American Literature and Science

American Literature and Science
Author: Robert Scholnick
Publisher: University Press of Kentucky
Total Pages: 296
Release: 2014-07-11
Genre: Literary Criticism
ISBN: 0813149436

Literature and science are two disciplines are two disciplines often thought to be unrelated, if not actually antagonistic. But Robert J. Scholnick points out that these areas of learning, up through the beginning of the nineteenth century, "were understood as parts of a unitary endeavor." By mid-century they had diverged, but literature and science have continued to interact, conflict, and illuminate each other. In this innovative work, twelve leaders in this emerging interdisciplinary field explore the long engagement of American writers with science and uncover science's conflicting meanings as a central dimension of the nation's conception of itself. Reaching back to the Puritan poet-minister-physician Edward Taylor, who wrote at the beginning of the scientific revolution, and forward to Thomas Pynchon, novelist of the cybernetic age, this collection of original essays contains essential work on major writers, including Franklin, Jefferson, Poe, Emerson, Thoreau, Twain, Hart Crane, Dos Passos, and Charles Olson. Through its exploration of the ways that American writers have found in science and technology a vital imaginative stimulus, even while resisting their destructive applications, this book points towards a reconciliation and integration within culture. An innovative look at a neglected dimension of our literary tradition, American Literature and Science stands as both a definition of the field and an invitation to others to continue and extend new modes of inquiry.

Understanding Contemporary American Science Fiction

Understanding Contemporary American Science Fiction
Author: Thomas D. Clareson
Publisher:
Total Pages: 320
Release: 1990
Genre: Literary Criticism
ISBN:

Discusses writers such as Poul Anderson, Brian W. Aldiss, Isaac Asimov, J.G. Ballard, Alfred Bester, James Blish, Anthony Boucher, Ray Bradbury, Algis Budrys, Edgar Rice Burroughs, John W. Campbell, Arthur C. Clarke, Hal Clement, Samuel R. Delany, Lester del Rey, Philip K. Dick, Gordon R. Dickson, Thomas Disch, Harlan Ellison, Philip Jose Farmer, Randall Garrett, Robert A. Heinlein, Zenna Henderson, Frank Herbert, Damon Knight, Cyril Kornbluth, Ursula K. Le Guin, Murray Leinster, Anne McCaffrey, Judith Merril, A. Merritt, Walter M. Miller Jr., Michael Moorcock, Andre Norton, Alexei Panshin, H. Beam Piper, Frederik Pohl, Joanna Russ, Robert Silverberg, Clifford D. Simak, Cordwainer Smith, E.E. "Doc" Smith, Norman Spinrad, Theodore Sturgeon, Jack Vance, A.E. van Vogt, Kurt Vonnegut, Donald Wollheim, RogerZelazny, Jack Williamson, and others.

A Manual of American Literature

A Manual of American Literature
Author: Theodore Stanton
Publisher: Createspace Independent Publishing Platform
Total Pages: 570
Release: 1909
Genre: History
ISBN:

This book has been prepared for publication as No. 4000, a "Memorial Volume," of the "Tauchnitz Edition." Perhaps it may be well to explain to American readers what the "Tauchnitz Edition" is and what a "Memorial Volume" is in this collection. The "Collection of British Authors," or, as it is more popularly known on the European Continent, the "Tauchnitz Edition," was instituted in 1841, at Leipsic, by one of the most distinguished of German publishers, the late Baron Bernhard Tauchnitz, whose son is now at the head of the house. The father records that he was "incited to the undertaking by the high opinion and enthusiastic fondness which I have ever entertained for English literature: a literature springing from the selfsame root as the literature of Germany, and cultivated in the beginning by the same Saxon race.... As a German-Saxon it gave me particular pleasure to promote the literary interest of my Anglo-Saxon cousins, by rendering English literature as universally known as possible beyond the limits of the British Empire." In another place, Baron Tauchnitz describes "the mission" of his Collection to be the "spreading and strengthening the love for English literature outside of England and her Colonies."

American Cities in Post-Apocalyptic Science Fiction

American Cities in Post-Apocalyptic Science Fiction
Author: Robert Yeates
Publisher: UCL Press
Total Pages: 212
Release: 2021-11-15
Genre: Social Science
ISBN: 1800080980

Visions of the American city in post-apocalyptic ruin permeate literary and popular fiction, across print, visual, audio and digital media. American Cities in Post-Apocalyptic Science Fiction explores the prevalence of these representations in American culture, drawing from a wide range of primary and critical works from the early-twentieth century to today. Beginning with science fiction in literary magazines, before taking in radio dramas, film, video games and expansive transmedia franchises, Robert Yeates argues that post-apocalyptic representations of the American city are uniquely suited for explorations of contemporary urban issues. Examining how the post-apocalyptic American city has been repeatedly adapted and repurposed to new and developing media over the last century, this book reveals that the content and form of such texts work together to create vivid and immersive fictional spaces in ways that would otherwise not be possible. Chapters present media-specific analyses of these texts, situating them within their historical contexts and the broader history of representations of urban ruins in American fiction. Original in its scope and cross-media approach, American Cities in Post-Apocalyptic Science Fiction both illuminates little-studied texts and provides provocative new readings of familiar works such as Blade Runner and The Walking Dead, placing them within the larger historical context of imaginings of the American city in ruins.

