American Musicians
Author | : Whitney Balliett |
Publisher | : New York : Oxford University Press |
Total Pages | : 440 |
Release | : 1986 |
Genre | : Music |
ISBN | : |
A collection of essays originally appearing principally in the New Yorker.
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Author | : Whitney Balliett |
Publisher | : New York : Oxford University Press |
Total Pages | : 440 |
Release | : 1986 |
Genre | : Music |
ISBN | : |
A collection of essays originally appearing principally in the New Yorker.
Author | : E. Douglas Bomberger |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 352 |
Release | : 1999-11-30 |
Genre | : Music |
ISBN | : 0313032432 |
The series of biographical sketches published by Brainard's Musical World between 1877 and 1889 is notable for the diversity of the musicians profiled and for the entertaining personal information provided. This period witnessed the establishment of musical institutions and attitudes toward music that have shaped American music to the present day. The biographies present a cross-section of American musicians in the late 19th century, including singers, instrumentalists, writers, teachers, and composers. Among the musicians included are some of America's most prominent conductors, such as Theodore Thomas and Leopold Damrosch; composers, such as John Knowles Paine and George F. Root; writers, such as John S. Dwight and Amy Fay; teachers, such as William Mason and Erminia Rudersdorff; and performers, such as Emma Abbott and Maud Powell. Scores of less familiar musicians who were also instrumental in shaping America's music are included as well. Originally intended for general readers, the biographical sketches not only shed light on musical topics but also include personal information that is seldom found in a traditional dictionary and which speaks to the attitudes and concerns of the late 19th century society. This work will be of value to scholars and researchers of 19th-century American music and to those interested in the development of popular song. Entries are alphabetically arranged and include select bibliographies. A general bibliography and index are also included.
Author | : Eleanora E. Tate |
Publisher | : |
Total Pages | : 70 |
Release | : 2000 |
Genre | : African American musicians |
ISBN | : |
Presents biographical profiles of African Americans, both legendary and less well-known, who have made significant contributions to music in the United States over the past 200 years.
Author | : Irving Lowens |
Publisher | : New York : W. W. Norton |
Total Pages | : 328 |
Release | : 1964 |
Genre | : Composers |
ISBN | : 9780393097436 |
Aspects of the history of music in early America and the history of early American music.
Author | : Whitney Balliett |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 538 |
Release | : 2006-02-22 |
Genre | : Biography & Autobiography |
ISBN | : 9781578068340 |
All of the jazz profiles Whitney Balliett wrote for the New Yorker
Author | : Peter Guralnick |
Publisher | : Little, Brown |
Total Pages | : 531 |
Release | : 2012-12-20 |
Genre | : Music |
ISBN | : 0316206741 |
This masterful explorationof American roots music--country, rockabilly, and the blues--spotlights the artists who created a distinctly American sound, including Ernest Tubb, Bobby "Blue" Bland, Elvis Presley, Merle Haggard, and Sleepy LaBeef. In incisive portraits based on searching interviews with these legendary performers, Peter Guralnick captures the boundless passion that drove these men to music-making and that kept them determinedly, and sometimes almost desperately, on the road.
Author | : Claudette Hegel |
Publisher | : Simon and Schuster |
Total Pages | : 64 |
Release | : 2014-09-02 |
Genre | : Juvenile Nonfiction |
ISBN | : 1422292800 |
African Americans—famous and anonymous alike—have helped shape popular musical genres ranging from jazz and blues to rock 'n' roll and rap. This book provides a vivid account of that process, beginning with the work songs and spirituals of slaves and continuing up to the present. African-American Musicians tells the stories of figures such as bluesman Robert Johnson, whose guitar playing was so extraordinary that people said he must have made a deal with the devil; jazz great Duke Ellington, considered one of America's greatest composers and bandleaders; classical singer Marian Anderson, who struck a blow for civil rights with her music; Michael Jackson, the "King of Pop"; and many, many more.
Author | : The Thomas Family |
Publisher | : |
Total Pages | : 42 |
Release | : 2019-11-29 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780578602790 |
This is a book about the ABCs of African American Musicians history. So many African American Musicians have paved the way, The Thomas Family just wanted to highlight some of our favorites over time. From Ray Charles, to Stevie Wonder, from Beyonce to Chance the Rapper, this book showcases many talented singers, songwriters, producers and rappers. It is a fun rhyming book teaching young children their ABCs, in addition to the history of music. The Thomas Family values education, having fun and loves listening to music of all genres! ABCs of African American Musicians will be a delight to every child's bookcase!
Author | : Nicholas Gebhardt |
Publisher | : University of Chicago Press |
Total Pages | : 192 |
Release | : 2017-03-22 |
Genre | : Music |
ISBN | : 022644872X |
If you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of theatres, each part of a circuit and administered from centralized booking offices. Gebhardt shows us how vaudeville transformed relationships among performers, managers, and audiences, and argues that these changes affected popular music culture in ways we are still seeing today. Drawing on firsthand accounts, Gebhardt explores the practices by which vaudeville performers came to understand what it meant to entertain an audience, the conditions in which they worked, the institutions they relied upon, and the values they imagined were essential to their success.