Alcides Lanza
Download Alcides Lanza full books in PDF, epub, and Kindle. Read online free Alcides Lanza ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Eleanor V. Stubley |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 380 |
Release | : 2008-02-12 |
Genre | : Biography & Autobiography |
ISBN | : 0773575049 |
The first full length study of how McGill's Faculty of Music helped to shape contemporary Canadian music.
Author | : Márcio Bezerra |
Publisher | : New Consonant Music |
Total Pages | : 110 |
Release | : 2000 |
Genre | : Composers |
ISBN | : 2873040009 |
Author | : Horn |
Publisher | : Martinus Nijhoff Publishers |
Total Pages | : 368 |
Release | : 2023-09-14 |
Genre | : Law |
ISBN | : 9004639705 |
The Åland Islands constitute a very special case in international law. This island territory under Finland's sovereignty has been demilitarised and neutralised for more than one hundred and forty years and autonomous for more than seventy years. In 1921 the Council of the League of Nations laid down international guarantees for the autonomy and the Swedish character of Åland, and a multilateral convention on Åland's demilitarisation and neutralisation was concluded in the same year. The convention is still in force and Åland's autonomy is firmly anchored in both customary international law and Finnish constitutional law. This volume is the first to comprehensively analyse Åland's international legal status. Coverage of its articles includes: analyses of the status and content of Åland's autonomy, military issues, and the relationship between Åland and the EU. The solution achieved for Åland may provide a valuable model of autonomy. This book is important not only for experts and students of international law, but for anyone concerned with territorial autonomy as a possible means for enhancing political rights of minorities.
Author | : Claire Macken |
Publisher | : Routledge |
Total Pages | : 295 |
Release | : 2013-03-01 |
Genre | : Law |
ISBN | : 1136741860 |
In a regional, national and global response to terrorism, the emphasis necessarily lies on preventing the next terrorist act. Yet, with prevention comes prediction: the need to identify and detain those considered likely to engage in a terrorist act in the future. The detention of ‘suspected terrorists’ is intended, therefore, to thwart a potential terrorist act recognising that retrospective action is of no consequence given the severity of terrorist crime. Although preventative steps against those reasonably suspected to have an intention to commit a terrorist act is sound counter-terrorism policy, a law allowing arbitrary arrest and detention is not. A State must carefully enact anti-terrorism laws to ensure that preventative detention does not wrongly accuse and grossly slander an innocent person, nor allow a terrorist to evade detection. This book examines whether the preventative detention of suspected terrorists in State counter-terrorism policy is consistent with the prohibitions on arbitrary arrest and detention in international human rights law. This examination is based on the ‘principle of proportionality’; a principle underlying the prohibition on arbitrary arrest as universally protected in the Universal Declaration of Human Rights, and given effect to internationally in the International Covenant on Civil and Political Rights, and regionally in regional instruments including the European Convention on Human Rights. The book is written from a global counter-terrorism perspective, drawing particularly on examples of preventative detention from the UK, US and Australia, as well as jurisprudence from the ECHR.
Author | : Brigid Cohen |
Publisher | : University of Chicago Press |
Total Pages | : 390 |
Release | : 2022-05-05 |
Genre | : History |
ISBN | : 0226818012 |
"Through archival work and storytelling synthesis, Music Migration and Imperial New York revises, subverts, and supplements many inherited narratives about experimental music and arts in postwar New York into a sweeping new whole. From the urban street-level via music clubs and arts institutions to the world-making routes of global migration and exchange, this book seeks to redraw the geographies of experimental art and so to reveal the imperial dynamics, as well as profoundly racialized and gendered power relations, that shaped and continue to shape the discourses and practices of modern music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years (ca. 1957 to 1963), Brigid Cohen's book encompasses a considerably wider range of people and practices than is usual in studies of the music of this period. It looks at a range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Varèse, Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity"--
Author | : Alexa Woloshyn |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 305 |
Release | : 2023-07-15 |
Genre | : Music |
ISBN | : 0228018390 |
When the Canadian Electronic Ensemble (CEE) began as a group of students at the University of Toronto in 1972, they performed with cumbersome, finicky analog instruments and DIY logistics, never sure if everything would work as intended. Today’s CEE sound comes from a sophisticated mixture of digital and analog hardware, laptops, and acoustic instruments. Across a long and ongoing history of tours, recordings, and performances, countless listeners have heard and appreciated the innovations at the heart of the CEE’s music. An Orchestra at My Fingertips is the first detailed study of the history, music, and legacy of the CEE. Covering the ensemble since its inception and drawing on extensive interviews with group members, Alexa Woloshyn provides unique insight into the musicians that make up the group as well as analyses of the CEE’s compositions, commissions, and improvisation and performance practice. Woloshyn’s account traces the evolution of electronic music technology across the decades-long history of the group, paying close attention to how audiences have perceived the CEE’s artistry as effortless rather than as the careful employment of technologically generated sounds. To foster appreciation and understanding of the CEE’s legacies, Woloshyn presents several listening methodologies and includes numerous listening guides to engage all readers. An Orchestra at My Fingertips speaks to the global development and transformation of live electronic music through the history of a group that has been a consistently innovative voice in Canada and beyond.
