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| Author | : Esmée Quodbach |
| Publisher | : Penn State University Press |
| Total Pages | : 224 |
| Release | : 2020-11 |
| Genre | : |
| ISBN | : 9780271086088 |
A collection of essays by twelve scholars and museum curators examining the allure of Flemish painting to Americans over the past centuries, chronicling the roles played by determined individuals in forming private and public collections.
| Author | : Robert Cozzolino |
| Publisher | : Princeton University Press |
| Total Pages | : 320 |
| Release | : 2016-11 |
| Genre | : Art |
| ISBN | : 0691172692 |
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
| Author | : Esmée Quodbach |
| Publisher | : Penn State University Press |
| Total Pages | : 272 |
| Release | : 2014 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.
| Author | : Jeff Rider |
| Publisher | : CUA Press |
| Total Pages | : 313 |
| Release | : 2009-11 |
| Genre | : Biography & Autobiography |
| ISBN | : 0813217199 |
Edited by two of the world's most prominent specialists on Galbert today, Jeff Rider and Alan V. Murray, this book brings together essays by established scholars who have been largely responsible for the radical changes in the understanding of Galbert and his work that have occurred over the last thirty years and essays by younger scholars.
| Author | : Amanda Betts |
| Publisher | : Knopf Canada |
| Total Pages | : 274 |
| Release | : 2015-10-27 |
| Genre | : History |
| ISBN | : 0345810279 |
A beautifully designed collection of essays on war, loss and remembrance to commemorate the 100th anniversary of the writing of Canada's most famous poem. In early 1915, the death of a young friend on the battlefields of Ypres inspired Canadian soldier, field surgeon and poet John McCrae to write "In Flanders Fields." Within months of the poem's December 1915 publication in the British magazine Punch it became part of the collective consciousness in North America and Europe, and its extraordinary power has endured over the decades and across generations. In this anthology, Canada's finest historians, novelists and poets contemplate the evolving meaning of the poem; the man who wrote it and the World War I setting from which it emerged; its themes of valour, grief and remembrance; and the iconic image of the poppy. Among the thirteen contributors: Lieutenant-General Roméo Dallaire (ret'd) writes about the emotional meaning of the poem for war veterans; Tim Cook describes the rich and varied life of McCrae; Frances Itani revisits her time in Flanders, and mines the acts of witnessing and remembering; Kevin Patterson offers a riveting depiction of the adrenaline-fueled work of a WWI field surgeon; Mary Janigan reveals the poem's surprisingly divisive effect during the 1917 federal election; Ken Dryden tells us how lines from the poem ended up on the wall of the Montreal Canadiens' dressing room; and Patrick Lane recalls a Remembrance Day from his childhood in a moving reflection on how war shapes us all. Gorgeously designed in full colour with archival and contemporary images, In Flanders Fields: 100 Years will reflect and illuminate the importance of art in how we process war and loss.
| Author | : Abigail D. Newman |
| Publisher | : Studies in Netherlandish Art a |
| Total Pages | : 0 |
| Release | : 2022 |
| Genre | : Art |
| ISBN | : 9789004426290 |
"In Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid, Flemish immigrants and imported Flemish paintings cross the paths of Spanish kings, collectors, dealers, and artists in the Spanish court city, transforming the development and nature of seventeenth-century Spanish painting. Examining these Flemish transplants and the traces their interactions left in archival documents, collection inventories, art treatises, and most saliently Spanish "Golden Age" paintings, this book portrays Spanish society grappling with a long tradition of importing its favorite paintings while struggling to reimagine its own visual idiom. In the process, the book historicizes questions of style, quality, immigration, mobility, identity, and cultural exchange to define what the evolving and amorphous visual concept of "Flemishness" meant to Spanish viewers in an era long before the emergence of nationalism"--
| Author | : Paula Nuttall |
| Publisher | : |
| Total Pages | : 307 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780300102444 |
02 This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area. This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area.
| Author | : Judith Flanders |
| Publisher | : Basic Books |
| Total Pages | : 364 |
| Release | : 2020-10-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1541675061 |
From a New York Times-bestselling historian comes the story of how the alphabet ordered our world. A Place for Everything is the first-ever history of alphabetization, from the Library of Alexandria to Wikipedia. The story of alphabetical order has been shaped by some of history's most compelling characters, such as industrious and enthusiastic early adopter Samuel Pepys and dedicated alphabet champion Denis Diderot. But though even George Washington was a proponent, many others stuck to older forms of classification -- Yale listed its students by their family's social status until 1886. And yet, while the order of the alphabet now rules -- libraries, phone books, reference books, even the order of entry for the teams at the Olympic Games -- it has remained curiously invisible. With abundant inquisitiveness and wry humor, historian Judith Flanders traces the triumph of alphabetical order and offers a compendium of Western knowledge, from A to Z. A Times (UK) Best Book of 2020
| Author | : Norbert Wolf |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-09-17 |
| Genre | : Art |
| ISBN | : 3791384066 |
This beautifully illustrated, expansive overview of Dutch and Flemish art during the 17th century illuminates the creative achievements of one of the most important eras in western art. The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science--and art. Still lifes, landscape paintings, and romantic depictions of everyday life became valued by the increasingly wealthy merchant classes in the Dutch provinces, while religious and historic paintings as well as portraits continued to appeal to the Flemish patronage. The Golden Age brought us Rembrandt, Vermeer, Rubens, and Van Dyck, but it was also the period of Frans Hals' revolutionary portraiture, Adriaen Brouwer's depictions of the working class at play, Jan Brueghel's velvety miniatures, and Hendrick Avercamp's lively winter landscapes. Norbert Wolf applies his vast understanding of the interplay between history, culture, and art to explore the forces that led to the Golden Age in Holland and Flanders and how this period influenced later generations of artists. Accompanied by luminous color illustrations, Wolf's accessible text considers the complex political, religious, social, and economic situation that led to newfound prosperity and, thus, to an enormous artistic output that we continue to marvel at and enjoy today.
| Author | : Judith Flanders |
| Publisher | : Atlantic Books Ltd |
| Total Pages | : 260 |
| Release | : 2014-10-02 |
| Genre | : Social Science |
| ISBN | : 1782393781 |
The idea that 'home' is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it. But, as Judith Flanders shows in this revealing book, 'home' is a relatively new concept. When in 1900 Dorothy assured the citizens of Oz that 'There is no place like home', she was expressing a view that was a culmination of 300 years of economic, physical and emotional change. In The Making of Home, Flanders traces the evolution of the house across northern Europe and America from the sixteenth to the early twentieth century, and paints a striking picture of how the homes we know today differ from homes through history. The transformation of houses into homes, she argues, was not a private matter, but an essential ingredient in the rise of capitalism and the birth of the Industrial Revolution. Without 'home', the modern world as we know it would not exist, and as Flanders charts the development of ordinary household objects - from cutlery, chairs and curtains, to fitted kitchens, plumbing and windows - she also peels back the myths that surround some of our most basic assumptions, including our entire notion of what it is that makes a family. As full of fascinating detail as her previous bestsellers, The Making of Home is also a book teeming with original and provocative ideas.
