Alchemy In Contemporary Art
Download Alchemy In Contemporary Art full books in PDF, epub, and Kindle. Read online free Alchemy In Contemporary Art ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Urszula Szulakowska |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 248 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9780754667360 |
Alchemy in Contemporary Art analyzes how twentieth-century artists, beginning with French Surrealists of the 1920s, have appropriated concepts and imagery from the western alchemical tradition. Examining artistic production from ca. 1920 to the present, with an emphasis on artistic on the 1970s to 2000, the author discusses the work of familiar as well as lesser known artists to provide a critical, theorized overview of the alchemical tradition in 20th-century art.
Author | : Urszula Szulakowska |
Publisher | : Routledge |
Total Pages | : 237 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351577182 |
Alchemy in Contemporary Art analyzes the manner in which twentieth-century artists, beginning with French Surrealists of the 1920s, have appropriated concepts and imagery from the western alchemical tradition. This study examines artistic production from c. 1920 to the present, with an emphasis on the 1970s to 2000, discussing familiar names such as Andre Breton, Salvador Dali, Yves Klein, Joseph Beuys, and Anselm Kiefer, as well as many little known artists of the later twentieth century. It provides a critical overview of the alchemical tradition in twentieth-century art, and of the use of occultist imagery as a code for political discourse and polemical engagement. The study is the first to examine the influence of alchemy and the Surrealist tradition on Australian as well as on Eastern European and Mexican art. In addition, the text considers the manner in which women artists such as Leonora Carrington, Remedios Varo, and Rebecca Horn have critically revised the traditional sexist imagery of alchemy and occultism for their own feminist purposes.
Author | : Sven Dupré |
Publisher | : Hirmer Verlag GmbH |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Alchemy |
ISBN | : 9783777422077 |
This volume presents a comprehensive overview of the relationship between alchemy and art, bringing together key artworks that take alchemy as their inspiration: from the enigmatic paintings of Jan Brueghel the Elder to contemporary works by Anish Kapoor. It includes recent studies by internationally renowned scientists.
Author | : C. J. McKnight |
Publisher | : Chronicle Books (CA) |
Total Pages | : 57 |
Release | : 1994 |
Genre | : Science |
ISBN | : 9780811804738 |
Examines alchemy in the context of the Middle Ages
Author | : Elisabeth Berry Drago |
Publisher | : |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Alchemists |
ISBN | : 9789462986497 |
Thomas Wijck's painted alchemical laboratories were celebrated in his day as "artful" and "ingenious." They fell into obscurity along with their subject, as alchemy came to be viewed as an occult art or a fool's errand. But these unusual pictures challenge our understanding of early modern alchemy-and of the deeper relationship between chemical workshops and the artists who represented them. The work of artists, like the work of alchemists, contained intellectual-creative and manual-material aspects. Both alchemists and artists claimed a special status owing to their creative powers. Wijck's formation of an artistic and professional identity around alchemical themes reveals his desire to explore this curious territory, and ultimately to demonstrate art's superior claims to knowledge and mastery over nature. This book explores one artist's transformation of alchemy and its materials into a reputation for virtuosity-and what his work can teach us about the experimental early modern world.
Author | : Susan L. Aberth |
Publisher | : Lund Humphries Publishers Limited |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Magic in art |
ISBN | : 9781848220560 |
Reprint. Paperback edition originally published: 2010.
Author | : Stanton Marlan |
Publisher | : Texas A&M University Press |
Total Pages | : 305 |
Release | : 2008-05-08 |
Genre | : Psychology |
ISBN | : 160344078X |
Also available in an open-access, full-text edition at http://oaktrust.library.tamu.edu/handle/1969.1/86080 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture. In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences—and on a wide range of literature and art, including Goethe’s Faust, Dante’s Inferno, the black art of Rothko and Reinhardt—to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics. An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan’s original reflections help us to explore the unknown darkness conventionally called the Self. The image of Kali appearing in the color insert following page 44 is © Maitreya Bowen, reproduced with her permission,[email protected].
Author | : James Elkins |
Publisher | : Psychology Press |
Total Pages | : 284 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780415921138 |
Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.
Author | : Joe Ramirez |
Publisher | : |
Total Pages | : 200 |
Release | : 2017-02-01 |
Genre | : |
ISBN | : 9783868287851 |
Using a technique, which he has since patented, Ramirez projects films onto a circular, slightly convex, wooden panel, which he has gilded by hand in an elaborate process, leaf by leaf and layer by layer. This creates a unique projection surface, which determines the form of the projected images. In this debut artist book, an entire lifetime of dreaming in light is condensed to display a process unique to the California-born artist, whom Wim Wenders considers 'a true 21st century Renaissance artist.'
Author | : Mark Morrisson |
Publisher | : Oxford University Press |
Total Pages | : 272 |
Release | : 2007-04-19 |
Genre | : Political Science |
ISBN | : 0190294493 |
Alchemists are generally held to be the quirky forefathers of science, blending occultism with metaphysical pursuits. Although many were intelligent and well-intentioned thinkers, the oft-cited goals of alchemy paint these antiquated experiments as wizardry, not scientific investigation. Whether seeking to produce a miraculous panacea or struggling to transmute lead into gold, the alchemists radical goals held little relevance to consequent scientific pursuits. Thus, the temptation is to view the transition from alchemy to modern science as one that discarded fantastic ideas about philosophers stones and magic potions in exchange for modest yet steady results. It has been less noted, however, that the birth of atomic science actually coincided with an efflorescence of occultism and esoteric religion that attached deep significance to questions about the nature of matter and energy. Mark Morrisson challenges the widespread dismissal of alchemy as a largely insignificant historical footnote to science by prying into the revival of alchemy and its influence on the emerging subatomic sciences of the late 19th and early 20th centuries.Morrisson demonstrates its surprising influence on the emerging subatomic sciences of the late 19th and early 20th centuries. Specifically, Morrisson examines the resurfacing of occult circles during this time period and how their interest in alchemical tropes had a substantial and traceable impact upon the science of the day. Modern Alchemy chronicles several encounters between occult conceptions of alchemy and the new science, describing how academic chemists, inspired by the alchemy revival, attempted to transmute the elements; to make gold. Examining scientists publications, correspondence, talks, and laboratory notebooks as well as the writings of occultists, alchemical tomes, and science-fiction stories, he argues that during the birth of modern nuclear physics, the trajectories of science and occultism---so often considered antithetical---briefly merged.