Alternative Comedy
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| Author | : Oliver Double |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 241 |
| Release | : 2020-04-16 |
| Genre | : Performing Arts |
| ISBN | : 1350052825 |
In the late 1970s, the alternative comedy scene exploded into life in Britain and completely changed the style, subject matter and politics of British stand-up. Contemporary critics talked about it as 'anti-matter comedy' that 'makes you laugh while actually rearranging large chunks of your brain'. This book draws on a wealth of archive material – including unpublished recordings of early performances – and new interviews with key figures such as Alexei Sayle, Andy de la Tour and Jim Barclay, to provide a detailed history of the early scene and an examination of the distinctive modes of performance style which developed. Beginning with its origins, the volume traces the influence of American stand-up, and in particular the significance of Mort Sahl and Lenny Bruce as the originators of a style of stand-up that influenced the British pioneers of alternative comedy. It shows how the opening of the Comedy Store in 1979 provided a catalyst for a new movement, which grew outward from there with the foundation of the group Alternative Cabaret and the opening of the Comic Strip. But it also looks at smaller venues and less celebrated acts that have not been as well remembered, including ranting poets and street performers. Finally, it looks at alternative comedy's legacy, showing how it was the starting point for the UK's thriving and varied live scene, which encompasses anything from small pub gigs to huge arena tours.
| Author | : Oliver Double |
| Publisher | : Springer Nature |
| Total Pages | : 297 |
| Release | : 2022-10-05 |
| Genre | : Performing Arts |
| ISBN | : 3030973514 |
Alternative Comedy Now and Then: Critical Perspectives is the first academic collection focusing on the history and legacy of the alternative comedy movement in Britain that began in 1979 and continues to influence contemporary stand-up comedy. The collection examines the contexts, performances and reception of alternative comedy in order to provide a holistic approach to examining the socio-political impact and significance of alternative comedy from its historical roots through to present day performances. As alternative comedy celebrated its 40th anniversary in 2019, critically reflecting on its impact and significance is a timely endeavour. The book adopts a distinctive interdisciplinary approach, synthesizing theory, concepts and methodologies from comedy studies, theatre and performance, communication and media studies, sociology, political sciences and anthropology. This approach is taken in order to fully understand and examine the dynamics and nuances of the alternative comedy movement which would not be possible with a single-discipline approach.
| Author | : Oliver Double |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 292 |
| Release | : 2020-04-16 |
| Genre | : Performing Arts |
| ISBN | : 1350052817 |
In the late 1970s, the alternative comedy scene exploded into life in Britain and completely changed the style, subject matter and politics of British stand-up. Contemporary critics talked about it as 'anti-matter comedy' that 'makes you laugh while actually rearranging large chunks of your brain'. This book draws on a wealth of archive material – including unpublished recordings of early performances – and new interviews with key figures such as Alexei Sayle, Andy de la Tour and Jim Barclay, to provide a detailed history of the early scene and an examination of the distinctive modes of performance style which developed. Beginning with its origins, the volume traces the influence of American stand-up, and in particular the significance of Mort Sahl and Lenny Bruce as the originators of a style of stand-up that influenced the British pioneers of alternative comedy. It shows how the opening of the Comedy Store in 1979 provided a catalyst for a new movement, which grew outward from there with the foundation of the group Alternative Cabaret and the opening of the Comic Strip. But it also looks at smaller venues and less celebrated acts that have not been as well remembered, including ranting poets and street performers. Finally, it looks at alternative comedy's legacy, showing how it was the starting point for the UK's thriving and varied live scene, which encompasses anything from small pub gigs to huge arena tours.
| Author | : David Robbins |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Arts, Modern |
| ISBN | : 9788791409585 |
"Conventional histories of comedy address the verbal comedy presented on stage or screen, or in broadcast media. During the twentieth century, however, there emerged another form of comedy--a comedy of doing rather than saying--that yielded prop-like conceptual objects and gestures of public theater. Termed 'concrete comedy' by internationally known artist and writer David Robbins, its origins date from around 1915, with the work of Karl Valentin, a German comedian of stage and screen who also made comic objects, and Marcel Duchamp, who used the art context as a site as for comedy. Concrete Comedy discusses visual artists (Manzoni, Warhol, Cattelan, Kippenberger, among many others) alongside entertainers (Albert Brooks, Andy Kaufman, Robert Benchley, Jack Benny), musicians (The Ramones, The Replacements, Frank Zappa), couturiers (from Chanel to Viktor & Rolf), architects (SITE Architects) and dozens of other comic imaginations. It offers both an alternative to conventional comedy and an alternative reading of certain abiding strategies in recent art."--Publisher's description.
| Author | : Sophie Quirk |
| Publisher | : Springer |
| Total Pages | : 137 |
| Release | : 2018-11-11 |
| Genre | : Performing Arts |
| ISBN | : 3030011054 |
This Palgrave Pivot questions how a new generation of alternative stand-up comedians and the political world continue to shape and influence each other. The Alternative Comedy Movement of the late 1970s and 1980s can be described as a time of unruly experimentation and left-wing radicalism. This book examines how alternative comedians continue to celebrate these characteristics in the twenty-first century, while also moving into a distinct phase of artistic development as the political context of the 1970s and 1980s loses its immediacy. Sophie Quirk draws on original interviews with comedians including Tom Allen, Josie Long, John-Luke Roberts and Tony Law to chart how alternative comedians are shaped by, and in turn respond to, contemporary political challenges from neoliberalism to Brexit, class controversy to commercialism. She argues that many of our assumptions about comedy’s politics must be challenged and updated. This book is essential reading for anyone who wants to understand the working methods and values of today’s alternative comedians.
