All The Paintings Of Titian
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| Author | : Peter Humphrey |
| Publisher | : |
| Total Pages | : 416 |
| Release | : 2007-11 |
| Genre | : Art |
| ISBN | : |
The Classic Art Series Abrams is proud to announce a major event in art history.The Classic Art Seriesoffers a comprehensive approach to publishing the Old Masters. Commissioned from important scholars, these books reproduce every known work by their subjects in large-format color illustrations, along with a general biographical and critical essay, commentaries, and extensive documentation, including a list of collections and extensive bibliography. Printed on the very finest paper using the most sophisticated technology available today, they are intended to be both beautiful art books and lasting contributions to knowledge. The Flemish artist Pieter Bruegel the Elder (1525–1569) is considered to be the first Western landscape and genre painter. He has been especially beloved through the centuries for his paintings of peasant scenes. Along with an essay by Manfred Sellink, this book reprints the first biography of Bruegel, in facsimile and translation, written by Karel van Mander around 1604. The annotated catalogue includes all forty paintings and seventy drawings attributed to Bruegel in color, with numerous details, as well as his seventy-five prints.
| Author | : Titian |
| Publisher | : |
| Total Pages | : |
| Release | : 1965 |
| Genre | : |
| ISBN | : |
| Author | : Francesco Valcanover |
| Publisher | : |
| Total Pages | : 0 |
| Release | : |
| Genre | : Painters |
| ISBN | : |
| Author | : Titian |
| Publisher | : Marsilio |
| Total Pages | : 352 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
In the mid-sixteenth century, at almost 60 years of age, Titian invented a new way of painting: the paint was applied to the canvas rapidly and freely and overlaid with brushstrokes that were both light and dense: the forms broke up and a great sensuality and profound spirituality became evident. Titian used an extraordinarily prescient technique to create engaging, stirring painting that in some ways seems to relate to the literary work of the poet Torquato Tasso and even take up the imaginary writings of Ludovico Ariosto published in Venice in the 1530s. Such a painting style had never previously been imagined and was so revolutionary that it was to influence many artists of subsequent centuries through to the modern age. Late Titian became the yardstick not only for younger contemporary painters like Tintoretto, Veronese and Bassano, but also great artists of subseqent cewnturies like Rubens, Rembandt, Velazquez, Gericault and Delacroix and on to the Expressionists.
| Author | : Jodi Cranston |
| Publisher | : Penn State University Press |
| Total Pages | : 188 |
| Release | : 2010 |
| Genre | : Figurative painting |
| ISBN | : |
Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection.
| Author | : Francesco Valcanover |
| Publisher | : |
| Total Pages | : 71 |
| Release | : 1965 |
| Genre | : Painters |
| ISBN | : |
| Author | : Thomas Puttfarken |
| Publisher | : Yale University Press |
| Total Pages | : 260 |
| Release | : 2005-01-01 |
| Genre | : Art |
| ISBN | : 9780300110005 |
Late in his life Titian created a series of paintings--the "Four Sinners,” the "poesie” for his patron Philip II of Spain, and the "Final Tragedies”--that were dark in tone and content, full of pathos and physical suffering.In this major reinterpretation of Titian’s art, Thomas Puttfarken shows that the often dramatic and violent subject matter of these works was not, as is often argued, the consequence of the artist’s increasing age and sense of isolation and tragedy. Rather, these paintings were influenced by discussions of Aristotle’s Poetics that permeated learned discourse in Italy in the mid-sixteenth century. The Poetics led directly to a rich theory of the visual arts, and painting in particular, that enabled artists like Titian to consider themselves on equal footing with poets. Puttfarken investigates Titian’s late works in this context and analyzes his relations with his patrons, his intellectual and humanistic contacts, and his choices of subject matter, style, and technique.
| Author | : Maria H. Loh |
| Publisher | : Getty Publications |
| Total Pages | : 220 |
| Release | : 2007 |
| Genre | : Imitation in art |
| ISBN | : 9780892368730 |
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
| Author | : Sir Claude Phillips |
| Publisher | : Parkstone International |
| Total Pages | : 435 |
| Release | : 2023-12-28 |
| Genre | : Art |
| ISBN | : 1785259385 |
Not only does Sir Claude Phillips offer the reader a studied and insightful loook into the work of one of the world's most cherished painters, but he also invites us to discover the bustling world on the Venetian art circle in which Titian lived and worked. From his early years in the workshop of Giovanni Bellini, to his meeting with Michelangelo and his rivalry with Pordenone, the story of Titian's artistic development also tells the story of the most influential Italian Renaissance art.
| Author | : Matthias Wivel |
| Publisher | : National Gallery London |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Art, Renaissance |
| ISBN | : 9781857096552 |
A celebration of one of the most important groups of Renaissance paintings
