Excerpt from Myths and Legends of Our Own Land, Vol. 1 But, whatever the episodes of our four historic centuries may furnish to the poet, painter, dramatist, or legend-building idealist of the future, it is certain that we are not devoid of myth and folk-lore. Some characters, prosaic enough, perhaps, in daily life, have impinged so lightly on society before and after perpetrating their one or two great deeds, that they have already become shadowy and their achieve ments have acquired a color of the supernatural. It is Where myth and history combine that legend is most interesting and appeals to our fancy or our sympathy most strongly; and it is not too early for us to begin the collation of those quaint happenings and those spoken reports that gain in picturesque ness with each transmission. An attempt has been made in this instance to assemble only legends, for, doubtful as some historians profess to find them, certain occurrences, like the story of Captain Smith and Pocahontas, and the ride of General Putnam down Breakneck Stairs, are taught as history while as to folk-lore, that of the Indian tribes and of the Southern negro is too copious to be recounted in this work. It Will be noted that traditions do not thrive in brick and brownstone, and that the stories once rife in the colonial cities have almost as effectually disappeared as the architectural landmarks of last century. The field entered by the writer is not untrodden. Hawthorne and Irving have made paths across it, and it is hoped that others may deem its. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.