Amendment to Communications Act of 1934
Author | : United States. Congress. Senate. Committee on Interstate and Foreign Commerce |
Publisher | : |
Total Pages | : 1360 |
Release | : 1958 |
Genre | : Music printing |
ISBN | : |
Download Amendment To Communications Act Of 1934 Prohibiting Radio And Television Stations From Engaging In Music Publishing Or Recording Business full books in PDF, epub, and Kindle. Read online free Amendment To Communications Act Of 1934 Prohibiting Radio And Television Stations From Engaging In Music Publishing Or Recording Business ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : United States. Congress. Senate. Committee on Interstate and Foreign Commerce |
Publisher | : |
Total Pages | : 1360 |
Release | : 1958 |
Genre | : Music printing |
ISBN | : |
Author | : United States. Congress. Senate. Committee on Interstate and Foreign Commerce. Subcommittee on Communications |
Publisher | : |
Total Pages | : 1260 |
Release | : 1958 |
Genre | : Music publishers |
ISBN | : |
Includes the following submitted material. a. American Society of Composers, Authors, and Publishers, monthly record release listing, Jan. 1958 (p. 335-388). b. Broadcast Music, Inc., affiliated music publishers in U.S. and foreign countries, alphabetical list by name and state or country (p. 613-762). c. "Broadcaster-BMI Domination of the Music Industry" by John Schulman for Songwriters Protective Association (p. 1035-1144).
Author | : United States. Congress. Senate. Committee on Interstate and Foreign Commerce. Subcommittee on Communications |
Publisher | : |
Total Pages | : 1237 |
Release | : 1958 |
Genre | : Music printing |
ISBN | : |
Author | : United States. Congress. Senate. Committee on Interstate and Foreign Commerce |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : |
Author | : United States. Congress. Senate. Committee on Interstate and Foreign Commerce. Subcommittee on Communications |
Publisher | : |
Total Pages | : 1237 |
Release | : 1958 |
Genre | : Music printing |
ISBN | : |
Author | : United States. Congress. Senate. Committee on Interstate and Foreign Commerce. Subcommittee on Communications |
Publisher | : |
Total Pages | : 1237 |
Release | : 1958 |
Genre | : Music publishers |
ISBN | : |
Includes the following submitted material. a. American Society of Composers, Authors, and Publishers, monthly record release listing, Jan. 1958 (p. 335-388). b. Broadcast Music, Inc., affiliated music publishers in U.S. and foreign countries, alphabetical list by name and state or country (p. 613-762). c. "Broadcaster-BMI Domination of the Music Industry" by John Schulman for Songwriters Protective Association (p. 1035-1144).
Author | : United States. Congress. Senate. Committee on Interstate and Foreign Commerce |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : |
Author | : United States. Congress. Senate. Interstate and Foreign Commerce |
Publisher | : |
Total Pages | : 1312 |
Release | : 1958 |
Genre | : |
ISBN | : |
Author | : Joseph M. Thompson |
Publisher | : UNC Press Books |
Total Pages | : 345 |
Release | : 2024-04-02 |
Genre | : History |
ISBN | : |
Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to servicemembers. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad.