American Humour in England Before Mark Twain
Author | : Nils Erik Enkvist |
Publisher | : |
Total Pages | : 116 |
Release | : 1953 |
Genre | : American literature |
ISBN | : |
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Author | : Nils Erik Enkvist |
Publisher | : |
Total Pages | : 116 |
Release | : 1953 |
Genre | : American literature |
ISBN | : |
Author | : Tracy Wuster |
Publisher | : University of Missouri Press |
Total Pages | : 502 |
Release | : 2017-12-01 |
Genre | : Literary Criticism |
ISBN | : 0826274110 |
Mark Twain, American Humorist examines the ways that Mark Twain’s reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.
Author | : Andrew King |
Publisher | : Routledge |
Total Pages | : 637 |
Release | : 2016-09-01 |
Genre | : Literary Criticism |
ISBN | : 1317042301 |
The 2017 winner of the Robert and Vineta Colby Scholarly Book Prize Providing a comprehensive, interdisciplinary examination of scholarship on nineteenth-century British periodicals, this volume surveys the current state of research and offers researchers an in-depth examination of contemporary methodologies. The impact of digital media and archives on the field informs all discussions of the print archive. Contributors illustrate their arguments with examples and contextualize their topics within broader areas of study, while also reflecting on how the study of periodicals may evolve in the future. The Handbook will serve as a valuable resource for scholars and students of nineteenth-century culture who are interested in issues of cultural formation, transformation, and transmission in a developing industrial and globalizing age, as well as those whose research focuses on the bibliographical and the micro case study. In addition to rendering a comprehensive review and critique of current research on nineteenth-century British periodicals, the Handbook suggests new avenues for research in the twenty-first century. "This volume's 30 chapters deal with practically every aspect of periodical research and with the specific topics and audiences the 19th-century periodical press addressed. It also covers matters such as digitization that did not exist or were in early development a generation ago. In addition to the essays, readers will find 50 illustrations, 54 pages of bibliography, and a chronology of the periodical press. This book gives seemingly endless insights into the ways periodicals and newspapers influenced and reflected 19th-century culture. It not only makes readers aware of problems involved in interpreting the history of the press but also offers suggestions for ways of untangling them and points the direction for future research. It will be a valuable resource for readers with interests in almost any aspect of 19th-century Britain. Summing Up: Highly recommended" - J. D. Vann, University of North Texas in CHOICE
Author | : Barbara Korte |
Publisher | : transcript Verlag |
Total Pages | : 223 |
Release | : 2014-03-31 |
Genre | : Social Science |
ISBN | : 383942593X |
One tends to associate history with serious modes of presentation rather than with humorous ones. Yet Clio also smiles and laughs out loud: Comic renderings of historical events and figures have made a significant contribution to »popular« history since around 1800. This volume offers case studies on history and humour in Britain and the US from 1800 to the present, discussing various historical topics, actors and events from the Middle Ages to the recent past.
Author | : |
Publisher | : |
Total Pages | : 754 |
Release | : 1953 |
Genre | : Civilization, Classical |
ISBN | : |
Vol. 10 includes "Tables générales des Séries de publications de Societas Scientiarum Fennica, 1838-1938."
Author | : Clarence Gohdes |
Publisher | : Duke University Press |
Total Pages | : 284 |
Release | : 1984 |
Genre | : Literary Criticism |
ISBN | : 9780822305927 |
This fifth revised edition features approximately 1,900 items, most of which are annotated. It addresses several interdisciplinary studies that have become prominent in the last decade, especially on popular culture, racial and other minorities, Native Americans and Chicanos, and literary regionalism. It allots more space to computer aids, science fiction, children's literature, literature of the sea, film and literature, and linguistic studies of American English and includes a new section on psychology. The appendix lists the biography of each of 135 deceased American authors. ISBN 0-8223-0592-5 : $22.50 (For use only in the library).
Author | : Minnie M. Brashear |
Publisher | : University of Oklahoma Press |
Total Pages | : 460 |
Release | : 2012-09-10 |
Genre | : Biography & Autobiography |
ISBN | : 0806187530 |
Mark Twain is revealed here in an entirely new autobiographical light from his own writings as they reflect his career, his thinking, and his humor. This volume captures the grandeur that distinguishes Mark Twain as, in the words of George Bernard Shaw, “by far the greatest American writer.” Made up of short stories and excerpts from Twain’s principal works, this collection demonstrates Twain’s artistry in handling anecdotes, tales, description, and characterization; the fervency of his ethical convictions; his effective use of irony, satire, burlesque, and caricature; and his essential humanity. By arranging the materials in chronological order and weaving them together with critical commentary, the editors present the many facets of Mark Twain’s experience and his dynamic personality with greater continuity than in previous collections of Twain’s writings. Here is the optimism of the young Mark Twain responding to the rough and rugged vitality of the mid-nineteenth-century American scene, and the skepticism and pessimism of the older Mark Twain reacting to the American democratic experiment of the late nineteenth century.
Author | : Judith Yaross Lee |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 347 |
Release | : 2013-02-26 |
Genre | : Social Science |
ISBN | : 162674453X |
Samuel L. Clemens lost the 1882 lawsuit declaring his exclusive right to use “Mark Twain” as a commercial trademark, but he succeeded in the marketplace, where synergy among his comic journalism, live performances, authorship, and entrepreneurship made “Mark Twain” the premier national and international brand of American humor in his day. And so it remains in ours, because Mark Twain's humor not only expressed views of self and society well ahead of its time, but also anticipated ways in which humor and culture coalesce in today's postindustrial information economy—the global trade in media, performances, and other forms of intellectual property that began after the Civil War. In Twain's Brand: Humor in Contemporary American Culture, Judith Yaross Lee traces four hallmarks of Twain's humor that are especially significant today. Mark Twain's invention of a stage persona, comically conflated with his biographical self, lives on in contemporary performances by Garrison Keillor, Margaret Cho, Jerry Seinfeld, and Jon Stewart. The postcolonial critique of Britain that underlies America's nationalist tall tale tradition not only self-destructs in A Connecticut Yankee in King Arthur's Court but also drives the critique of American Exceptionalism in Philip Roth's literary satires. The semi-literate writing that gives Adventures of Huckleberry Finn its “vernacular vision”—wrapping cultural critique in ostensibly innocent transgressions and misunderstandings—has a counterpart in the apparently untutored drawing style and social critique seen in The Simpsons, Lynda Barry's comics, and The Boondocks. And the humor business of recent decades depends on the same brand-name promotion, cross-media synergy, and copyright practices that Clemens pioneered and fought for a century ago. Twain's Brand highlights the modern relationship among humor, commerce, and culture that were first exploited by Mark Twain.
Author | : Mark Twain |
Publisher | : Good Press |
Total Pages | : 2942 |
Release | : 2024-01-17 |
Genre | : Humor |
ISBN | : |
In 'Mark Twain's Comedy Classics: 190+ Stories & Sketches (Illustrated Edition)', readers are treated to a collection of humorous tales and witty sketches that showcase Mark Twain's comedic genius. Twain's signature satirical style is on full display as he expertly critiques the social norms and conventions of his time with sharp wit and clever wordplay. Each story and sketch is a masterclass in comedic writing, making this book a must-read for fans of humor and satire. The illustrations included in this edition add an extra layer of enjoyment to Twain's timeless humor, bringing his characters and settings to vivid life. Mark Twain's work continues to resonate with readers today, proving the enduring relevance of his comedic voice. It's a delightful read that will leave you chuckling and contemplating long after you've finished.
Author | : |
Publisher | : |
Total Pages | : 912 |
Release | : 1911 |
Genre | : Literary and political reviews |
ISBN | : |