| Author | : Maeve Higgins |
| Publisher | : Penguin |
| Total Pages | : 258 |
| Release | : 2018-08-07 |
| Genre | : Humor |
| ISBN | : 1101993650 |
“If Tina Fey and David Sedaris had a daughter, she would be Maeve Higgins.” —Glamour A startlingly hilarious essay collection about one woman’s messy path to finding her footing in New York City, from breakout comedy star and podcaster Maeve Higgins Maeve Higgins was a bestselling author and comedian in her native Ireland when, at the grand old age of thirty-one, she left the only home she’d ever known in search of something more and found herself in New York City. Together, the essays in Maeve in America create a smart, funny, and revealing portrait of a woman who aims for the stars but sometimes hits the ceiling and the inimitable city that helped make her who she is. Here are stories of not being able to afford a dress for the ball, of learning to live with yourself while you’re still figuring out how to love yourself, of the true significance of realizing what sort of shelter dog you would be. Self-aware and laugh-out-loud funny, this collection is also a fearless exploration of the awkward questions in life, such as: Is clapping too loudly at a gig a good enough reason to break up with somebody? Is it ever really possible to leave home? “Maeve Higgins is hilarious, poignant, conversational, and my favorite Irish import since U2. You’re in for a treat.” —Phoebe Robinson
| Author | : Sam Friedman |
| Publisher | : Routledge |
| Total Pages | : 277 |
| Release | : 2014-04-24 |
| Genre | : Social Science |
| ISBN | : 1135009007 |
This book was shortlisted for the 2015 BSA Philip Abrams Memorial Prize. Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the recent economic downturn, it has exploded into a booming billion-pound industry both on TV and on the live circuit. Despite this, academia has either ignored comedy or focused solely on analysing comedians or comic texts. This scholarship tends to assume that through analysing an artist’s intentions or techniques, we can somehow understand what is and what isn’t funny. But this poses a fundamental question – funny to whom? How can we definitively discern how audiences react to comedy? Comedy and Distinction shifts the focus to provide the first ever empirical examination of British comedy taste. Drawing on a large-scale survey and in-depth interviews carried out at the Edinburgh Festival Fringe, the book explores what types of comedy people like (and dislike), what their preferences reveal about their sense of humour, how comedy taste lubricates everyday interaction, and how issues of social class, gender, ethnicity and geographical location interact with patterns of comic taste. Friedman asks: Are some types of comedy valued higher than others in British society? Does more ‘legitimate’ comedy taste act as a tangible resource in social life – a form of cultural capital? What role does humour play in policing class boundaries in contemporary Britain? This book will be of interest to students and scholars of sociology, social class, social theory, cultural studies and comedy studies.
| Author | : Logan Murray |
| Publisher | : Teach Yourself |
| Total Pages | : 229 |
| Release | : 2015-03-26 |
| Genre | : Performing Arts |
| ISBN | : 1473607191 |
LEARN HOW TO WRITE AND PERFORM STAND UP COMEDY. A new edition of Be A Great Stand-Up, now fully revised and updated with new material on setting up and running a comedy night and mining almost any subject for jokes. Logan Murray has successfully taught the techniques of stand-up comedy to thousands, and in this book he distills his years of experience into the essential skills for a great and enjoyable performance. He will help you find your creative streak and your funny side, build the confidence to deliver, and explain the finer details of stagecraft, from dealing with hecklers to coping with props. There is a full guide to the practicalities, from finding gigs to securing an agent, with plenty of valuable hints, tips and advice. Drawing on Logan's years of teaching and his own successful stand-up career, with top tips from some of the most well-known people in the business, it is guaranteed to bring a smile to both your face and that of your future audience. As well as full updates throughout the book, this new edition contains fresh material on how to set up and run a comedy night, mine any subject for jokes and advice on festivals. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.
| Author | : Simon Trussler |
| Publisher | : Cambridge University Press |
| Total Pages | : 420 |
| Release | : 2000-09-21 |
| Genre | : Drama |
| ISBN | : 9780521794305 |
Written with style, imagination and insight, and packed with interesting illustrations, this authoritative book traces the development through the ages of plays and playwriting, forms of staging, the acting profession and the role of the actor - in fact all aspects of live entertainment. From satire and burlesque to melodrama and pantomime, this is a major history of British theatre from the earliest times to the present day. Shifting its focus constantly between those who played and those who watched, between officially approved performance and the popular theatre of the people, The Cambridge Illustrated History of British Theatre will be invaluable to anyone interested in theatre, whether student, teacher, performer or spectator.
| Author | : Krista Bonello Rutter Giappone |
| Publisher | : Springer |
| Total Pages | : 255 |
| Release | : 2018-05-24 |
| Genre | : Social Science |
| ISBN | : 3319728415 |
This book examines the interconnections between punk and alternative comedy (altcom). It explores how punk’s tendency towards humour and parody influenced the trajectory taken by altcom in the UK, and the punk strategies introduced when altcom sought self-definition against dominant established trends. The Punk Turn in Comedy considers the early promise of punk-comedy convergence in Peter Cook and Dudley Moore’s ‘Derek and Clive’, and discusses punk and altcom’s attitudes towards dominant traditions. The chapters demonstrate how punk and altcom sought a direct approach for critique, one that rejected innuendo, while embracing the ‘amateur’ in style and experimenting with audience-performer interaction. Giappone argues that altcom tended to be more consistently politicised than punk, with a renewed emphasis on responsibility. The book is a timely exploration of the ‘punk turn’ in comedy history, and will speak to scholars of both comedy and punk studies.
