American Folk Music And Left Wing Politics 1927 1957
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| Author | : Richard A. Reuss |
| Publisher | : Scarecrow Press |
| Total Pages | : 332 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780810836846 |
The 1930s and 1940s represented an era in United States history when large groups of citizens took political action in response to their social and economic circumstances. The vision, attitudes, beliefs and purposes of participants before, during, and after this time period played an important part of American cultural history. Richard and JoAnne Reuss expertly capture the personality of this era and the fascinating chronology of events in American Folk Music and Left-Wing Politics, 1927-1957, a historical analysis of singers, writers, union members and organizers and their connection to left-wing politics and folk music during this revolutionary time period. While scholarship on folk music, history, and politics is not unique in and of itself, Reuss' approach is noteworthy for its folklorist perspective and its long, encompassing assessment of a broad cross-section of participants and their interactions. An innovative and informative look into one of the most evocative and challenging eras in American history, American Folk Music and Left-Wing Politics, 1927-1957 stands as a historic milestone in this period's scholarship and evolution.
| Author | : Richard A. Reuss |
| Publisher | : |
| Total Pages | : 856 |
| Release | : 1971 |
| Genre | : Communism |
| ISBN | : |
| Author | : Cornelia Richter |
| Publisher | : GRIN Verlag |
| Total Pages | : 129 |
| Release | : 2008-08-29 |
| Genre | : Literary Collections |
| ISBN | : 3640149475 |
Examination Thesis from the year 2008 in the subject American Studies - Culture and Applied Geography, grade: 1,5, Martin Luther University (Institut für Anglistik und Amerikanistik), language: English, abstract: Every country has a certain heritage of folklore. According to William John Thomas, who is supposed to have coined the term in 1846, folklore includes music as well as customs, clothing, stories, proverbs, jokes and the like. In the United States, this folklore is primarily based on what European immigrants brought to their new residence. The influence of Scottish and Irish folk, for example, is still palpable, despite the fact that folk music in America has developed an idiosyncratic sound. Tibbe and Bonson remark that the different genres of music are always connected to a specific social group and thus have a meaning that influences the perspective on society and politics significantly. The social role and category of folk music are explained as follows: Eine ... Eigenschaft der Volksmusik ist diejenige, daß sie keineswegs die Musik der gesamten Bevölkerung ist, sondern die der unteren, beherrschten Schichten. ... Auch im Hinblick auf diese Eigenschaft wird deutlich, wie sehr die Volksmusik mit der jeweiligen geschichtlichen Situation zusammenhängt: Während der relativ ruhigen Zeit des frühen Feudalismus war sie anders als zu [sic] Zeit der Bauernkriege oder gar in der Zeit des revolutionierenden Proletariats. Träger der Volksmusik sind also im Laufe der Geschichte u. a. Sklaven, Leibeigene, Bauern, Handwerker, Soldaten, Arbeiter.
| Author | : Joseph J. Foy |
| Publisher | : University Press of Kentucky |
| Total Pages | : 281 |
| Release | : 2008-08-22 |
| Genre | : Political Science |
| ISBN | : 0813173116 |
The modern landscape of American entertainment is filled with commentary on the state of the union. Many people now get their news from The Daily Show and The Colbert Report instead of Fox or CNN, and satirical political films such as Bulworth and Wag the Dog resonate with audiences and reviewers alike. The cartoon sitcom The Simpsons has used American politics to shape its plotlines since its debut in 1989, and many Americans view the current war on terror through the eyes of Jack Bauer, the fictional hero of the controversial action show 24. Politics has always influenced entertainment, and Americans increasingly use popular culture to make sense of the U.S. political system and current debates. There is, however, another facet to the relationship between politics and popular culture: education. Exposure to political ideas through television, film, and music generates interest and increases knowledge among viewers and listeners. The presentation of political ideas in popular media often begins a dialogue through which citizens develop opinions about and interest in political ideas. The resulting discussions of politics and civic life have a significant value as a means to educate Americans about their government. In Homer Simpson Goes to Washington: American Politics through Popular Culture, Joseph J. Foy and other contributing scholars offer a variety of perspectives on politics through the framework of popular culture. From the classic film Mr. Smith Goes to Washington to the cutting-edge television program Chappelle's Show, the authors use a wide spectrum of entertainment media to explain the complexities of U.S. politics and how audiences engage them. The authors not only explain fundamental concepts such as civil rights, democracy, and ethics but also examine common assumptions about government and explore the use of controversial ideas in entertainment. Jennifer J. Hora uses The West Wing to introduce the heroic-president model of executive leadership, and Dean A. Kowalski presents V for Vendetta as a vehicle for understanding American political thought. Other essays test the impact of entertainment news on political knowledge and investigate the presentation of broadcast news in film to determine how well the media serves the people. The book also looks at folk music's ability to popularize protest and offers an insightful commentary on social movements in U.S. history. Popular culture and politics have never been so intertwined in the American consciousness as they are today, with films, television shows, and songs contributing to the debate over the promises versus the realities of democracy. As political knowledge becomes increasingly valuable, Homer Simpson Goes to Washington explains how popular culture can actually help connect people to their government.
