American Newsfilm 1914 1919
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| Author | : David Mould |
| Publisher | : Routledge |
| Total Pages | : 321 |
| Release | : 2014-04-24 |
| Genre | : History |
| ISBN | : 1317692020 |
The First World War was the first conflict in which film became a significant instrument of propaganda. For the United States, the war had two distinct phases: from August 1914 to April 1917, America was officially a neutral country; after April 1917 the United States was in the war, providing men, money and munitions for the Allies. These two phases are mirrored in the newsreels and documentary films shown in the United States. This volume starts by examining the background to the war for the movie industry – the coverage of previous conflicts and the growth of the newsreel. It examines the experiences of American cameramen who worked in the war zone: their efforts to gain access to the front, to overcome problems ranging from unreliable equipment to poor lighting conditions to evading censorship and how this shaped the coverage of the war.
| Author | : David Harley Mould |
| Publisher | : Dissertations-G |
| Total Pages | : 328 |
| Release | : 1983 |
| Genre | : History |
| ISBN | : |
| Author | : Mark Garrett Cooper |
| Publisher | : Routledge |
| Total Pages | : 328 |
| Release | : 2018-06-14 |
| Genre | : Performing Arts |
| ISBN | : 1315516713 |
The twentieth century generated tens of thousands of hours of American newsfilm but not the scholarly apparatus necessary to analyze and contextualize them. Assembling new approaches to the study of U.S. newsfilm in cinema and television, this book makes a long overdue critical intervention in the field of film and media studies by addressing the format’s inherent intermediality; its mediation of "events" for local, national, and transnational communities; its distinctive archival legacies; and, consequently, its integral place in film and television studies more broadly. This collection brings fresh, contemporary methodologies and analysis to bear on a vast amount of material that has languished in relative obscurity for far too long.
| Author | : Billie Melman |
| Publisher | : Routledge |
| Total Pages | : 458 |
| Release | : 2013-01-11 |
| Genre | : History |
| ISBN | : 113604390X |
Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace. Drawing on a wide range of materials, from government policy and propaganda to subversive trench journalism and performance, from fiction, drama and film to the record of activists in various movements and in various countries, Borderlines weaves together the study of gender with that of the evolution of nationalism and colonialism. Its broad, comparative perspective will rechart the war experiences and identities of women and men during this period of transformation from peace to war, and again to peace.
| Author | : Chris Dubbs |
| Publisher | : U of Nebraska Press |
| Total Pages | : 310 |
| Release | : 2017-03-01 |
| Genre | : History |
| ISBN | : 0803285744 |
When war erupted in Europe in 1914, American journalists hurried across the Atlantic ready to cover it the same way they had covered so many other wars. However, very little about this war was like any other. American Journalists in the Great War tells the dramatic stories of the journalists who covered World War I for the American public.
| Author | : James T. Controvich |
| Publisher | : Scarecrow Press |
| Total Pages | : 657 |
| Release | : 2023-05-08 |
| Genre | : History |
| ISBN | : 0810883198 |
With the centennial of the First World War rapidly approaching, historian and bibliographer James T. Controvich offers in The United States in World War I: A Bibliographic Guide the most comprehensive, up-to-date reference bibliography yet published. Organized by subject, this bibliography includes the full range of sources: vintage publications of the time, books, pamphlets, periodical titles, theses, dissertations, and archival sources held by federal and state organizations, as well as those in public and private hands, including historical societies and museums. As Controvich’s bibliographic accounting makes clear, there were many facets of World War I that remain virtually unknown to this day. Throughout, Controvich’s bibliography tracks the primary sources that tell each of these stories—and many others besides—during this tense period in American history. Each entry lists the author, title, place of publication, publisher, date of publication, and page count as well as descriptive information concerning illustrations, plates, ports, maps, diagrams, and plans. The armed forces section carries additional information on rosters, awards, citations, and killed and wounded in action lists. The United States in World War I: A Bibliographic Guide is an ideal research tool for students and scholars of World War I and American history.
| Author | : David Nasaw |
| Publisher | : Harvard University Press |
| Total Pages | : 324 |
| Release | : 1999-04-15 |
| Genre | : History |
| ISBN | : 9780674356221 |
This social history of 20th-century show business and the new American public that assembled in the parks, theatres and dance halls argues that an otherwise disparate 'white' audience was united by the exclusion and stigmatisation of African Americans.
| Author | : Gary S. Messinger |
| Publisher | : Manchester University Press |
| Total Pages | : 370 |
| Release | : 1992 |
| Genre | : History |
| ISBN | : 9780719030147 |
In 1914, advertising was much less sophisticated that it is today, radio was in its infancy, television was undeveloped, telephones were just coming into use, the gargantuan party rallies of Hitler or Mussolini were still in the future, and the idea of using ocmmunications media to control the thoughts of an entire population was new, relatively unexplored, and not of interest to governments to any great extent. Propaganda was a part of life before 1914, and the term was coming into increasingly widespread usage. But other institutions of society, such as the church, the press, business, political parties, and philanthropy, were the major producers - not government.
| Author | : Raymond Fielding |
| Publisher | : McFarland |
| Total Pages | : 253 |
| Release | : 2015-05-07 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 147660794X |
For fifty years, the newsreel was a fixture in American movie theaters. Released twice a week, less than ten minutes long, each had news footage that combined journalism with entertainment. With the advent of television news programs after World War II, newsreels began to be obsolete, but they remain the first instances of moving image photographic journalism and were for decades a unique source of information--and misinformation. This history details the full span of the American newsreel from 1911 to 1967, discussing the European forerunners, changes in the American version over time, and the ethical and unethical use of newsreels in present-day television documentaries. Photographs, bibliography and index.
| Author | : Ross Melnick |
| Publisher | : Columbia University Press |
| Total Pages | : 581 |
| Release | : 2012-05-01 |
| Genre | : Performing Arts |
| ISBN | : 023150425X |
Samuel "Roxy" Rothafel (1882–1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. The first book devoted to Rothafel's multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New York's most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours. The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. Roxy's interest in media convergence also reflects a larger moment in which the entertainment industry began to create brands and franchises, exploit them through content release "events," and give rise to feature films, soundtracks, broadcasts, live performances, and related consumer products. Regularly cited as one of the twelve most important figures in the film and radio industries, Roxy was instrumental to the development of film exhibition and commercial broadcasting, musical accompaniment, and a new, convergent entertainment industry.