American Science Fiction and the Cold War

American Science Fiction and the Cold War
Author: David Seed
Publisher: Routledge
Total Pages: 223
Release: 2013-10-31
Genre: Art
ISBN: 1135953821

American Science Fiction--in both literature and film--has played a key role in the portrayal of the fears inherent in the Cold War. The end of this era heralds the need for a reassessment of the literary output of the forty-year period since 1945. Working through a series of key texts, American Science Fiction and the Cold War investigates the political inflections put on American narratives in the post-war decades by Cold War cultural circumstances. Nuclear holocaust, Russian invasion, and the perceived rise of totalitarianism in American society are key elements in the author's exploration of science fiction narratives that include Fahrenheit 451, Invasion of the Body Snatchers, and Dr. Strangelove.

Fugitive Science

Fugitive Science
Author: Britt Rusert
Publisher: NYU Press
Total Pages: 307
Release: 2017-04-18
Genre: Literary Criticism
ISBN: 1479805726

Honorable Mention, 2019 MLA Prize for a First Book Sole Finalist Mention for the 2018 Lora Romero First Book Prize, presented by the American Studies Association Exposes the influential work of a group of black artists to confront and refute scientific racism. Traversing the archives of early African American literature, performance, and visual culture, Britt Rusert uncovers the dynamic experiments of a group of black writers, artists, and performers. Fugitive Science chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims. Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields—from astronomy to physiology—to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, Fugitive Science makes natural science central to how we understand the origins and development of African American literature and culture. This distinct and pioneering book will spark interest from anyone wishing to learn more on race and society.

Nineteenth-Century American Literature and the Discourse of Natural History

Nineteenth-Century American Literature and the Discourse of Natural History
Author: Juliana Chow
Publisher: Cambridge University Press
Total Pages: 239
Release: 2021-11-18
Genre: Literary Criticism
ISBN: 1108997503

Nineteenth-Century American Literature and the Discourse of Natural History illuminates how literary experimentation with natural history provides penumbral views of environmental survival. The book brings together feminist revisions of scientific objectivity and critical race theory on diaspora to show how biogeography influenced material and metaphorical concepts of species and race. It also highlights how lesser known writers of color like Simon Pokagon and James McCune Smith connected species migration and mutability to forms of racial uplift. The book situates these literary visions of environmental fragility and survival amidst the development of Darwinian theories of evolution and against a westward expanding American settler colonialism.

The Cambridge Companion to American Science Fiction

The Cambridge Companion to American Science Fiction
Author: Eric Carl Link
Publisher: Cambridge University Press
Total Pages: 291
Release: 2015-01-26
Genre: Literary Criticism
ISBN: 1107052467

This Companion explores the relationship between the ideas and themes of American science fiction and their roots in the American cultural experience.

The Subject of Race in American Science Fiction

The Subject of Race in American Science Fiction
Author: Sharon DeGraw
Publisher: Routledge
Total Pages: 241
Release: 2006-12-19
Genre: Literary Criticism
ISBN: 1135864594

While the connections between science fiction and race have largely been neglected by scholars, racial identity is a key element of the subjectivity constructed in American SF. In his Mars series, Edgar Rice Burroughs primarily supported essentialist constructions of racial identity, but also included a few elements of racial egalitarianism. Writing in the 1930s, George S. Schuyler revised Burroughs' normative SF triangle of white author, white audience, and white protagonist and promoted an individualistic, highly variable concept of race instead. While both Burroughs and Schuyler wrote SF focusing on racial identity, the largely separate genres of science fiction and African American literature prevented the similarities between the two authors from being adequately acknowledged and explored. Beginning in the 1960s, Samuel R. Delany more fully joined SF and African American literature. Delany expands on Schuyler's racial constructionist approach to identity, including gender and sexuality in addition to race. Critically intertwining the genres of SF and African American literature allows a critique of the racism in the science fiction and a more accurate and positive portrayal of the scientific connections in the African American literature. Connecting the popular fiction of Burroughs, the controversial career of Schuyler, and the postmodern texts of Delany illuminates a gradual change from a stable, essentialist construction of racial identity at the turn of the century to the variable, social construction of poststructuralist subjectivity today.

American Literature in the World

American Literature in the World
Author: Wai-chee Dimock
Publisher:
Total Pages: 0
Release: 2017
Genre: American literature
ISBN: 9780231157360

American Literature in the World is an innovative anthology offering a new way to understand the global forces that have shaped the making of American literature. The wide-ranging selections are structured around five interconnected nodes: war; food; work, play, and travel; religions; and human and nonhuman interfaces. Through these five categories, Wai Chee Dimock and a team of emerging scholars reveal American literature to be a complex network, informed by crosscurrents both macro and micro, with local practices intensified by international concerns. Selections include poetry from Anne Bradstreet to Jorie Graham; the fiction of Herman Melville, Gertrude Stein, and William Faulkner; Benjamin Franklin's parables; Frederick Douglass's correspondence; Theodore Roosevelt's Rough Riders; Langston Hughes's journalism; and excerpts from The Autobiography of Malcom X as well as Octavia Butler's Dawn. Popular genres such as the crime novels of Raymond Chandler, the comics of Art Spiegelman, the science fiction of Philip K. Dick, and recipes from Alice B. Toklas are all featured. More recent authors include Junot Diaz, Leslie Marmon Silko, Jonathan Safran Foer, Edwidge Danticat, Gary Shteyngart, and Jhumpa Lahiri. These selections speak to readers at all levels and invite them to try out fresh groupings and remap American literature. A continually updated interactive component at www.amlitintheworld.yale.edu complements the anthology.