Australian Movies and the American Dream

Australian Movies and the American Dream
Author: Glen Lewis
Publisher: Praeger
Total Pages: 248
Release: 1987-11-17
Genre: Business & Economics
ISBN:

This book is thorough, well organized, and useful. It establishes background on the Australian understanding of the American dream, Austalian photography, image, and subject matter, and American influence on Australian cinema. Brief chapters summarize film theory, applicable mass communication theory, and financial practices of the Australian motion picture industry. Choice . . . presents an examination of major movies made in Australia in the late 1970s and early 1980s. The author argues that part of the reason for the success of Australian cinema in recent years may lie with America's identification with a simpler culture, an almost `wild west' atmosphere. To explore his thesis the author first offers a short history of the Australian cinema, and then a theory of film as mass communication. Communication Booknotes Lewis introduces Australian films from the 1920's and 30's and then focuses on thirty films produced between 1975 and 1987. He suggests that part of the reason for Australia's film success may lie in America's identification with a simpler culture and the portrayal of wild west type territory which is often found in Australian films. He also points out that various aspects of American culture have seeped into Australian culture and now appear in their films, making them more appealing to an American audience. He concludes this insightful study with a projection analysis for the future of Australian cinema. With its up-to-date content and analytical approach, this book will be valuable to anyone concerned with mass communication and society, cinema studies, media, or U.S.-Australian relations.

The A to Z of Australian and New Zealand Cinema

The A to Z of Australian and New Zealand Cinema
Author: Albert Moran
Publisher: Scarecrow Press
Total Pages: 430
Release: 2009-07-21
Genre: Performing Arts
ISBN: 0810863472

Whether it was Jane Campion's The Piano, Mel Gibson in Mad Max, Paul Hogan in Crocodile Dundee, or The Lord of the Rings saga, we have all experienced the cinema of Australia and New Zealand. This book is an introduction and guide to the film of Australia and New Zealand. With entries on many exceptional producers, directors, writers and actors, as well as the films indicated above and many others, this reference also presents the early pioneers, the film companies and government bodies, and much more in its hundreds of cross-referenced dictionary entries. Through a chronology that shows how far these cinemas have come in a short time and an introduction that presents them more broadly, a clear portrait of the two countries' motion pictures emerge. The bibliography is an excellent source for further reading.

American–Australian Cinema

American–Australian Cinema
Author: Adrian Danks
Publisher: Springer
Total Pages: 338
Release: 2018-01-29
Genre: Performing Arts
ISBN: 3319666762

This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s.

Contemporary Australian cinema

Contemporary Australian cinema
Author: Jonathan Rayner
Publisher: Manchester University Press
Total Pages: 218
Release: 2017-06-01
Genre: Performing Arts
ISBN: 1526125730

Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema.

Australian Film

Australian Film
Author: Brian Reis
Publisher: Burns & Oates
Total Pages: 650
Release: 1997
Genre: Performing Arts
ISBN:

Contains entries, many with descriptive annotations, on books, book chapters, periodical articles, government reports, academic theses, films, videos, and audio recordings published in Australia and elsewhere from 1988 to the early and mid 1990s. Works cited embrace all aspects of Australian film considered as art, industry, and sociological phenomenon, except extremely technical aspects of filmmaking. Categories include film archives and libraries, production, super-8mm film, government and film, history and criticism, ethnographic film, biographies, and film criticism and reviews. Includes author, book title, and film title indices. Distributed by Books International. Annotation copyrighted by Book News, Inc., Portland, OR

New Australian Cinema

New Australian Cinema
Author: Brian McFarlane
Publisher: Cambridge University Press
Total Pages: 284
Release: 1992-06-26
Genre: Biography & Autobiography
ISBN: 9780521387682

The institutions and products of the Australian film industry have been extensively surveyed, yet few analyses consider the sources of the film revival that took place in the 1970s and 1980s. This book represents a body of thinking about Australian cinema that asks where the origins of films lie. The book begins by tracing the indebtedness of Australian cinema to the classical narrative style of Hollywood film-making, with its firm grasp of melodrama. It continues by comparing the problems faced by the 'high' British cinema of the 1940s and 1950s with those faced by Australia in the 1970s and 1980s in the attempts by both countries to establish national film industries. New Australian Cinema will increase the scope of the discussion about the revival of Australian cinema and help us to make cultural sense of the films themselves.

Australian National Cinema

Australian National Cinema
Author: Tom O'Regan
Publisher: Routledge
Total Pages: 403
Release: 2005-08-10
Genre: Education
ISBN: 1134933495

Situates Australian cinema in its historical and cultural perspective, offering detailed critiques of key films from 1970 onwards, and using them to illustrate the recent theories on the cinema industries.

Historical Dictionary of Australian and New Zealand Cinema

Historical Dictionary of Australian and New Zealand Cinema
Author: Karina Aveyard
Publisher: Rowman & Littlefield
Total Pages: 449
Release: 2017-12-26
Genre: Performing Arts
ISBN: 1538111276

Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. At the same time, Australian audiences still enjoy watching Australian films, making some of them profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world’s best in making films with international themes, while other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country. This second edition of Historical Dictionary of Australian and New Zealand Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on leading films as well as many directors, writers, actors and producers. It also covers early pioneers, film companies, genres and government bodies.

Hop on Pop

Hop on Pop
Author: Henry Jenkins III
Publisher: Duke University Press
Total Pages: 761
Release: 2003-01-23
Genre: Social Science
ISBN: 0822383500

Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies. The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study. Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader. Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi