Alan Bush Modern Music And The Cold War
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| Author | : Joanna Bullivant |
| Publisher | : Cambridge University Press |
| Total Pages | : 289 |
| Release | : 2022-12-15 |
| Genre | : Music |
| ISBN | : 1108210163 |
The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be 'a lightning rod' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the 'cultural Cold War' through the lens of the individual artist.
| Author | : Joanna Louise Bullivant |
| Publisher | : |
| Total Pages | : 270 |
| Release | : 2017 |
| Genre | : Communism and music |
| ISBN | : 9781108206112 |
The first major study of British communist composer Alan Bush, providing new perspectives on music and politics during the Cold War.
| Author | : Penny VON ESCHEN |
| Publisher | : Harvard University Press |
| Total Pages | : 342 |
| Release | : 2009-06-30 |
| Genre | : History |
| ISBN | : 0674044711 |
At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism. Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity. Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.
| Author | : Robert Adlington |
| Publisher | : OUP/British Academy |
| Total Pages | : 0 |
| Release | : 2013-04-25 |
| Genre | : Music |
| ISBN | : 9780197265390 |
The end of global communism has erased from memory the prior influence of communist ideology outside of the communist bloc. Many western musicians were involved in communist movements and organisations which often had a decisive impact upon their music. This book recalls the meeting of music and communism in societies outside of a communist state.
| Author | : Mark Carroll |
| Publisher | : Cambridge University Press |
| Total Pages | : 257 |
| Release | : 2006-11-02 |
| Genre | : History |
| ISBN | : 0521031133 |
Places the radicalization of art music in early post-war France in its broader socio-cultural and political context.
| Author | : Hal Brands |
| Publisher | : Harvard University Press |
| Total Pages | : 408 |
| Release | : 2012-03-05 |
| Genre | : History |
| ISBN | : 0674055284 |
For Latin America, the Cold War was anything but cold. Nor was it the so-called “long peace” afforded the world’s superpowers by their nuclear standoff. In this book, the first to take an international perspective on the postwar decades in the region, Hal Brands sets out to explain what exactly happened in Latin America during the Cold War, and why it was so traumatic. Tracing the tumultuous course of regional affairs from the late 1940s through the early 1990s, Latin America’s Cold War delves into the myriad crises and turning points of the period—the Cuban revolution and its aftermath; the recurring cycles of insurgency and counter-insurgency; the emergence of currents like the National Security Doctrine, liberation theology, and dependency theory; the rise and demise of a hemispheric diplomatic challenge to U.S. hegemony in the 1970s; the conflagration that engulfed Central America from the Nicaraguan revolution onward; and the democratic and economic reforms of the 1980s. Most important, the book chronicles these events in a way that is both multinational and multilayered, weaving the experiences of a diverse cast of characters into an understanding of how global, regional, and local influences interacted to shape Cold War crises in Latin America. Ultimately, Brands exposes Latin America’s Cold War as not a single conflict, but rather a series of overlapping political, social, geostrategic, and ideological struggles whose repercussions can be felt to this day.
| Author | : Andy Croft |
| Publisher | : Routledge |
| Total Pages | : 352 |
| Release | : 1920-06-15 |
| Genre | : |
| ISBN | : 9780367344757 |
Randall Swingler (1909-67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the Security Services files, to present the most detailed account yet of this influential poet, lyricist and activist. A literary entrepreneur, Swingler was founder of radical paperback publishing company, Fore Publications, editor of Left Review and Our Time, and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In the 1930s, he contributed several plays for Unity Theatre, including the Mass Declamation Spain, the Munich-play Crisis and the revues Sandbag Follies and Get Cracking. In 1936, MI5 opened a twenty-year long file on him prompted by a song he co-wrote with Alan Bush for a concert organized to mark the arrival of the 1934 Hunger March into London. During the Second World War, Swingler served in North Africa and Italy, and was awarded the Military Medal for his part in the battle of Lake Comacchio. His collections The Years of Anger (1946) and The God in the Cave (1950) contain arguably some of the greatest poems of the Italian campaign. After the War, Swingler was blacklisted by the BBC. Orwell attacked him in Polemic and included him in the list of names he offered the security services in 1949. Stephen Spender vilified him in The God that Failed. The book will challenge the Cold War assumptions that have excluded Swingler's life and work from standard histories of the period and should be of great interest to activists, scholars and those with an interest in the history of the literary and radical left.
