American Aphrodite
Author | : Constance Callinicos |
Publisher | : |
Total Pages | : 332 |
Release | : 1990 |
Genre | : History |
ISBN | : |
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Author | : Constance Callinicos |
Publisher | : |
Total Pages | : 332 |
Release | : 1990 |
Genre | : History |
ISBN | : |
Author | : Samuel Roth |
Publisher | : |
Total Pages | : 264 |
Release | : 1954 |
Genre | : American literature |
ISBN | : |
Author | : Jason Felch |
Publisher | : HMH |
Total Pages | : 397 |
Release | : 2011-05-24 |
Genre | : Art |
ISBN | : 0547538022 |
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting
Author | : Maureen Honey |
Publisher | : Rutgers University Press |
Total Pages | : 289 |
Release | : 2016-08-31 |
Genre | : Biography & Autobiography |
ISBN | : 0813570808 |
The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating.
Author | : Miriam G. Reumann |
Publisher | : Univ of California Press |
Total Pages | : 308 |
Release | : 2005-03-07 |
Genre | : History |
ISBN | : 0520930045 |
When Alfred Kinsey's massive studies Sexual Behavior in the Human Male and Sexual Behavior in the Human Female appeared in 1948 and 1953, their detailed data spurred an unprecedented public discussion of the nation's sexual practices and ideologies. As they debated what behaviors were normal or average, abnormal or deviant, Cold War Americans also celebrated and scrutinized the state of their nation, relating apparent changes in sexuality to shifts in its political structure, economy, and people. American Sexual Character employs the studies and the myriad responses they evoked to examine national debates about sexuality, gender, and Americanness after World War II. Focusing on the mutual construction of postwar ideas about national identity and sexual life, this wide-ranging, shrewd, and lively analysis explores the many uses to which these sex surveys were put at a time of extreme anxiety about sexual behavior and its effects on the nation. Looking at real and perceived changes in masculinity, female sexuality, marriage, and homosexuality, Miriam G. Reumann develops the notion of "American sexual character," sexual patterns and attitudes that were understood to be uniquely American and to reflect contemporary transformations in politics, social life, gender roles, and culture. She considers how apparent shifts in sexual behavior shaped the nation's workplaces, homes, and families, and how these might be linked to racial and class differences.
Author | : Drewey Wayne Gunn |
Publisher | : McFarland |
Total Pages | : 201 |
Release | : 2016-02-04 |
Genre | : Literary Criticism |
ISBN | : 0786499052 |
Examining the development of gay American fiction and providing an essential reading list, this literary survey covers 257 works--novels, novellas, a graphic story cycle and a narrative poem--in which gay and bisexual male characters play a major role. Iconic works, such as James Baldwin's Giovanni's Room and Christopher Isherwood's A Single Man, are included, along with titles not given attention by earlier surveys, such as Wallace Thurman's Infants of the Spring, Dashiel Hammett's The Maltese Falcon, Julian Green's Each in His Darkness, Ursula Zilinsky's Middle Ground and David Plante's The Ghost of Henry James. Chronological entries discuss each work's plot, significance for gay identity, and publication history, along with a brief biography of the author.
Author | : John W. Johnson |
Publisher | : Taylor & Francis |
Total Pages | : 536 |
Release | : 2001 |
Genre | : Law |
ISBN | : 9780415937566 |
This collection of essays looks at over 200 major court cases, at both state and federal levels, from the colonial period to the present. Organized thematically, the articles range from 1,000 to 5,000 words and include recent topics such as the Microsoft antitrust case, the O.J. Simpson trials, and the Clinton impeachment. This new edition includes 43 new essays as well as updates throughout, with end-of-essay bibliographies and indexes by case and subject/name.
Author | : Maureen Honey |
Publisher | : Rutgers University Press |
Total Pages | : 387 |
Release | : 2016-08-31 |
Genre | : Biography & Autobiography |
ISBN | : 0813572797 |
The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating.
Author | : Various Authors |
Publisher | : Routledge |
Total Pages | : 1600 |
Release | : 2021-02-12 |
Genre | : Social Science |
ISBN | : 0429616457 |
Reissuing seven works originally published between 1977 and 1992, this collection offers a varied selection of surveys of historical practices and attitudes to sexuality, from complete reviews of changing attitudes through time, to individual studies of France in the 19th and 20th Centuries and England in the 17th. This set will be of interest in sociology, gender studies, cultural studies and history.
Author | : Brian Hunt |
Publisher | : Lulu.com |
Total Pages | : 458 |
Release | : 2009-12-04 |
Genre | : Art |
ISBN | : 0578043858 |
In 1923 Mahlon Blaine burst upon the art scene with striking works of imagination and vision. Within a short time his work was published in everything ranging from children's books and mainstream magazines to erotic portfolios. The body of work he produced between 1926 and 1930 was nothing short of phenomenal but after 1931 his output became increasingly sporadic. Sadly like so many artists before him who have given us so much, Blaine died penniless and mostly forgotten in January of 1969. This volume samples Mahlon Blaine's unique artistic visions, from his grand emergence in the roaring 20's through his declining years in the swinging 60's. Words of praise for this volume: "This is an overdue recognition of Blaine's fine eye for details in his drawings. You have presented his work in chronological order, which shows his development over the years, giving us an insight into his imaginative art. I am happy to see this fine volume in print."-Helen de la Ree