| Author | : Lawrence J. Epstein |
| Publisher | : McFarland |
| Total Pages | : 214 |
| Release | : 2010-03-08 |
| Genre | : Social Science |
| ISBN | : 0786456019 |
Many American folk singers have tried to leave their world a better place by writing songs of social protest. Musicians like Woody Guthrie, Leadbelly, Pete Seeger, Bob Dylan, and Joan Baez sang with fierce moral voices to transform what they saw as an uncaring society. But the personal tales of these guitar-toting idealists were often more tangled than the comparatively pure vision their art would suggest. Many singers produced work in the midst of personal failure and deeply troubled relationships, and under the influence of radical ideas and organizations. This provocative work examines both the long tradition of folk music in its American political context and the lives of those troubadours who wrote its most enduring songs.
| Author | : Ronald D. Cohen |
| Publisher | : Scarecrow Press |
| Total Pages | : 192 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : 9780810862029 |
This book presents a history of folk music festivals in the United States, beginning in the 19th century and ending in the early 21st century. The focus is on the proliferation and diversity of festivals in the 20th century.
| Author | : Julia Mitchell |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 354 |
| Release | : 2019-09-19 |
| Genre | : History |
| ISBN | : 1350071234 |
The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric of the nation. Postwar Politics, Society and the Folk Revival in England is the first study to interweave the story of a gentrifying folk revival with the socio-political tensions inherent in England's postwar transition from austerity to affluence. Julia Mitchell skillfully situates the English folk revival in the context of the rise of the new left, the decline of heavy industry, the rise of local, regional and national identities, the 'Americanisation' of English culture and the development of mass culture. In doing so, she demonstrates that the success of the English folk revival derived from its sense of authenticity and its engagement with topical social and political issues, such as the conflicted legacy of the Welfare State, the fight for nuclear disarmament and the fallout of nationalization. In addition, she shrewdly compares the US and British revival to identify the links but also what was distinctive about the movement in Britain. Drawing on primary sources from folk archives, the BBC, the music press and interviews with participants, this is a theoretically engaged and sophisticated analysis of how postwar culture shaped the folk revival in England.
| Author | : Craig Smith |
| Publisher | : UNM Press |
| Total Pages | : 201 |
| Release | : 2007-05-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0826342272 |
Born in Minnesota and raised in Chicago, Jenny Vincent was educated at a progressive private school and Vassar College. Introduced to international folk music at an early age, she remains a performer and champion of this "music of the people." In 1936, Jenny and her first husband visited northern New Mexico at the invitation of D. H. Lawrence's widow. Enchanted with the place and its people, they purchased a ranch that has been Jenny's home ever since. Jenny believed strongly in social advocacy, which she expressed through song. She performed with such luminaries as Pete Seeger, Woody Guthrie, Malvina Reynolds, and Earl Robinson, all social activists who used music as a voice for world peace, civil liberties, and human rights. Jenny and her second husband supported such causes as the Salt of the Earth strike, Native American rights, and the rising Chicano movement. Through it all Jenny raised a family and continued her music. In her nineties, Jenny continues performing, and in 2006 was honored by the University of New Mexico and the New Mexico State Historic Preservation Division for her many decades as a prominent cultural activist.
| Author | : Denise D. Meringolo |
| Publisher | : Amherst College Press |
| Total Pages | : 633 |
| Release | : 2021-10-28 |
| Genre | : History |
| ISBN | : 1943208212 |
While all history has the potential to be political, public history is uniquely so: public historians engage in historical inquiry outside the bubble of scholarly discourse, relying on social networks, political goals, practices, and habits of mind that differ from traditional historians. Radical Roots: Public History and a Tradition of Social Justice Activism theorizes and defines public history as future-focused, committed to the advancement of social justice, and engaged in creating a more inclusive public record. Edited by Denise D. Meringolo and with contributions from the field’s leading figures, this groundbreaking collection addresses major topics such as museum practices, oral history, grassroots preservation, and community-based learning. It demonstrates the core practices that have shaped radical public history, how they have been mobilized to promote social justice, and how public historians can facilitate civic discourse in order to promote equality. "This is a much-needed recalibration, as professional organizations and practitioners across genres of public history struggle to diversify their own ranks and to bring contemporary activists into the fold." — Catherine Gudis, University of California, Riverside. "Taken all together, the articles in this volume highlight the persistent threads of justice work that has characterized the multifaceted history of public history as well as the challenges faced in doing that work."—Patricia Mooney-Melvin, The Public Historian
| Author | : Dick Weissman |
| Publisher | : A&C Black |
| Total Pages | : 314 |
| Release | : 2006-01-01 |
| Genre | : Music |
| ISBN | : 9780826419149 |
A history, with a personal touch, of the American folk music revival is penned by a recording artist, songwriter, and former member of the Journeymen.
