Albright, Epifani, Caswell, and Wahlquist Nominations
Author | : United States. Congress. Senate. Committee on Energy and Natural Resources |
Publisher | : |
Total Pages | : 68 |
Release | : 2007 |
Genre | : Electronic government information |
ISBN | : |
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Author | : United States. Congress. Senate. Committee on Energy and Natural Resources |
Publisher | : |
Total Pages | : 68 |
Release | : 2007 |
Genre | : Electronic government information |
ISBN | : |
Author | : United States. Congress. Senate. Committee on Energy and Natural Resources |
Publisher | : |
Total Pages | : 168 |
Release | : |
Genre | : Energy policy |
ISBN | : |
Author | : United States. Congress. Senate. Committee on Energy and Natural Resources |
Publisher | : |
Total Pages | : 48 |
Release | : 2009 |
Genre | : |
ISBN | : |
Author | : United States. Congress |
Publisher | : |
Total Pages | : 2538 |
Release | : |
Genre | : Law |
ISBN | : |
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Author | : Shyon Baumann |
Publisher | : Princeton University Press |
Total Pages | : 242 |
Release | : 2018-06-05 |
Genre | : Performing Arts |
ISBN | : 0691187282 |
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author | : United States. Congress. Senate |
Publisher | : |
Total Pages | : 818 |
Release | : 2007 |
Genre | : Legislative journals |
ISBN | : |
Author | : United States. Congress |
Publisher | : |
Total Pages | : 922 |
Release | : 2007 |
Genre | : United States |
ISBN | : |