Author | : Eduardo Herrera |
Publisher | : Oxford University Press, USA |
Total Pages | : 229 |
Release | : 2020 |
Genre | : Art |
ISBN | : 0190877537 |
The Centro Latinoamericano de Altos Estudios Musicales (CLAEM) in Buenos Aires operated for less than a decade, but by the time of its closure in 1971 it had become the undeniable epicenter of Latin American avant-garde music. Providing the first in-depth study of CLAEM, author Eduardo Herrera tells the story of the fellowship program - funded by the Rockefeller Foundation and the Di Tella family - that, by allowing the region's promising young composers to study with a roster of acclaimed faculty, produced some of the most prominent figures within the art world, including Rafael Aponte Ledeé, Coriún Aharonián, and Blas Emilio Atehortúa. Combining oral histories, ethnographic research, and archival sources, Elite Art Worlds explores regional discourses of musical Latin Americanism and the embrace, articulation, and resignification of avant-garde techniques and perspectives during the 1960s. But the story of CLAEM reveals much more: intricate webs of US and Argentine philanthropy, transnational currents of artistic experimentation and innovation, and the role of art in constructing elite identities. By looking at CLAEM as both an artistic and philanthropic project, Herrera illuminates the relationships between foreign policy, corporate interests, and funding for the arts in Latin America and the United States against the backdrop of the Cold War.
Author | : Joan Fitzpatrick |
Publisher | : BRILL |
Total Pages | : 592 |
Release | : 2021-09-27 |
Genre | : Law |
ISBN | : 9004481796 |
The tension between national security and freedom of expression and information is both acute and multifaceted. Without national security, basic human rights are always at risk. On the other hand, the tendency of governing elites to confuse `the life of the nation' with their own survival has often resulted in excessive restrictions on expression and information, as well as other fundamental rights. A proper balance between secrecy and liberty requires a vigilant press and an independent judiciary. It also requires greater clarity than currently exists as to how competing rights and interests should be weighed. This book addresses that gap. Its centerpiece is a set of Principles drafted by a group of international and national law experts, many of whom contributed chapters, to guide governments, courts and international bodies in how to strike a proper balance. The Principles have been widely endorsed, among others by United Nations experts on freedom of expression and independence of judges and lawyers. Sixteen country studies - profiling, among other states, Albania, Chile, China, Egypt, France, Germany, India, Israel, Japan, Norway, South Africa, South Korea, Turkey, the United Kingdom, the United States, and the Federal Republic of Yugoslavia - explore the tremendous diversity of national security doctrines and the penal and other measures aimed at suppressing allegedly secret information and speech claimed to be subversive, separatist or otherwise dangerous. Five chapters examine the cases considered and approaches taken by the UN Human Rights Committee, three regional human rights bodies, and the European Court of Justice. A Commentary draws on the other chapters to support and elucidate the Principles, noting where they reflect an existing consensus and the points at which they attempt to elicit a more rights-protective approach.
Author | : Markku Suksi |
Publisher | : BRILL |
Total Pages | : 388 |
Release | : 2023-11-27 |
Genre | : Law |
ISBN | : 9004637427 |
Author | : Georgina Born |
Publisher | : UCL Press |
Total Pages | : 544 |
Release | : 2022-09-12 |
Genre | : Social Science |
ISBN | : 1800082436 |
Anthropology has neglected the study of music and this needs to be redressed. This book sets out to show how and why. It does so by bringing music to the subfield of digital anthropology, arguing that digital anthropology has much to gain by expanding its horizons to music – becoming more interdisciplinary by reference to digital/media studies, music and sound studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the ‘digital’ assume clamouring audibility – while acting as a testing ground for innovations in the digital-cultural industries. The book contains ten chapters, eight of which present comprehensive original ethnographies. The chapters between them addresses popular, folk and art musics in the global South and North, including Kenya, Argentina, India, Canada and the UK/Europe, with each chapter providing a different regional or digital focus. The book is unique in bringing ethnographic research on popular, folk and art musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. Praise for Music and Digital Media ‘This exciting volume forges new ground in the study of local conditions, institutions, and sounds of digital music in the Global South and North. The book’s planetary scope and its commitment to the “messiness” of ethnographic sites and concepts amplifies emergent configurations and meanings of music, the digital, and the aesthetic.’ Marina Peterson, University of Texas, Austin 'The global drama of music's digitisation elicits extreme responses – from catastrophe to piratical opportunism – but between them lie more nuanced perspectives. This timely, absolutely necessary collection applies anthropological understanding to a deliriously immersive field, bringing welcome clarity to complex processes whose impact is felt far beyond what we call music.' David Toop, London College of Communication ‘Spanning continents and academic disciplines, the rich ethnographies contained in Music and Digital Media makes it obligatory reading for anyone wishing to understand the complex, contradictory, and momentous effects that digitization is having on musical cultures.’ Eric Drott, University of Texas, Austin ‘This superb collection, with an authoritative overview as its introduction, represents the state of the art in studies of the digitalisation of music. It is also a testament to what anthropology at its reflexive best can offer the rest of the social sciences and humanities.’ David Hesmondhalgh, University of Leeds ‘Music and Digital Media is a groundbreaking update to our understandings of sound, media, digitization, and music. Truly transdisciplinary and transnational in scope, it innovates methodologically through new models for collaboration, multi-sited ethnography, and comparative work. It also offers an important defense of—and advancement of—theories of mediation.’ Jonathan Sterne, McGill University 'Music and Digital Media is a nuanced exploration of the burgeoning digital music scene across both the global North and the global South. Ethnographically rich and theoretically sophisticated, this collection will become the new standard for this field.' Anna Tsing, co-editor of Feral Atlas: The More-than-Human Anthropocene