| Author | : Jeremy Friedman |
| Publisher | : UNC Press Books |
| Total Pages | : 304 |
| Release | : 2015-10-15 |
| Genre | : History |
| ISBN | : 1469623773 |
The conflict between the United States and the Soviet Union during the Cold War has long been understood in a global context, but Jeremy Friedman's Shadow Cold War delves deeper into the era to examine the competition between the Soviet Union and the People's Republic of China for the leadership of the world revolution. When a world of newly independent states emerged from decolonization desperately poor and politically disorganized, Moscow and Beijing turned their focus to attracting these new entities, setting the stage for Sino-Soviet competition. Based on archival research from ten countries, including new materials from Russia and China, many no longer accessible to researchers, this book examines how China sought to mobilize Asia, Africa, and Latin America to seize the revolutionary mantle from the Soviet Union. The Soviet Union adapted to win it back, transforming the nature of socialist revolution in the process. This groundbreaking book is the first to explore the significance of this second Cold War that China and the Soviet Union fought in the shadow of the capitalist-communist clash.
| Author | : Alan Weisman |
| Publisher | : Union Square & Co. |
| Total Pages | : 272 |
| Release | : 2011-05-17 |
| Genre | : Political Science |
| ISBN | : 1402792077 |
At nearly every pivotal moment in international politics over the past twenty-five years–from the Reagan-Gorbachev summits, to the Iran-Contra scandal, to the collapse of the Soviet Union, to the decision to go to war in Iraq–if you dug deeply you would find a figure just behind the scenes influencing the action: that of Richard Perle. Largely eschewing senior cabinet appointments and other high-profile roles, the passionate, zealous Perle has been content to operate quietly—behavior which earned him the moniker of The Prince of Darkness. Nevertheless, his influence in Washington has helped to fuel an international disaster in Iraq and the growth of anti-Americanism worldwide. Alan Weisman, a former producer for 60 Minutes, CBS Sunday Morning, and the CBS Evening News, is now shining a light on this major political figure. While Perle has not authorized this biography, he has submitted to interviews with Weisman, encouraged his friends to do so, and provided non-classified material. Such access has granted Weisman a deep and critical insight into Perle’s methods and mindset. Weisman explores how Perle derailed a nuclear arms agreement between the U.S. and the then Soviet Union; his controversial business dealings; Perle’s tenure as Chairman of the Pentagon’s Defense Policy Board during the present Bush Administration; and his role leading up to the Iraqi War, including his dealings with Iraqi exiles like Ahmed Chalabi. From the collapse of the Soviet Union to the current saber-rattling over Iran, Syria, and North Korea, Perle has put his stamp on almost every decisive event in international politics. This is an insightful and incisive study of the highest quality, and one that everyone—not just policy experts—should read. From Prince of Darkness, What People Say about Richard Perle: “We used to have major problems when Richard would wander off the farm and be caught doing things that were not consistent with the policies that [Caspar] Weinberger and [George] Shultz were trying to implement.”—Colin Powell, Secretary of State, 2001-2005 “Richard can take a really bad idea and make it sound almost plausible and reasonable, even brilliant.”—Richard Burt, Assistant Secretary of State, 1983-1985 “I really don’t understand Perle. If you talk about the real neocons, there’s Richard Perle and Paul Wolfowitz, and they’re very different. Paul Wolfowitz is an idealist, but he’s prepared to impose democracy by the sword. I don’t think Perle gives a [bleep] about democracy. Fundamentally, it’s all a means to an end.”—Brent Scowcroft, National Security Advisor, 1989-1993
| Author | : Pauline Fairclough |
| Publisher | : Routledge |
| Total Pages | : 349 |
| Release | : 2016-02-17 |
| Genre | : Music |
| ISBN | : 1317005791 |
When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.
