American Poetry and Japanese Culture
Author | : Sanehide Kodama |
Publisher | : Hamden, Conn. : Archon Books |
Total Pages | : 288 |
Release | : 1984 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Sanehide Kodama |
Publisher | : Hamden, Conn. : Archon Books |
Total Pages | : 288 |
Release | : 1984 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Steven Gould Axelrod |
Publisher | : Rutgers University Press |
Total Pages | : 677 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 0813531640 |
The book includes over 600 poems by 65 american poets writing in the period between 1900 and 1950.
Author | : Jack Kerouac |
Publisher | : Penguin |
Total Pages | : 243 |
Release | : 2013-04-01 |
Genre | : Poetry |
ISBN | : 1101664886 |
A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.
Author | : Durnell, H. B. |
Publisher | : Tokyo : Hokuseido Press |
Total Pages | : 336 |
Release | : 1983 |
Genre | : American literature |
ISBN | : |
Author | : Mia Ayumi Malhotra |
Publisher | : |
Total Pages | : 100 |
Release | : 2018 |
Genre | : Poetry |
ISBN | : 9781938584947 |
Journey through a Japanese American's lineage, detailing war, xenophobia, and racism. These poems ache while creating hope for the future.
Author | : Elizabeth Miki Brina |
Publisher | : Vintage |
Total Pages | : 304 |
Release | : 2021-02-23 |
Genre | : Biography & Autobiography |
ISBN | : 0525657355 |
A “hauntingly beautiful memoir about family and identity” (NPR) and a young woman's journey to understanding her complicated parents—her mother an Okinawan war bride, her father a Vietnam veteran—and her own, fraught cultural heritage. Elizabeth's mother was working as a nightclub hostess on U.S.-occupied Okinawa when she met the American soldier who would become her husband. The language barrier and power imbalance that defined their early relationship followed them to the predominantly white, upstate New York suburb where they moved to raise their only daughter. There, Elizabeth grew up with the trappings of a typical American childhood and adolescence. Yet even though she felt almost no connection to her mother's distant home, she also felt out of place among her peers. Decades later, Elizabeth comes to recognize the shame and self-loathing that haunt both her and her mother, and attempts a form of reconciliation, not only to come to terms with the embattled dynamics of her family but also to reckon with the injustices that reverberate throughout the history of Okinawa and its people. Clear-eyed and profoundly humane, Speak, Okinawa is a startling accomplishment—a heartfelt exploration of identity, inheritance, forgiveness, and what it means to be an American.
Author | : Victoria Chang |
Publisher | : University of Illinois Press |
Total Pages | : 236 |
Release | : 2004 |
Genre | : Poetry |
ISBN | : 9780252071744 |
A modern poetry anthology that includes the work of a second generation of Asian American poets who are taking the best of the prior generation, but also breaking conventional patterns.
Author | : Haruo Shirane |
Publisher | : Columbia University Press |
Total Pages | : 316 |
Release | : 2012-03-20 |
Genre | : Literary Criticism |
ISBN | : 0231526520 |
Elegant representations of nature and the four seasons populate a wide range of Japanese genres and media—from poetry and screen painting to tea ceremonies, flower arrangements, and annual observances. In Japan and the Culture of the Four Seasons, Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery. Refuting the belief that this tradition reflects Japan's agrarian origins and supposedly mild climate, Shirane traces the establishment of seasonal topics to the poetry composed by the urban nobility in the eighth century. After becoming highly codified and influencing visual arts in the tenth and eleventh centuries, the seasonal topics and their cultural associations evolved and spread to other genres, eventually settling in the popular culture of the early modern period. Contrasted with the elegant images of nature derived from court poetry was the agrarian view of nature based on rural life. The two landscapes began to intersect in the medieval period, creating a complex, layered web of competing associations. Shirane discusses a wide array of representations of nature and the four seasons in many genres, originating in both the urban and rural perspective: textual (poetry, chronicles, tales), cultivated (gardens, flower arrangement), material (kimonos, screens), performative (noh, festivals), and gastronomic (tea ceremony, food rituals). He reveals how this kind of "secondary nature," which flourished in Japan's urban architecture and gardens, fostered and idealized a sense of harmony with the natural world just at the moment it was disappearing. Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane clarifies the use of natural images and seasonal topics and the changes in their cultural associations and function across history, genre, and community over more than a millennium. In this fascinating book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world.
Author | : Haruo Shirane |
Publisher | : Stanford University Press |
Total Pages | : 404 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : 9780804730990 |
Basho (1644-94) is perhaps the best known Japanese poet in both Japan and the West, and this book establishes the ground for badly needed critical discussion of this critical figure by placing the works of Basho and his disciples in the context of broader social change.
Author | : Steven D. Carter |
Publisher | : Columbia University Press |
Total Pages | : 373 |
Release | : 2019-06-11 |
Genre | : Poetry |
ISBN | : 0231546858 |
How to Read a Japanese Poem offers a comprehensive approach to making sense of traditional Japanese poetry of all genres and periods. Steven D. Carter explains to Anglophone students the methods of composition and literary interpretation used by Japanese poets, scholars, and critics from ancient times to the present, and adds commentary that will assist the modern reader. How to Read a Japanese Poem presents readings of poems by major figures such as Saigyō and Bashō as well as lesser known poets, with nearly two hundred examples that encompass all genres of Japanese poetry. The book gives attention to well-known forms such as haikai or haiku, as well as ancient songs, comic poems, and linked verse. Each chapter provides examples of a genre in chronological order, followed by notes about authorship and other contextual details, including the time of composition, physical setting, and social occasion. The commentaries focus on a central feature of Japanese poetic discourse: that poems are often occasional, written in specific situations, and are best read in light of their milieu. Carter elucidates key concepts useful in examining Japanese poetics as well as the technical vocabulary of Japanese poetic discourse, familiarizing students with critical terms and concepts. An appendix offers succinct definitions of technical terms and essays on aesthetic ideals and devices.