814 |
Release | : 2021-03-08 |
Genre | : Social Science |
ISBN | : 1527567230 |
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.