American Passages Brief Vol I
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Author | : Katherine Grandjean |
Publisher | : Harvard University Press |
Total Pages | : 321 |
Release | : 2015-01-05 |
Genre | : History |
ISBN | : 067474540X |
New England was built on letters. Its colonists left behind thousands of them, brittle and browning and crammed with curls of purplish script. How they were delivered, though, remains mysterious. We know surprisingly little about the way news and people traveled in early America. No postal service or newspapers existed—not until 1704 would readers be able to glean news from a “public print.” But there was, in early New England, an unseen world of travelers, rumors, movement, and letters. Unearthing that early American communications frontier, American Passage retells the story of English colonization as less orderly and more precarious than the quiet villages of popular imagination. The English quest to control the northeast entailed a great struggle to control the flow of information. Even when it was meant solely for English eyes, news did not pass solely through English hands. Algonquian messengers carried letters along footpaths, and Dutch ships took them across waterways. Who could travel where, who controlled the routes winding through the woods, who dictated what news might be sent—in Katherine Grandjean’s hands, these questions reveal a new dimension of contest and conquest in the northeast. Gaining control of New England was not solely a matter of consuming territory, of transforming woods into farms. It also meant mastering the lines of communication.
Author | : Gregory E. O'Malley |
Publisher | : UNC Press Books |
Total Pages | : 411 |
Release | : 2014 |
Genre | : History |
ISBN | : 1469615347 |
Final Passages: The Intercolonial Slave Trade of British America, 1619-1807
Author | : William R. Cross |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 435 |
Release | : 2022-04-12 |
Genre | : Biography & Autobiography |
ISBN | : 0374603804 |
The definitive life of the painter who forged American identity visually, in art and illustration, with an impact comparable to that of Walt Whitman and Mark Twain in poetry and prose—yet whose own story has remained largely untold. In 1860, at the age of twenty-four, Winslow Homer (1836–1910) sold Harper’s Weekly two dozen wood engravings, carved into boxwood blocks and transferred to metal plates to stamp on paper. One was a scene that Homer saw on a visit to Boston, his hometown. His illustration shows a crowd of abolitionists on the brink of eviction from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” Homer, born into the Panic of 1837 and raised in the years before the Civil War, came of age in a nation in crisis. He created multivalent visual tales, both quintessentially American and quietly replete with narrative for and about people of all races and ages. Whether using pencil, watercolor, or, most famously, oil, Homer addressed the hopes and fears of his fellow Americans and invited his viewers into stories embedded with universal, timeless questions of purpose and meaning. Like his contemporaries Twain and Whitman, Homer captured the landscape of a rapidly changing country with an artist’s probing insight. His tale is one of America in all its complexity and contradiction, as he evolved and adapted to the restless spirit of invention transforming his world. In Winslow Homer: American Passage, William R. Cross reveals the man behind the art. It is the surprising story of a life led on the front lines of history. In that life, this Everyman made archetypal images of American culture, endowed with a force of moral urgency through which they speak to all people today. Includes Color Images and Maps
Author | : Dianna J. Shandy |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : Cattle herding |
ISBN | : 9780813034430 |
"Assumptions that refugees fleeing to Western countries come from "stone-age" societies do not recognize the ways Africans employ social networks and technology in their quest for better lives for themselves and their families. Shandy argues that flawed representations fail to credit African populations with linkages between "home" and the diaspora, overlooking important realities in how these ties shape the lives of people in both settings. Refugees are not hopeless beneficiaries of the communities who are receiving them, but rather, social actors and active agents in producing culture and shaping their own futures."--BOOK JACKET.
Author | : Justin Cronin |
Publisher | : Doubleday Canada |
Total Pages | : 785 |
Release | : 2010-06-08 |
Genre | : Fiction |
ISBN | : 0385669526 |
The Andromeda Strain meets The Stand in this startling and stunning thriller that brings to life a unique vision of the apocalypse and plays brilliantly with vampire mythology, revealing what becomes of human society when a top-secret government experiment spins wildly out of control. At an army research station in Colorado, an experiment is being conducted by the U.S. Government: twelve men are exposed to a virus meant to weaponize the human form by super-charging the immune system. But when the experiment goes terribly wrong, terror is unleashed. Amy, a young girl abandoned by her mother and set to be the thirteenth test subject, is rescued by Brad Wolgast, the FBI agent who has been tasked with handing her over, and together they escape to the mountains of Oregon. As civilization crumbles around them, Brad and Amy struggle to keep each other alive, clinging to hope and unable to comprehend the nightmare that approaches with great speed and no mercy. . .
Author | : Ann Fienup-Riordan |
Publisher | : University of Oklahoma Press |
Total Pages | : 420 |
Release | : 1995-09-01 |
Genre | : Social Science |
ISBN | : 9780806126463 |
This book brings together as complete a record of traditional Yupik rules and rituals as is possible in the late twentieth century. Incorporating elders' recollections of the system of ruled boundaries and ritual passages that guided their parents and grandparents a century ago, Ann Fienup-Riordan brings into focus the complex, creative Yupik world view - expressed by ceremonial exchanges and the cycling of names, gifts, and persons - which continues to shape daily life in communities along the Bering Sea coast. Her analysis is illustrated with many contemporary and historical photographs. Identifying "metaphors to live by, " Fienup-Riordan tells of "the Boy Who Went to Live with Seals" and "the Girl Who Returned from the Dead." She explains how in Yupik cosmology their stories illustrate relationships among human beings, animals, and the spirit world - the "boundaries and passages" between death and the renewal of life.
