An Amateur Performance
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Author | : Michael Dobson |
Publisher | : Cambridge University Press |
Total Pages | : 281 |
Release | : 2011-04-28 |
Genre | : Drama |
ISBN | : 1139496816 |
From the Hamlet acted on a galleon off Africa to the countless outdoor productions of A Midsummer Night's Dream that now defy each English summer, Shakespeare and Amateur Performance explores the unsung achievements of those outside the theatrical profession who have been determined to do Shakespeare themselves. Based on extensive research in previously unexplored archives, this generously illustrated and lively work of theatre history enriches our understanding of how and why Shakespeare's plays have mattered to generations of rude mechanicals and aristocratic dilettantes alike: from the days of the Theatres Royal to those of the Little Theatre Movement, from the pioneering Winter's Tale performed in eighteenth-century Salisbury to the Merchant of Venice performed by Allied prisoners for their Nazi captors, and from the how-to book which transforms Mercutio into Yankee Doodle to the Napoleonic counterspy who used Richard III as a tool of surveillance.
Author | : Helen Nicholson |
Publisher | : Springer |
Total Pages | : 348 |
Release | : 2018-10-26 |
Genre | : Performing Arts |
ISBN | : 1137508108 |
This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Historically informed, it traces how amateur theatre has impacted national repertoires, contributed to diverse creative economies, and responded to changing patterns of labour. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime. It asks: how does amateur theatre-making contribute to the twenty-first century amateur turn?
Author | : |
Publisher | : |
Total Pages | : 408 |
Release | : 1928 |
Genre | : Amateur theater |
ISBN | : |
Author | : Nicholas Ridout |
Publisher | : University of Michigan Press |
Total Pages | : 217 |
Release | : 2013-10-14 |
Genre | : History |
ISBN | : 0472119079 |
A rich, historically grounded exploration of why theater and performance matter in the modern world
Author | : |
Publisher | : |
Total Pages | : 626 |
Release | : 1859 |
Genre | : Fiction |
ISBN | : |
Author | : Crest Trading Company, New York |
Publisher | : |
Total Pages | : 250 |
Release | : 1904 |
Genre | : Amusements |
ISBN | : |
Author | : Keith Arrowsmith |
Publisher | : A&C Black |
Total Pages | : 319 |
Release | : 2002-01-24 |
Genre | : Reference |
ISBN | : 1408148463 |
The Amateur Theatre Handbook is the essential handbook for anyone involved in amateur dramatics. Keith Arrowsmith guides the reader through the potential pitfalls of putting on a production, from preliminary planning and choosing a play, through stage management, to first night. There are sections on staging a show, group organisation and special performances, covering legal rights and obligations, health and safety, budgeting, copyright law, choosing a venue, stage management and front-of-house, plus a comprehensive reference section. Using personal anecdotes, checklists and clear guidelines, this is a comprehensive and accessible handbook for all aspects of amateur production.
Author | : Claire Cochrane |
Publisher | : Bloomsbury Publishing |
Total Pages | : 392 |
Release | : 2019-10-31 |
Genre | : Performing Arts |
ISBN | : 1350034312 |
The Methuen Drama Handbook of Theatre History and Historiography is an authoritative guide to contemporary debates and practices in this field. The book covers the key themes and methods that are current in theatre history research, with a particular focus on expanding the object of study to include engagement with theatre and performance practices and the development of theatre histories around the world. Central to the book are eighteen specially commissioned essays by established and emerging scholars from a wide range of international contexts, whose discussion of individual case studies is predicated on their understanding and experience of their 'local' landscape of theatre history. These essays reveal where important work continues to be done in the field and, most valuably, draws on academic contexts beyond the Western academy to expand our knowledge of the exciting directions that such an approach opens up. Prefaced by an introduction tracing the development of the discipline of theatre history and changing historiographical approaches, the Handbook explores current issues pertaining to theatre and performance history research, as well as providing up to date and robust introductions to the methods and historiographic questions being explored by researchers in the field. Featuring a series of essential research tools, including a detailed list of resources and an annotated bibliography of key texts, this is an indispensable scholarly handbook for anyone working in theatre and performance history and historiography.
Author | : Tong Soon Lee |
Publisher | : University of Illinois Press |
Total Pages | : 215 |
Release | : 2024-02-12 |
Genre | : Music |
ISBN | : 0252055896 |
Since Singapore declared independence from Malaysia in 1965, Chinese street opera has played a significant role in defining Singaporean identity. Carefully tracing the history of amateur and professional performances in Singapore, Tong Soon Lee reflects on the role of street performance in fostering cultural nationalism and entrepreneurship. He explains that the government welcomes Chinese street opera performances because they combine tradition and modernism and promote a national culture that brings together Singapore's four main ethnic groups--Eurasian, Malay, Chinese, and South Asian. Chinese Street Opera in Singapore documents the ways in which this politically motivated art form continues to be influenced and transformed by Singaporean politics, ideology, and context in the twenty-first century. By performing Chinese street opera, amateur troupes preserve their rich heritage, underscoring the Confucian mind-set that a learned person engages in the arts for moral and unselfish purposes. Educated performers also control behavior, emotions, and values. They are creative and innovative, and their use of new technologies indicates a modern, entrepreneurial spirit. Their performances bring together diverse ethnic groups to watch and perform, Lee argues, while also encouraging a national attitude focused on both remembering the past and preparing for the future in Singapore.
Author | : Lynn Mally |
Publisher | : Cornell University Press |
Total Pages | : 280 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780801437694 |
During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented.