A Critical Edition of Alexander’s Ross’s 1647 Mystagogus Poeticus, or the Muses Interpreter

A Critical Edition of Alexander’s Ross’s 1647 Mystagogus Poeticus, or the Muses Interpreter
Author: John R. Glenn
Publisher: Routledge
Total Pages: 661
Release: 2019-05-23
Genre: Literary Criticism
ISBN: 042968276X

First published in 1987, this is a critical edition of the 1647 text by the Scottish author Alexander Ross which offered the Renaissance reader not only a wealth of factual information concerning the gods, goddesses, heroes and monsters of ancient myth and legend, but also served as a treasury of interpretation and commentary ingeniously explaining the facts in terms moral, theological, historical and scientific.

A Critical Edition of Alexander’s Ross’s 1647 Mystagogus Poeticus, or the Muses Interpreter

A Critical Edition of Alexander’s Ross’s 1647 Mystagogus Poeticus, or the Muses Interpreter
Author: John R. Glenn
Publisher: Routledge
Total Pages: 387
Release: 2019-05-23
Genre: Literary Criticism
ISBN: 0429682778

First published in 1987, this is a critical edition of the 1647 text by the Scottish author Alexander Ross which offered the Renaissance reader not only a wealth of factual information concerning the gods, goddesses, heroes and monsters of ancient myth and legend, but also served as a treasury of interpretation and commentary ingeniously explaining the facts in terms moral, theological, historical and scientific.

English Mythography in its European Context, 1500-1650

English Mythography in its European Context, 1500-1650
Author: Anna-Maria Hartmann
Publisher: Oxford University Press
Total Pages: 348
Release: 2018-02-23
Genre: Literary Criticism
ISBN: 0192534750

Greco-Roman mythology and its reception are at the heart of the European Renaissance, and mythographies-texts that collected and explained ancient myths-were considered indispensable companions to any reader of literature. Despite the importance of this genre, English mythographies have not gained sustained critical attention, largely because they have been wrongly considered mere copies of their European counterparts. This volume focuses on the English mythographies written between 1577 and 1647 by Stephen Batman, Abraham Fraunce, Francis Bacon, Henry Reynolds, and Alexander Ross: it places their texts into a wider, European context to reveal their unique English take on the genre and also unfolds the significant role myth played in the broader culture of the period, influencing not only literary life, natural philosophy and poetics, but also religious conflicts and Civil War politics. In doing so it demonstrates, for the first time, the considerable explanatory value classical mythology holds for the study of the English Renaissance and its literary culture in particular, and how early modern England answered a question we still find fascinating today: what is myth?

A Critical Edition of Alexander's Ross's 1647 Mystagogus Poeticus, Or the Muses Interpreter

A Critical Edition of Alexander's Ross's 1647 Mystagogus Poeticus, Or the Muses Interpreter
Author: Taylor & Francis Group
Publisher: Routledge
Total Pages: 642
Release: 2019-05-31
Genre:
ISBN: 9780367022761

First published in 1987, this is a critical edition of the 1647 text by the Scottish author Alexander Ross which offered the Renaissance reader not only a wealth of factual information concerning the gods, goddesses, heroes and monsters of ancient myth and legend, but also served as a treasury of interpretation and commentary ingeniously explaining the facts in terms moral, theological, historical and scientific. The critical edition brought this text alongside its counterparts, Cartari's Imagini and Comes' Mythologia, which had in recent years begun to receive the scholarly recognition they deserve. It constituted a preliminary essay at defining a distinctively English approach to mythological studies by focusing on the only original myth handbook produced in Renaissance England which in scope and intent may be placed next to the great compilations of the Continent.

The Memory Arts in Renaissance England

The Memory Arts in Renaissance England
Author: William E. Engel
Publisher: Cambridge University Press
Total Pages: 397
Release: 2016-07-28
Genre: Literary Criticism
ISBN: 1316495418

This is the first critical anthology of writings about memory in Renaissance England. Drawing together excerpts from more than seventy writers, poets, physicians, philosophers and preachers, and with over twenty illustrations, the anthology offers the reader a guided exploration of the arts of memory. The introduction outlines the context for the tradition of the memory arts from classical times to the Renaissance and is followed by extracts from writers on the art of memory in general, then by thematically arranged sections on rhetoric and poetry, education and science, history and philosophy, religion, and literature, featuring texts from canonical, non-canonical and little-known sources. Each excerpt is supported with notes about the author and about the text's relationship to the memory arts, and includes suggestions for further reading. The book will appeal to students of the memory arts, Renaissance literature, the history of ideas, book history and art history.

The Works of John Dryden, Volume I

The Works of John Dryden, Volume I
Author: John Dryden
Publisher: Univ of California Press
Total Pages: 436
Release: 2023-11-15
Genre: Literary Criticism
ISBN: 0520904834

This volume contains the poems of Dryden extending from 1649 to 1680. Along with the poems of Dryden and associated extensive commentaries and textual notes from the editors, this volume contains the dramatic prologues and epilogues Dryden wrote for the plays of other writers from this period of time.

The Nature of the Book

The Nature of the Book
Author: Adrian Johns
Publisher: University of Chicago Press
Total Pages: 779
Release: 2009-05-15
Genre: Literary Criticism
ISBN: 0226401235

In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement