American Literature On Stage And Screen
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Author | : Thomas S. Hischak |
Publisher | : McFarland |
Total Pages | : 309 |
Release | : 2014-01-10 |
Genre | : Literary Criticism |
ISBN | : 0786492791 |
The 525 notable works of 19th and 20th century American fiction in this reference book have many stage, movie, television, and video adaptations. Each literary work is described and then every adaptation is examined with a discussion of how accurate the version is and how well it succeeds in conveying the spirit of the original in a different medium. In addition to famous novels and short stories by authors such as Nathaniel Hawthorne, F. Scott Fitzgerald, and Willa Cather, many bestsellers, mysteries, children's books, young adult books, horror novels, science fiction, detective stories, and sensational potboilers from the past two centuries are examined.
Author | : Dominic McHugh |
Publisher | : |
Total Pages | : 690 |
Release | : 2019 |
Genre | : Music |
ISBN | : 0190469994 |
The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, from The Jazz Singer to The Wizard of Oz, Roberta, and Into the Woods.
Author | : David Luhrssen |
Publisher | : University Press of Kentucky |
Total Pages | : 208 |
Release | : 2013-01-25 |
Genre | : Biography & Autobiography |
ISBN | : 0813136865 |
An Armenian national raised in Russia, Rouben Mamoulian (1897--1987) studied in the influential Stanislavski studio, renowned as the source of the "method" acting technique. Shortly after immigrating to New York in 1926, he created a sensation with an all-black production of Porgy (1927). He then went on to direct the debut Broadway productions of three of the most popular shows in the history of American musical theater: Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945). Mamoulian began working in film just as the sound revolution was dramatically changing the technical capabilities of the medium, and he quickly established himself as an innovator. Not only did many of his unusual camera techniques become standard, but he also invented a device that eliminated the background noises created by cameras and dollies. Seen as a rebel earlier in his career, Mamoulian gradually gained respect in Hollywood, and the Directors Guild of America awarded him the prestigious D. W. Griffith Award for Lifetime Achievement in 1983. In this meticulously researched biography, David Luhrssen paints the influential director as a socially conscious artist who sought to successfully combine art and commercial entertainment. Luhrssen not only reveals the fascinating personal story of an important yet neglected figure, but he also offers a tantalizing glimpse into the extraordinarily vibrant American film and theater industries during the twenties, thirties, and forties.
Author | : Henry Bial |
Publisher | : University of Michigan Press |
Total Pages | : 212 |
Release | : 2005 |
Genre | : Performing Arts |
ISBN | : 9780472069088 |
Author | : Lynn Kear |
Publisher | : McFarland |
Total Pages | : 287 |
Release | : 2014-01-10 |
Genre | : Performing Arts |
ISBN | : 0786461934 |
How did Laurette Taylor (1884-1946) become America's most celebrated actress? What training and experience led to her first stage success, Peg o' My Heart, in 1912? How did her failed 1920s silent film career influence her stage technique? What was so remarkable about her portrayal of Amanda Wingfield in the original 1945 Broadway production of The Glass Menagerie that many actors and critics have proclaimed her performance as the greatest they have ever seen, before or since? How did alcoholism affect her career? And why has it been so difficult to tell her story on stage and screen? This biography offers fascinating new insights into the life and craft of Laurette Taylor. Included is a very short play written by the actress, entitled The Dying Wife.
Author | : John W. Frick |
Publisher | : Springer |
Total Pages | : 324 |
Release | : 2016-04-30 |
Genre | : Performing Arts |
ISBN | : 1137566450 |
No play in the history of the American Stage has been as ubiquitous and as widely viewed as Uncle Tom's Cabin . This book traces the major dramatizations of Stowe's classic from its inception in 1852 through modern versions on film. Frick introduce the reader to the artists who created the plays and productions that created theatre history.
Author | : Bruce K. Hanson |
Publisher | : McFarland |
Total Pages | : 419 |
Release | : 2011-08-10 |
Genre | : Performing Arts |
ISBN | : 0786486198 |
Recounting the more than century-long stage and screen history of J.M. Barrie's play Peter Pan, Bruce K. Hanson updates and expands his 1993 volume on "The Boy Who Wouldn't Grow Up." Hanson traces the origin of Barrie's tale through the first London production in 1904, to various British and American theatrical and film productions up to and including the stage versions of 2010. Included are excerpts of interviews with actresses Dinah Sheridan, Mary Martin and Sandy Duncan, all of whom portrayed Peter Pan on stage, and Betty Comden and Adolph Green, lyricists for the 1954 Broadway musical. The book features a wealth of rare photos, posters, programs and costume designs. An appendix lists virtually every actor who has performed a featured role in a London, Broadway or Hollywood production of Peter Pan from 1904 to the present.
Author | : Eyal Peretz |
Publisher | : Stanford University Press |
Total Pages | : 336 |
Release | : 2017-03-21 |
Genre | : Performing Arts |
ISBN | : 1503601617 |
From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen—all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.
Author | : Mark Evan Swartz |
Publisher | : JHU Press |
Total Pages | : 640 |
Release | : 2002 |
Genre | : Fantasy fiction, American |
ISBN | : 9780801864773 |
Swartz reminds us in that various stage and screen dramatizations of Baum's story preceded and influenced the 1939 film. This richly illustrated book contains many rare photographs, film stills, sketches, theater programs, and movie advertisements from the different productions. Piecing together the Chicago and Broadway stage productions (1902-3) from contemporary reviews, surviving script pages, and published song lyrics, Swartz shows how Baum and his many collaborators worked to transform the book into a popular theatrical attraction -- often requiring significant alterations to the original story.
Author | : Linda Hutcheon |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 209 |
Release | : 2010-01-01 |
Genre | : Literary Criticism |
ISBN | : 1554587123 |
Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory. Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the “paradox” created by metafiction: the reader is, at the same time, co-creator of the self-reflexive text and distanced from it because of its very self-reflexiveness. She illustrates her analysis through the works of novelists such as Fowles, Barth, Nabokov, Calvino, Borges, Carpentier, and Aquin. For the paperback edition of this important book a preface has been added which examines developments since first publication. Narcissistic Narrative was selected by Choice as one of the outstanding academic books for 1981–1982.