American Wonderland
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American Wonderland
Author | : Shane Leslie |
Publisher | : London, M. Joseph, Limited [1936] |
Total Pages | : 328 |
Release | : 1936 |
Genre | : United States |
ISBN | : |
Yellowstone National Park, Or, The Great American Wonderland
Author | : William Wallace Wylie |
Publisher | : |
Total Pages | : 136 |
Release | : 1882 |
Genre | : Yellowstone National Park |
ISBN | : |
American Language
Author | : H.L. Mencken |
Publisher | : Knopf |
Total Pages | : 817 |
Release | : 2012-01-04 |
Genre | : Language Arts & Disciplines |
ISBN | : 0307808793 |
The American Language, first published in 1919, is H. L. Mencken's book about the English language as spoken in the United States. Mencken was inspired by "the argot of the colored waiters" in Washington, as well as one of his favorite authors, Mark Twain, and his experiences on the streets of Baltimore. In 1902, Mencken remarked on the "queer words which go into the making of 'United States.'" The book was preceded by several columns in The Evening Sun. Mencken eventually asked "Why doesn't some painstaking pundit attempt a grammar of the American language... English, that is, as spoken by the great masses of the plain people of this fair land?" It would appear that he answered his own question. In the tradition of Noah Webster, who wrote the first American dictionary, Mencken wanted to defend "Americanisms" against a steady stream of English critics, who usually isolated Americanisms as borderline barbarous perversions of the mother tongue. Mencken assaulted the prescriptive grammar of these critics and American "schoolmarms", arguing, like Samuel Johnson in the preface to his dictionary, that language evolves independently of textbooks. The book discusses the beginnings of "American" variations from "English", the spread of these variations, American names and slang over the course of its 374 pages. According to Mencken, American English was more colorful, vivid, and creative than its British counterpart.
Bedside Book of Bad Girls
Author | : Michael Rutter |
Publisher | : Farcountry Press |
Total Pages | : 172 |
Release | : 2008 |
Genre | : Biography & Autobiography |
ISBN | : 9781560374626 |
Drawing on fact and folklore, this book brings these gun-slinging "bad girls" to life, and explores their motives, hopes, and dreams. It dispels many of the myths about these female outlaws, for sometimes truth is stranger than fiction
National Imaginaries, American Identities
Author | : Larry J. Reynolds |
Publisher | : Princeton University Press |
Total Pages | : 260 |
Release | : 2021-03-09 |
Genre | : Literary Criticism |
ISBN | : 0691227721 |
From the American Revolution to the present, the United States has enjoyed a rich and persuasive visual culture. These images have constructed, sustained, and disseminated social values and identities, but this unwieldy, sometimes untidy form of cultural expression has received less systematic attention than other modes of depicting American life. Recently, scholars in the humanities have developed a new critical approach to reading images and the cultural work they perform. This practice, American cultural iconography, is generating sophisticated analyses of how images organize our public life. The contributions to this volume exhibit the extraordinary scope and interpretive power of this interdisciplinary study while illuminating the dark corners of the nation's psyche. Drawing on such varied texts and visual media as daguerreotypes, political cartoons, tourist posters, and religious artifacts, these essays explore how pictures and words combine to teach us who we are and who we are not. They examine mimesis in elegant portraits of black Freemasons, industrial-age representations of national parks, and postwar photographs of atomic destruction. They consider how visual culture has described and disclosed the politics of racialized sexuality, whether subconsciously affirming it in the shadows of film noir or deliberately contesting it through the interethnic incest of John Sayles's Lone Star. Students of literature, film, and history will find that these essays extend the frontier of American studies. The contributors are Maurice Wallace, Dennis Berthold, Alan Trachtenberg, Shirley Samuels, Jenny Franchot, Cecelia Tichi, Eric Lott, Bryan C. Taylor, and José E. Limón.
The Transnationalism of American Culture
Author | : Rocío G. Davis |
Publisher | : Routledge |
Total Pages | : 230 |
Release | : 2013 |
Genre | : Literary Criticism |
ISBN | : 0415641926 |
This book studies the transnational nature of American cultural productions, examining how they serve as ways of perceiving American culture. Visiting literature, film, and music, it considers how manifestations of American culture have traveled and what has happened to the texts in the process, including how they have been commodified.
Rhetorical Landscapes in America
Author | : Gregory Clark |
Publisher | : Univ of South Carolina Press |
Total Pages | : 202 |
Release | : 2021-11-24 |
Genre | : Language Arts & Disciplines |
ISBN | : 1643363247 |
A panoramic explanation of "civic tourism" and the shaping of a national identity At the same time a reading of Kenneth Burke and of tourist landscapes in America, Gregory Clark's new study explores the rhetorical power connected with American tourism. Looking specifically at a time when citizens of the United States first took to rail and then highway to become sightseers in their own country, Clark traces the rhetorical function of a wide-ranging set of tourist experiences. He explores how the symbolic experiences Americans share as tourists have helped residents of a vast and diverse nation adopt a national identity. In doing so he suggests that the rhetorical power of a national culture is wielded not only by public discourse but also by public experiences. Clark examines places in the American landscape that have facilitated such experiences, including New York City, Shaker villages, Yellowstone National Park, the Lincoln Highway, San Francisco's 1915 Panama-Pacific International Exposition, and the Grand Canyon. He examines the rhetorical power of these sites to transform private individuals into public citizens, and he evaluates a national culture that teaches Americans to experience certain places as potent symbols of national community. Invoking Burke's concept of "identification" to explain such rhetorical encounters, Clark considers Burke's lifelong study of symbols—linguistic and otherwise—and their place in the construction and transformation of individual identity. Clark turns to Burke's work to expand our awareness of the rhetorical resources that lead individuals within a community to adopt a collective identity, and he considers the implications of nineteenth- and twentieth-century tourism for both visual rhetoric and the rhetoric of display.