After The Avant Gardes
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Author | : Professor and Head of Art History Steve Edwards |
Publisher | : Yale University Press |
Total Pages | : 476 |
Release | : 2004-01-01 |
Genre | : Art |
ISBN | : 9780300102307 |
02 This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood. This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.
Author | : Randall Halle |
Publisher | : Camden House |
Total Pages | : 376 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9781571133656 |
Filmmaking in Germany and Austria has changed dramatically with digitalization and the use of video and the Internet. Introducing the work of filmmakers, this volume offers an assessments of the intent and effect of their productions, and describes overall trends.
Author | : Elizabeth Millán |
Publisher | : Open Court |
Total Pages | : 253 |
Release | : 2016-01-12 |
Genre | : Philosophy |
ISBN | : 0812698975 |
A rallying call for all those who have been disquieted or disgusted by the excesses of artistic modernism. This is a collection of ten provocative essays on the arts, by writers of varied orientations who share a skepticism about the exaggerated role of modernism and the successive avant-gardes in shaping what is accepted as valid contemporary art. The essays cover painting and other visual arts, literature, music, and general observations about all the arts. It is not an exercise in hand-wringing about the current state of the arts, but looks for different directions in which the arts may now fruitfully evolve. Despite the diverse philosophies of the contributors, these essays together constitute a formidable case against the unhealthy impact of avant-gardism on our lives and aesthetic culture. The essays include the following, among others: a study of anti-modernist painter Odd Nerdrum, who sees modernist art as totalitarian; a critique of the avant-gardist neglect of mimesis as a key to art; an evaluation of “the end of art”; a critique of modern art in light of “the aesthetic harm principle”; an examination of Popper's objections to progressivism in music; the presentation of a new paradigm for literature.
Author | : Brandon Taylor |
Publisher | : Prentice Hall |
Total Pages | : 184 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
"Offering a critical perspective-rather than a traditional survey, this provocative text explores the art of the last twenty years-the latter 1970s, the 1980s, and the first half of the 1990s-in both a thematic and chronological fashion. Using an engaging and approachable style-and an abundance of color illustrations, it takes a long look at dominant tendencies in contemporary art in the United States, Western and Eastern Europe, and Russia-and provides a series of challenging view points on the most advanced art forms, themes, and issues."--Amazon.
Author | : Sascha Bru |
Publisher | : Walter de Gruyter |
Total Pages | : 501 |
Release | : 2011-11-30 |
Genre | : Literary Criticism |
ISBN | : 3110274698 |
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.
Author | : Malcolm Miles |
Publisher | : Routledge |
Total Pages | : 598 |
Release | : 2004-07-31 |
Genre | : Science |
ISBN | : 1134500041 |
Urban Avant-Gardes presents original research on a range of recent contemporary practices in and between art and architecture giving perspectives from a wide range of disciplines in the arts, humanities and social sciences that are seldom juxtaposed, it questions many assumptions and accepted positions. This book looks back to past avant-gardes from the nineteenth and twentieth centuries examining the theoretical and critical terrain around avant-garde cultural interventions, and profiles a range of contemporary cases of radical cultural practices. The author brings together material from a wide range of disciplines to argue for cultural intervention as a means to radical change, while recognizing that most such efforts in the past have not delivered the dreams of their perpetrators. Distinctive in that it places works of the imagination in the political and cultural context of environmentalism, this book asks how cultural work might contribute to radical social change. It is equally concerned with theory and practice - part one providing a theoretical framework and part two illustrating such frameworks with examples.
Author | : Branden Wayne Joseph |
Publisher | : MIT Press |
Total Pages | : 444 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780262100991 |
An examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.
Author | : Antawan I. Byrd |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2013-09-23 |
Genre | : Art |
ISBN | : 9780714865362 |
The contemporary art world is increasingly global, with a larger population, wider territory, and greater number of nationalities than ever before. Its prevailing conversation, however, has yet to catch up. Art Cities of the Future: 21st Century Avant-Gardes uncovers twelve distinct avant-gardes that have surfaced in recent decades, exploring their artistic heritage, cultural climate, and contemporary milieu. The book's format is simple: for each of the twelve cities - Beirut, Bogotá, Cluj, Delhi, Istanbul, Johannesburg, Lagos, San Juan, São Paulo, Seoul, Singapore and Vancouver - a curator selected eight artists to represent the contemporary avant-garde. Though the artists work in a variety of media, including photography, painting, sculpture, installation, video, and performance art, all share two distinct qualities: a commitment to experimental art and a dedication to their local landscape. Lively, thought-provoking, comprehensive, and packed with more than 500 images, Art Cities of the Future is sure to widen the historical narrative, allowing us to imagine a future of diverse aesthetics and shared concerns in the common language of contemporary art.
Author | : Sue Ann Prince |
Publisher | : University of Chicago Press |
Total Pages | : 344 |
Release | : 1990 |
Genre | : Art |
ISBN | : 9780226682846 |
"The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940 brings together the history and the critical reaction to the new developments in art and design, places them in the context of conservative yet innovative Chicago at the turn of the century, and explores the tensions between tradition and innovation. The individual essays present the best in specialized current research, yet one can clearly understand the impact of modernism on the broader intellectual and cultural life of the city. I eagerly await as cohesive and thorough an analysis of the subject for New York."—David Sokol, University of Chicago "This is fresh and fascinating research about the ups and downs of modernism in Chicago, a city where art students reportedly once hung Matisse in effigy. Regional studies like this one broaden our understanding of how the art world has worked outside of New York and gives depth to a story we know too narrowly. Applause all the way around."—Wanda M. Corn, Stanford University
Author | : Philip Nel |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 265 |
Release | : 2009-06-01 |
Genre | : Art |
ISBN | : 9781604732528 |
The Avant-Garde and American Postmodernity: Small Incisive Shocks by Philip Nel. Was there a sudden break in the world of art, literature, and music when modernism gave way to postmodernism? Philip Nel attacks the notion of tremendous and sudden change in artistic understanding and literary practice. Instead, in The Avant-Garde and American Postmodernity: Small Incisive Shocks he proposes that a series of small but far-reaching changes drew understanding from modernism to postmodernism. What bonds these two periods together? The constant agent of change, Nel argues, was the avant-garde. Tracking its influence on novelists, popular culture figures, and children's authors, this book re-evaluates how twentieth-century culture has been traditionally divided into modern and postmodern. Suggesting that a modernism and postmodernism division prevents accurate evaluation of a work, Nel realigns our conceptions of twentieth-century literature, art, and music. Focusing on eight figures--Nathanael West, Djuna Barnes, Dr.Seuss, Donald Barthelme, Don DeLillo, Chris Van Allsburg, Laurie Anderson, and Leonard Cohen-as representative, this book examines works along a spectrum of political involvement. Unencumbered by excessive jargon but deeply rooted in theories of postmodernity, Nel's work has an accessible style, maintaining a balance between high theory and popular discourse. The first book to analyze postmodern children's literature, it revives the radical Dr. Seuss by reading him alongside avant-garde artists. Nel argues that Chris Van Allsburg speaks the Internet generation's vernacular, using a surrealist idiom to pose questions that linger beyond his picture books' final pages. Nel's book is a nuanced and wide-ranged rereading of how postmodernism displays art's ability to imagine a better world. Philip Nel is an assistant professor of English at Kansas State University.