All Propaganda is Lies, 1941-1942

All Propaganda is Lies, 1941-1942
Author: George Orwell
Publisher: Harvill Secker
Total Pages: 624
Release: 1998
Genre: Biography & Autobiography
ISBN:

"On 18 August 1941, Orwell joined the BBC's Overseas Service. After a crash training course (the documents for which are reproduced here), he was appointed a Talks Producer responsible for features, talks and commentaries on the war, to be broadcast to India. He wrote at least 220 news commentaries for, and broadcast to, India and occupied Malaya and Indonesia, of which Orwell read fifty-six. This volume shows that formal censorship was not as great a problem as has been supposed, though it obviously occurred and Orwell's brushes with censors are shown in detail. Along with Columes 14 and 15, Volume 13 shows the enormous efforts he made to disseminate culture rather than crude propaganda. It is in this volume that the origins of 'Room 101' are to be found; it has examples of his first 'courses' for Indian university student - the forerunner of the Open University; the first issue of his broadcast poetry magazine, 'Voice', and a nubmer of his own broadcasts, including 'The Re-discovery of Europe'. He continued to review, to write essays, and to contribute to Partisan Review and he was still active in the Home Guard."

All Propaganda is Lies, 1941-1942

All Propaganda is Lies, 1941-1942
Author: George Orwell
Publisher: Random House
Total Pages: 594
Release: 2001
Genre: Authors, English
ISBN: 0436404052

In August, 1941, George Orwell joined the BBC's Overseas Service. This volume contains some of the work he produced as Talks Producer responsible for features, talks and commentaries on the war, to be broadcast to India. Orwell read 56 of the 220 news commentaries he wrote.

Orwell and Marxism

Orwell and Marxism
Author: Philip Bounds
Publisher: Bloomsbury Publishing
Total Pages: 321
Release: 2009-03-16
Genre: Political Science
ISBN: 085773282X

Whether as a fighter in the Spanish Civil War, an advocate of patriotic Socialism or a left-wing opponent of the Soviet Union, George Orwell was the ultimate outsider in politics - insecure, scornful of orthodoxies, cussedly independent. Best known today as the author of Animal Farm and Nineteen Eighty-Four, Orwell also wrote seven other full-length books and and a vast number of essays, articles and reviews. A pioneering cultural critic, he addressed a range of important issues including art, literature, 'Englishness', mass communication and the spectre of totalitarianism. Famously describing his own background as 'lower-upper-middle class', Orwell had a complex relationship with Marxism and all his work reflects the influence of British communism. In this thoughtful and original study Philip Bounds argues that Orwell's writings effectively took the form of a dialogue with the leading British Marxists of his day. Bounds shows that Orwell often agreed with the Marxists and built on their insights in his writings, while on other occasions he used his disagreements with them as the basis of his own critical position. Through close analysis of Orwell's writings as well as his historical and literary context, Bounds has produced an important study of one of the iconic writers of the 20th century. 'Orwell and Marxism' offers a thorough introduction to Orwell the intellectual, reviving his reputation as a serious cultural thinker and documenting his most important influences, as well as a convincing portrait of British Marxism and society in the 1930s and 40s.

Scripting Empire

Scripting Empire
Author: James Procter
Publisher: Oxford University Press
Total Pages: 305
Release: 2024-03-06
Genre: Literary Criticism
ISBN: 0198894252

Scripting Empire recovers the literary and cultural history of West Indian and West African writing at the BBC in order to rethink the critical mid-century decades of shrinking British sovereignty, late modernism, and mass migration to the metropole. Between the 1930s and the 1960s, a remarkable group of black Atlantic artists and intellectuals became producers, editors, and freelancers at the corporation, including Una Marson, Langston Hughes, Louise Bennett, Wole Soyinka, Derek Walcott, Amos Tutuola, V.S. Naipaul, Sam Selvon, Cyprian Ekwensi, Stuart Hall, and C.L.R. James. Operating at the interface of a range of literary and broadcast genres, this loose network of African Caribbean writers and thinkers prompt a reassessment of the aesthetic, formal, and political fallout of decolonization between the outbreak of World War II and the first airings of post-colonial independence. Scripting Empire works comparatively across dozens of different programmes spanning the General Overseas Service, Home Service, Light Programme, and Third Programme. Drawing upon a transnational archive of materials including scripts, correspondence, periodicals, visual records, and sound recordings, it seeks to re-position the cultural contribution of West Indians and West Africans within a more pervasive and porous account of radio transmission, the legacy of which extends well beyond broadcasting.

Culture, Conflict and the Military in Colonial South Asia

Culture, Conflict and the Military in Colonial South Asia
Author: Kaushik Roy
Publisher: Taylor & Francis
Total Pages: 228
Release: 2017-08-25
Genre: History
ISBN: 1351584529

This book offers diverse and original perspectives on South Asia’s imperial military history. Unlike prevailing studies, the chapters in the volume emphasize both the vital role of culture in framing imperial military practice and the multiple cultural effects of colonial military service and engagements. The volume spans from the early East India Company period through to the Second World War and India’s independence, exploring themes such as the military in the field and at leisure, as well as examining the effects of imperial deployments in South Asia and across the British Empire. Drawing extensively on new archival research, the book integrates previously disparate accounts of imperial military history and raises new questions about culture and operational practice in the colonial Indian Army. This work will be of interest to scholars and researchers of modern South Asian history, war and strategic studies, military history, the British Empire, as well as politics and international relations.

Press and Politics in the Weimar Republic

Press and Politics in the Weimar Republic
Author: Bernhard Fulda
Publisher: OUP Oxford
Total Pages: 344
Release: 2009-01-08
Genre: History
ISBN: 0191563269

Press and Politics offers a new interpretation of the fate of Germany's first democracy and the advent of Hitler's Third Reich. It is the first study to explore the role of the press in the politics of the Weimar Republic, and to ask how influential it really was in undermining democratic values. Anyone who seeks to understand the relationship between the press and politics in Germany at this time has to confront a central problem. Newspapers certainly told their readers how to vote, especially at election time. It was widely accepted that the press wielded immense political power. And yet power ultimately fell to Adolf Hitler, a radical politician whose party press had been strikingly unsuccessful. Press and Politics unravels this apparent paradox by focusing on Berlin, the political centre of the Weimar Republic and the capital of the German press. The book examines the complex relationship between media presentation, popular reception, and political attitudes in this period. What was the relationship between newspaper circulation and electoral behaviour? Which papers did well, and why? What was the nature of political coverage in the press? Who was most influenced by it? Bernhard Fulda addresses all these questions and more, looking at the nature and impact of newspaper reporting on German politics, politicians, and voters. He shows how the press personalized politics, how politicians were turned into celebrities or hate figures, and how - through deliberate distortions - individual newspapers succeeded in building up a plausible, partisan counter-reality.

Archives of Authority

Archives of Authority
Author: Andrew Rubin
Publisher: Princeton University Press
Total Pages: 200
Release: 2012-07-29
Genre: History
ISBN: 0691154155

Combining literary, cultural, and political history, and based on extensive archival research, Archives of Authority argues that cultural politics - specifically America's often covert patronage of the arts - played a highly important role in the transfer of imperial authority from Britain to the USA during a critical period after WWII.

Authoring War

Authoring War
Author: Kate McLoughlin
Publisher: Cambridge University Press
Total Pages: 233
Release: 2011-01-20
Genre: Literary Criticism
ISBN: 1139497375

Kate McLoughlin's Authoring War is an ambitious and pioneering study of war writing across all literary genres from earliest times to the present day. Examining a range of cultures, she brings wide reading and close rhetorical analysis to illuminate how writers have met the challenge of representing violence, chaos and loss. War gives rise to problems of epistemology, scale, space, time, language and logic. She emphasises the importance of form to an understanding of war literature and establishes connections across periods and cultures from Homer to the 'War on Terror'. Exciting new critical groupings arise in consequence, as Byron's Don Juan is read alongside Heller's Catch-22 and English Civil War poetry alongside Second World War letters. Innovative in its approach and inventive in its encyclopedic range, Authoring War will be indispensable to any discussion of war representation.

Red Britain

Red Britain
Author: Matthew Taunton
Publisher: Oxford University Press
Total Pages: 314
Release: 2019-04-04
Genre: Literary Criticism
ISBN: 0192549928

Red Britain sets out a provocative rethinking of the cultural politics of mid-century Britain by drawing attention to the extent, diversity, and longevity of the cultural effects of the Russian Revolution. Drawing on new archival research and historical scholarship, this book explores the conceptual, discursive, and formal reverberations of the Bolshevik Revolution in British literature and culture. It provides new insight into canonical writers including Doris Lessing, George Orwell, Dorothy Richardson, H.G Wells, and Raymond Williams, as well bringing to attention a cast of less-studied writers, intellectuals, journalists, and visitors to the Soviet Union. Red Britain shows that the cultural resonances of the Russian Revolution are more far-reaching and various than has previously been acknowledged. Each of the five chapters takes as its subject one particular problem or debate, and investigates the ways in which it was politicised as a result of the Russian Revolution and the subsequent development of the Soviet state. The chapters focus on the idea of the future; numbers and arithmetic; law and justice; debates around agriculture and landowning; and finally orality, literacy, and religion. In all of these spheres, Red Britain shows how the medievalist, romantic, oral, pastoral, anarchic, and ethical emphases of English socialism clashed with, and were sometimes overwritten by, futurist, utilitarian, literate, urban, statist, and economistic ideas associated with the Bolshevik Revolution.