Author | : Robert A. Caro |
Publisher | : Vintage |
Total Pages | : 785 |
Release | : 2012-05-01 |
Genre | : Biography & Autobiography |
ISBN | : 0307960463 |
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD, THE LOS ANGELES TIMES BOOK PRIZE, THE MARK LYNTON HISTORY PRIZE, THE AMERICAN HISTORY BOOK PRIZE Book Four of Robert A. Caro’s monumental The Years of Lyndon Johnson displays all the narrative energy and illuminating insight that led the Times of London to acclaim it as “one of the truly great political biographies of the modern age. A masterpiece.” The Passage of Power follows Lyndon Johnson through both the most frustrating and the most triumphant periods of his career—1958 to1964. It is a time that would see him trade the extraordinary power he had created for himself as Senate Majority Leader for what became the wretched powerlessness of a Vice President in an administration that disdained and distrusted him. Yet it was, as well, the time in which the presidency, the goal he had always pursued, would be thrust upon him in the moment it took an assassin’s bullet to reach its mark. By 1958, as Johnson began to maneuver for the presidency, he was known as one of the most brilliant politicians of his time, the greatest Senate Leader in our history. But the 1960 nomination would go to the young senator from Massachusetts, John F. Kennedy. Caro gives us an unparalleled account of the machinations behind both the nomination and Kennedy’s decision to offer Johnson the vice presidency, revealing the extent of Robert Kennedy’s efforts to force Johnson off the ticket. With the consummate skill of a master storyteller, he exposes the savage animosity between Johnson and Kennedy’s younger brother, portraying one of America’s great political feuds. Yet Robert Kennedy’s overt contempt for Johnson was only part of the burden of humiliation and isolation he bore as Vice President. With a singular understanding of Johnson’s heart and mind, Caro describes what it was like for this mighty politician to find himself altogether powerless in a world in which power is the crucial commodity. For the first time, in Caro’s breathtakingly vivid narrative, we see the Kennedy assassination through Lyndon Johnson’s eyes. We watch Johnson step into the presidency, inheriting a staff fiercely loyal to his slain predecessor; a Congress determined to retain its power over the executive branch; and a nation in shock and mourning. We see how within weeks—grasping the reins of the presidency with supreme mastery—he propels through Congress essential legislation that at the time of Kennedy’s death seemed hopelessly logjammed and seizes on a dormant Kennedy program to create the revolutionary War on Poverty. Caro makes clear how the political genius with which Johnson had ruled the Senate now enabled him to make the presidency wholly his own. This was without doubt Johnson’s finest hour, before his aspirations and accomplishments were overshadowed and eroded by the trap of Vietnam. In its exploration of this pivotal period in Johnson’s life—and in the life of the nation—The Passage of Power is not only the story of how he surmounted unprecedented obstacles in order to fulfill the highest purpose of the presidency but is, as well, a revelation of both the pragmatic potential in the presidency and what can be accomplished when the chief executive has the vision and determination to move beyond the pragmatic and initiate programs designed to transform a nation. It is an epic story told with a depth of detail possible only through the peerless research that forms the foundation of Robert Caro’s work, confirming Nicholas von Hoffman’s verdict that “Caro has changed the art of political biography.”
Author | : Nathaniel Hawthorne |
Publisher | : |
Total Pages | : 466 |
Release | : 1896 |
Genre | : Authors, American |
ISBN | : |
Author | : Tuire Valkeakari |
Publisher | : University Press of Florida |
Total Pages | : 254 |
Release | : 2022-06-28 |
Genre | : Social Science |
ISBN | : 0813072441 |
Precarious Passages unites literature written by members of the far-flung Black Anglophone diaspora. Rather than categorizing novels as simply "African American," "Black Canadian," "Black British," or "postcolonial African Caribbean," this book takes an integrative approach: it argues that fiction creates and sustains a sense of a wider African diasporic community in the Western world. Tuire Valkeakari analyzes the writing of Toni Morrison, Caryl Phillips, Lawrence Hill, and other contemporary novelists of African descent. She shows how their novels connect with each other and with defining moments in the transatlantic experience, most notably the Middle Passage and enslavement. The lives of their characters are marked by migration and displacement. Their protagonists yearn to experience fulfilling human connection in a place they can call home. Portraying strategies of survival, adaptation, and resistance across the limitless varieties of life experiences in the diaspora, these novelists continually reimagine what it means to share a Black diasporic identity.
Author | : Robert Murray |
Publisher | : University Press of Florida |
Total Pages | : 225 |
Release | : 2021-02-23 |
Genre | : History |
ISBN | : 0813065755 |
Tracing the movement of people to and from Liberia in the nineteenth century Established by the American Colonization Society in the early nineteenth century as a settlement for free people of color, the West African colony of Liberia is usually seen as an endpoint in the journeys of those who traveled there. In Atlantic Passages, Robert Murray reveals that many Liberian settlers did not remain in Africa but returned repeatedly to the United States, and he explores the ways this movement shaped the construction of race in the Atlantic world. Tracing the transatlantic crossings of Americo-Liberians between 1820 and 1857, in addition to delving into their experiences on both sides of the ocean, Murray discusses how the African neighbors and inhabitants of Liberia recognized significant cultural differences in the newly arrived African Americans and racially categorized them as “whites.” He examines the implications of being perceived as simultaneously white and Black, arguing that these settlers acquired an exotic, foreign identity that escaped associations with primitivism and enabled them to claim previously inaccessible privileges and honors in America. Highlighting examples of the ways in which blackness and whiteness have always been contested ideas, as well as how understandings of race can be shaped by geography and cartography, Murray offers many insights into what it meant to be Black and white in the space between Africa and America. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.