Alcohol In The Movies 1898 1962
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| Author | : Judy Cornes |
| Publisher | : McFarland |
| Total Pages | : 265 |
| Release | : 2015-03-12 |
| Genre | : Social Science |
| ISBN | : 1476607362 |
A 1906 film called The Dream of a Rarebit Fiend shows a man drinking and eating voraciously at a restaurant, then going home to bed. In the surreal scenes that follow, furniture disappears, tiny devils poke the man's head with pitchforks, and his bed hurls itself out the window and across the city. But it wasn't commentary on drinking; rather, it was a showcase of early special effects--double exposure photography, panning shots, and montage. Turn-of-the-century films typically treated drinking as a subject for comedy and ridicule, and the comic possibilities translated well into silent movies. As talkies developed and the film industry matured, alcohol's portrayal was reflected in the times: prohibition, the Great Depression, the war years, and as social commentary. Here is a study of 64 years of alcohol as portrayed in film. The author begins with the appearance in 1898 of what is probably the first commercial: a 30-second film of men in kilts dancing and the words "Scotch Whiskey" appearing in the background. The final film is 1962's Days of Wine and Roses, which addresses alcoholism. The author includes a film from each decade, those with artistic or historical value, those that represent the comedy, drama and musical genres, and well-known pictures such as The Lost Weekend and A Star Is Born. The first three chapters cover 1903 to 1939. The remaining chapters follow not a timeline but the growing complexity of the movies. A recurring motif is the use of the term "white logic," a phrase used by writer Jack London in his 1913 memoir John Barleycorn. It refers to disillusionment with everyday life brought on by and exacerbated by alcohol. An annotated filmography lists the date, source and other relevant information about movies in this study.
| Author | : Rachel Black |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 335 |
| Release | : 2010-10-14 |
| Genre | : Social Science |
| ISBN | : |
This encyclopedia presents the many sides of America's ongoing relationship with alcohol, examining the political history, pivotal events, popular culture, and advances in technology that have affected its consumption. From the constant advertising messages from beer, wine and liquor manufacturers to parties, weddings, and other social gatherings where alcohol is served to after-work happy hours with coworkers, the influence and presence of alcohol are inescapable in the United States. According to a government source, 50 percent of American adults identified themselves as "regular drinkers" (having at least 12 drinks in the past year). This encyclopedia presents an overview of the entire history of alcohol in America from the first colonies to present day, focusing on the often-marginalized and pop culture aspects of alcohol use and misuse. Entries illuminate topics such as the favorite alcoholic beverages in America; how they are manufactured; the role of alcohol in everyday life, special events, and across history; the impacts of alcohol consumption on society and health; and much more. Connections and influences from outside the United States are also considered for some topics.
| Author | : David M. Fahey |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 980 |
| Release | : 2013-08-27 |
| Genre | : History |
| ISBN | : 1598844792 |
Alcohol and drugs play a significant role in society, regardless of socioeconomic class. This encyclopedia looks at the history of all drugs in North America, including alcohol, tobacco, prescription drugs, cannabis, cocaine, heroin, methamphetamine, and even chocolate and caffeinated drinks. This two-volume encyclopedia provides accessibly written coverage on a wide range of topics, covering substances ranging from whiskey to peyote as well as related topics such as Mexican drug trafficking and societal effects caused by specific drugs. The entries also supply an excellent overview of the history of temperance movements in Canada and the United States; trends in alcohol consumption, its production, and its role in the economy; as well as alcohol's and drugs' roles in shaping national discourse, the creation of organizations for treatment and study, and legal responses. This resource includes primary documents and a bibliography offering important books, articles, and Internet sources related to the topic.
| Author | : Scott C. Martin |
| Publisher | : SAGE Publications |
| Total Pages | : 1674 |
| Release | : 2014-12-16 |
| Genre | : Reference |
| ISBN | : 1483331083 |
Alcohol consumption goes to the very roots of nearly all human societies. Different countries and regions have become associated with different sorts of alcohol, for instance, the “beer culture” of Germany, the “wine culture” of France, Japan and saki, Russia and vodka, the Caribbean and rum, or the “moonshine culture” of Appalachia. Wine is used in religious rituals, and toasts are used to seal business deals or to celebrate marriages and state dinners. However, our relation with alcohol is one of love/hate. We also regulate it and tax it, we pass laws about when and where it’s appropriate, we crack down severely on drunk driving, and the United States and other countries tried the failed “Noble Experiment” of Prohibition. While there are many encyclopedias on alcohol, nearly all approach it as a substance of abuse, taking a clinical, medical perspective (alcohol, alcoholism, and treatment). The SAGE Encyclopedia of Alcohol examines the history of alcohol worldwide and goes beyond the historical lens to examine alcohol as a cultural and social phenomenon, as well—both for good and for ill—from the earliest days of humankind.
| Author | : Eelco F. M. Wijdicks |
| Publisher | : Oxford University Press |
| Total Pages | : 385 |
| Release | : 2024 |
| Genre | : Medical |
| ISBN | : 0197615899 |
As a medium that aims to connect people through the communication and interpretation of experiences, cinema is uniquely positioned to showcase cultural misunderstandings around issues of mental health. Frames of Minds traces a history of psychiatry in film, concentrating on the major paradigm shifts in neuropsychiatry over the last century. Oftentimes, representations of psychiatry, mental illness, and psychotic breakdown are reduced to tropes and used by filmmakers as a tool for plot progression. Conversely, films can be used as an avenue to voice common concerns about the missteps of psychiatry, including overdiagnosis and mistreatment. Dr. Eelco Wijdicks provides fresh insights into the minds of filmmakers and how they creatively tackle this complex topic. How do filmmakers use psychiatry, and what do they want us to see? What is their frame of mind--psychoanalytically, biologically, sociologically, anthropologically? Were they influenced by their own prejudices about the origins of mental illness? How does this influence the direction of their films? Examining the history of film alongside developments in neuropsychiatry, Frames of Minds uncovers a cinematic language of psychiatry. By taking chances to portray mental illness, filmmakers aim to achieve a sense of reality, and provide catharsis for viewers through the act of dramatization. Ultimately, the history of psychiatry in film is a history of the public perception of medicine, and the ways psychiatry is understood by directors, writers, actors, and audiences.
| Author | : John Markert |
| Publisher | : Scarecrow Press |
| Total Pages | : 393 |
| Release | : 2013-05-23 |
| Genre | : Performing Arts |
| ISBN | : 081089131X |
Though drug use was widespread in the nineteenth century, the negative influence of narcotics was mostly unknown. Cinema of the early twentieth century was instrumental in making viewers aware of the harmful effects of drugs. Throughout the decades, images of drugs such as marijuana, LSD, and heroin in films impacted—both negatively and positively—the national perception of their use. In fact, the use, popularity, and opinion of certain drugs often follow their status on the big screen. In Hooked in Film, John Markerttakes a close look at the correlation between social policies and the public view of drugs and their portrayals in film. In this volume, Markert examines the changing social attitudes toward illegal drugs and their cinematic depictions from as early as the 1894 film Chinese Opium Den to the present. The first section of this book focuses on the demonization of drugs between 1900 and 1959, followed by an assessment of marijuana on the big screen after 1960, when the drug was shown as part of everyday life with no serious consequences. Post-1960 depictions of heroin use, which have remained consistently negative, are also analyzed. Markert then takes a close look at the portrayals of powdered cocaine after the 1960s and the emergence of crack in the mid-1980s. Finally, Markert discusses hallucinogens, Ecstasy, and methamphetamines and their roles on the big screen. Tracking hundreds of films spanning more than a century, Hooked in Film looks at camp classics like Reefer Madness, comedies such as Cheech and Chong’s Up in Smoke, Dazed and Confused, and Pineapple Express, and dramas, including Panic in Needle Park and Requiem for a Dream. Scholars and students of cinema, popular culture, media studies, and sociology will find this book a valuable examination of how cinematic portrayals of drugs have changed over time, and how those images have influenced public perception of drugs and even public policy.
| Author | : Norman K. Denzin |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 293 |
| Release | : 2012-10-31 |
| Genre | : Social Science |
| ISBN | : 1781900574 |
The essays in this bi-annual series consist of original research and theory within the general sociological perspective known as symbolic interactionism. Longer than conventional journal-length articles, the essays wed micro and macro concerns within a qualitative, ethnographic, autoethnographic and performance studies orientation.
