After The Program Era
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| Author | : Loren Glass |
| Publisher | : University of Iowa Press |
| Total Pages | : 288 |
| Release | : 2017-01-04 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1609384407 |
The publication in 2009 of Mark McGurl’s The Program Era provoked a sea change in the study of postwar literature. Even though almost every English department in the United States housed some version of a creative writing program by the time of its publication, literary scholars had not previously considered that this institutional phenomenon was historically significant. McGurl’s groundbreaking book effectively established that “the rise of the creative writing program stands as the most important event in postwar American literary history,” forcing us to revise our understanding not only of the relationship between higher education and literary production, but also of the periodizing terminology we had previously used to structure our understanding of twentieth-century literature. After the Program Era explores the consequences and implications, as well as the lacunae and liabilities, of McGurl’s foundational intervention. Glass focuses only on American fiction and the traditional MFA program, and this collection aims to expand and examine its insights in terms of other genres and sites. Postwar poetry, in particular, has until now been neglected as a product of the Program Era, even though it is, arguably, a “purer” example, since poets now depend almost entirely on the patronage of the university. Similarly, this collection looks beyond the traditional MFA writing program to explore the pre-history of writing programs in American universities, as well as alternatives to the traditionally structured program that have emerged along the way. Taken together, the essays in After the Program Era seek to answer and explore many of these questions and continue the conversations McGurl only began. CONTRIBUTORS Seth Abramson, Greg Barnhisel, Eric Bennett, Matthew Blackwell, Kelly Budruweit, Mike Chasar, Simon During, Donal Harris, Michael Hill, Benjamin Kirbach, Sean McCann, Mark McGurl, Marija Rieff, Juliana Spahr, Stephen Voyce, Stephanie Young
| Author | : Mark McGurl |
| Publisher | : Harvard University Press |
| Total Pages | : 481 |
| Release | : 2011-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 0674266021 |
In The Program Era, Mark McGurl offers a fundamental reinterpretation of postwar American fiction, asserting that it can be properly understood only in relation to the rise of mass higher education and the creative writing program. McGurl asks both how the patronage of the university has reorganized American literature and—even more important—how the increasing intimacy of writing and schooling can be brought to bear on a reading of this literature. McGurl argues that far from occasioning a decline in the quality or interest of American writing, the rise of the creative writing program has instead generated a complex and evolving constellation of aesthetic problems that have been explored with energy and at times brilliance by authors ranging from Flannery O’Connor to Vladimir Nabokov, Philip Roth, Raymond Carver, Joyce Carol Oates, and Toni Morrison. Through transformative readings of these and many other writers, The Program Era becomes a meditation on systematic creativity—an idea that until recently would have seemed a contradiction in terms, but which in our time has become central to cultural production both within and beyond the university. An engaging and stylishly written examination of an era we thought we knew, The Program Era will be at the center of debates about postwar literature and culture for years to come.
| Author | : Evan Brier |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 210 |
| Release | : 2012-02-25 |
| Genre | : Literary Criticism |
| ISBN | : 0812201442 |
As television transformed American culture in the 1950s, critics feared the influence of this newly pervasive mass medium on the nation's literature. While many studies have addressed the rhetorical response of artists and intellectuals to mid-twentieth-century mass culture, the relationship between the emergence of this culture and the production of novels has gone largely unexamined. In A Novel Marketplace, Evan Brier illuminates the complex ties between postwar mass culture and the making, marketing, and reception of American fiction. Between 1948, when television began its ascendancy, and 1959, when Random House became a publicly owned corporation, the way American novels were produced and distributed changed considerably. Analyzing a range of mid-century novels—including Paul Bowles's The Sheltering Sky, Ray Bradbury's Fahrenheit 451, Sloan Wilson's The Man in the Gray Flannel Suit, and Grace Metalious's Peyton Place—Brier reveals the specific strategies used to carve out cultural and economic space for the American novel just as it seemed most under threat. During this anxious historical moment, the book business underwent an improbable expansion, by capitalizing on an economic boom and a rising population of educated consumers and by forming institutional alliances with educators and cold warriors to promote reading as both a cultural and political good. A Novel Marketplace tells how the book trade and the novelists themselves successfully positioned their works as embattled holdouts against an oppressive mass culture, even as publishers formed partnerships with mass-culture institutions that foreshadowed the multimedia mergers to come in the 1960s. As a foil for and a partner to literary institutions, mass media corporations assisted in fostering the novel's development as both culture and commodity.
| Author | : United States. Congress. House. Committee on Energy and Commerce. Subcommittee on Oversight and Investigations |
| Publisher | : |
| Total Pages | : 212 |
| Release | : 1983 |
| Genre | : Petroleum products |
| ISBN | : |
| Author | : Daniel Morris |
| Publisher | : Cambridge University Press |
| Total Pages | : 355 |
| Release | : 2023-04-27 |
| Genre | : Literary Criticism |
| ISBN | : 1009180029 |
This book helps readers make sense of the scope and complexity of the relationships between poetry and politics since 1900.
| Author | : Bram Boxhoorn |
| Publisher | : Routledge |
| Total Pages | : 357 |
| Release | : 2021-11-29 |
| Genre | : Political Science |
| ISBN | : 1000469352 |
This accessible textbook uses key documents embedded in a clear narrative to chart the post-Cold War rise and decline of transatlantic relations. It provides a novel interpretive framework by proposing that the three decades between 1989 and 2020 represent a distinct ‘transatlantic era’. Providing a unique new look at the recent history and politics of transatlantic relations, the book argues that three key phases can be identified: 1989–1999: victory? 2000–2010: divergence? 2011–2020: disarray? Each period defines a particular set of political, economic, and security dynamics, with the trend being a gradual undermining of the strengths on which transatlantic unity once relied. These three decades therefore represent both the high point of the transatlantic region’s power and potential, and its gradual decline in a global context. Presenting students with a critical perspective of US and European transatlantic policies through annotated key documents covering central aspects of security, political, economic, and cultural affairs, it will be essential reading on all International Relations courses as well as of great interest to scholars and students of US and European Studies, Foreign Policy, and Security Studies.
| Author | : Amanda D. Lotz |
| Publisher | : University of Illinois Press |
| Total Pages | : 242 |
| Release | : 2010-10-01 |
| Genre | : Social Science |
| ISBN | : 0252091760 |
In the 1990s, American televison audiences witnessed an unprecedented rise in programming devoted explicitly to women. Cable networks such as Oxygen Media, Women's Entertainment Network, and Lifetime targeted a female audience, and prime-time dramatic series such as Buffy the Vampire Slayer, Judging Amy, Gilmore Girls, Sex and the City, and Ally McBeal empowered heroines, single career women, and professionals struggling with family commitments and occupational demands. After establishing this phenomenon's significance, Amanda D. Lotz explores the audience profile, the types of narrative and characters that recur, and changes to the industry landscape in the wake of media consolidation and a profusion of channels. Employing a cultural studies framework, Lotz examines whether the multiplicity of female-centric networks and narratives renders certain gender stereotypes uninhabitable, and how new dramatic portrayals of women have redefined narrative conventions. Redesigning Women also reveals how these changes led to narrowcasting, or the targeting of a niche segment of the overall audience, and the ways in which the new, sophisticated portrayals of women inspire sympathetic identification while also commodifying viewers into a marketable demographic for advertisers.
| Author | : United States. Department of Energy |
| Publisher | : |
| Total Pages | : 180 |
| Release | : 1982 |
| Genre | : Energy policy |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 892 |
| Release | : 1988 |
| Genre | : Administrative law |
| ISBN | : |
Archival snapshot of entire looseleaf Code of Massachusetts Regulations held by the Social Law Library of Massachusetts as of January 2020.
| Author | : Steve Westbrook |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 241 |
| Release | : 2020-08-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1350119474 |
Simultaneously a handbook and a critique of one, Beyond Craft combines an orientation to the field of creative writing with an insight into current scholarship surrounding creative writing pedagogy. A much-needed alternative to the traditional craft guide, this text pairs advice and exercises on composition with an illuminating commentary on the issues surrounding these very techniques. Teaching the craft whilst apprising students of the issues of craft pedagogy, this book allows them to gain an awareness of how current pedagogy comes at the expense of larger and increasingly relevant cultural concerns. Westbrook and Ryan bring emerging writers into the larger conversations that define the field, inviting them to: - Contextualize their own writing practices and educational experiences in relation to the history of creative writing as an academic discipline. - Determine how New Critical lore and Romantic mythology may affect-even distort-their understanding of literary production. - Critically examine their notions of authorship, collaboration, and invention in relation to contemporary literary and rhetorical theory. - Understand and evaluate the economic, social, political, and professional challenges facing creative writers today. - Analyze the contemporary literary marketplace not only to identify potential publication contexts but also to understand how issues of diversity and bias affect writing communities. - Reflect on how increasingly rapid technological developments may affect their own writing and the future of literature. Earnestly self-aware throughout, Beyond Craft both inducts new writers into the field of creative writing and infuses them with an understanding of the wider dialogue surrounding their craft.