| Author | : Steven Stack |
| Publisher | : Hogrefe Publishing GmbH |
| Total Pages | : 309 |
| Release | : 2011-01-01 |
| Genre | : Psychology |
| ISBN | : 1616763906 |
How is suicide portrayed in the cinema and what does it mean for suicide prevention? The first-ever comprehensive study of film suicide analyzes more than 1,500 film suicides. The portrayal of suicide in cinema can impact public understanding and effective prevention of suicide. This book presents the first-ever comprehensive analysis of how suicide has been portrayed in films over 110 years, based on a thorough evaluation of more than 1,500 film suicides – 1,377 in American films, 135 in British films. One striking finding is that while the research literature generally attributes suicide to individual psychiatric or mental health issues, cinema and film solidly endorse more social causes. In a compelling blend of social science and humanities approaches, the authors use quantitative methods, as well as the voices of scriptwriters, directors, actors, and actresses, dozens of illustrative frame-grabs, and numerous case examples to answer core questions such as: Are we guilty of over-neglecting social factors in suicide prevention and research? Do cinematic portrayals distort or accurately reflect the nature of suicide in the real world? Has film presentation of suicide changed over 110 years? What are the literary roots of cinema portrayals? This unique book makes fascinating reading for all concerned with suicide prevention, as well as areas such as sociology, film and media studies, and mass communication.
| Author | : Gene D. Phillips |
| Publisher | : University Press of Kentucky |
| Total Pages | : 468 |
| Release | : 2010-02-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 0813139511 |
A biography of the six-time Oscar-winning director of films like Some Like It Hot and Double Indemnity, featuring analysis of his work. Although his career spanned fifty years and included more than fifty films, Austrian-American film director Billy Wilder (1906-2002) may be best known for the legendary shot of Marilyn Monroe’s dress billowing over a subway grating in The Seven Year Itch (1955). This “shot seen round the world” is representative not only of Hollywood’s golden era of cinema but also of one of its most prolific and brilliant directors. Wilder, whose filmography includes such classics as Sunset Boulevard (1950), Sabrina (1954), Witness for the Prosecution (1957), and Some Like It Hot (1959), is often remembered for his versatility, biting wit, and passion for challenging social and moral conventions. Author Gene D. Phillips departs from the traditional biography in Some Like It Wilder, offering new insights into the acclaimed director’s professional and private life. In preparation for the book, Phillips conducted personal interviews with Wilder and other key players from the legendary director’s life and times. Phillips’s unique combination of analysis and biographical detail brings Wilder to life, as both an artist and man. Phillips traces Wilder’s path from Berlin, where he worked as a scriptwriter for one of the city’s largest studios, to Hollywood, where he would quickly establish himself as a premier film director. Forming a partnership with writer-producer Charles Brackett, Wilder directed the classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945), which earned Academy Awards for best picture, best director, and best screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me Stupid (1964) and The Apartment (1960). The Apartment brought Wilder another round of Oscars for best picture, best director, and best screenplay. Wilder’s maverick approach and independent artistic vision pushed boundaries and ensured his legacy as one of the Hollywood greats. Sharply written, Some Like It Wilder serves as a comprehensive companion to Wilder’s films, offering a personalized and heartfelt account of the life and genius of this compelling director. Praise for Some Like It Wilder “Featuring Gene D. Phillips’ unique, in-depth critical approach, Some Like It Wilder . . . provides a groundbreaking overview of a filmmaking icon . . . . This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking.” —Turner Classic Movies “[Phillips] goes beyond the surface and deep into the complex mind and soul of the famous film director . . . . This book is, in my view, definitive.” —Vincent LoBrutto, author of Martin Scorsese: A Biography
| Author | : Thom Conroy |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 185 |
| Release | : 2015-10-13 |
| Genre | : Literary Collections |
| ISBN | : 1443884944 |
"Passengers on the British railway and underground must 'mind the gap'because it's dangerous not to. In a state of embarking or disembarking, passengers must stay aware of the small but significant space separating the stationary from the moving. The contemporary practices of writing and reading are in constant motion, and the phrase 'mind the gap'captures an essential aspect of the way language and literature progress as they pass through any number of social, technical, and political exchanges. 'Minding the gap'also suggests an awareness of the always shifting distance between the expected and the unexpected, the ordinary and the impossible, the familiar and unimagined. This book includes chapters on writing non-fiction, media and genre, and also addresses elements of identity, culture and linguistics in fiction, poetry and creative non-fiction as contributors consider the gaps that exist between the self as writer, as reader and as editor or mentor. The volume adopts the following key themes: new gaps for creative writing in the academy; writing in new genres, media and forms; exploring the creative process and narrative strategies across disciplines. This book will be of international appeal to all readers interested in the changing landscape of creative writing"--EbscoHost.
