Afrosurrealism
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| Author | : Rochelle Spencer |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2019-12-09 |
| Genre | : Social Science |
| ISBN | : 1351381660 |
Examining the surrealist novels of several contemporary writers including Edwidge Danticat, Tananarive Due, Nalo Hopkinson, Junot Díaz, Helen Oyeyemi, and Colson Whitehead, AfroSurrealism, the first book-length exploration of AfroSurreal fiction, argues that we have entered a new and exciting era of the black novel, one that is more invested than ever before in the cross sections of science, technology, history, folklore, and myth. Building on traditional surrealist scholarship and black studies criticism, the author contends that as technology has become ubiquitous, the ways in which writers write has changed; writers are producing more surrealist texts to represent the psychological challenges that have arisen during an era of rapid social and technological transitions. For black writers, this has meant not only a return to Surrealism, but also a complete restructuring in the way that both past and present are conceived, as technology, rather than being a means for demeaning and brutalizing a black labor force, has become an empowering means of sharing information. Presenting analyses of contemporary AfroSurreal fiction, this volume examines the ways in which contemporary writers grapple with the psychology underlying this futuristic technology, presenting a cautiously optimistic view of the future, together with a hope for better understanding of the past. As such, it will appeal to scholars of cultural, media and literary studies with interests in the contemporary novel, Surrealism, and black fiction.
| Author | : Henry Dumas |
| Publisher | : Random House (NY) |
| Total Pages | : 168 |
| Release | : 1974 |
| Genre | : Fiction |
| ISBN | : |
| Author | : Franklin Rosemont |
| Publisher | : University of Texas Press |
| Total Pages | : 416 |
| Release | : 2009-12-07 |
| Genre | : Literary Collections |
| ISBN | : 0292719973 |
This collection documents the extensive participation of people of African descent in the international surrealist movement over the past 75 years.
| Author | : Elliott H. King |
| Publisher | : Penn State Press |
| Total Pages | : 271 |
| Release | : 2022-03-17 |
| Genre | : Art |
| ISBN | : 0271091665 |
Surrealism is widely thought of as an artistic movement that flourished in Europe between the two world wars. However, during the 1960s, ’70s, and ’80s, diverse radical affinity groups, underground subcultures, and student protest movements proclaimed their connections to surrealism. Radical Dreams argues that surrealism was more than an avant-garde art movement; it was a living current of anti-authoritarian resistance. Featuring perspectives from scholars across the humanities and, distinctively, from contemporary surrealist practitioners, this volume examines surrealism’s role in postwar oppositional cultures. It demonstrates how surrealism’s committed engagement extends beyond the parameters of an artistic style or historical period, with chapters devoted to Afrosurrealism, Ted Joans, punk, the Situationist International, the student protests of May ’68, and other topics. Privileging interdisciplinary, transhistorical, and material culture approaches, contributors address surrealism’s interaction with New Left politics, protest movements, the sexual revolution, psychedelia, and other subcultural trends around the globe. A revelatory work, Radical Dreams definitively shows that the surrealist movement was synonymous with cultural and political radicalism. It will be especially valuable to those interested in the avant-garde, contemporary art, and radical social movements. In addition to the editors, the contributors to this volume include Mikkel Bolt Rasmussen, Jonathan P. Eburne, David Hopkins, Claire Howard, Michael Löwy, Alyce Mahon, Gavin Parkinson, Grégory Pierrot, Penelope Rosemont, Ron Sakolsky, Marie Arleth Skov, Ryan Standfest, and Sandra Zalman.
| Author | : Ytasha L. Womack |
| Publisher | : Chicago Review Press |
| Total Pages | : 226 |
| Release | : 2013-10-01 |
| Genre | : Social Science |
| ISBN | : 1613747993 |
2014 Locus Awards Finalist, Nonfiction Category In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book's topics range from the "alien" experience of blacks in America to the "wake up" cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.
| Author | : DuEwa M. Frazier |
| Publisher | : Taylor & Francis |
| Total Pages | : 232 |
| Release | : 2024-08-21 |
| Genre | : Literary Criticism |
| ISBN | : 1040088244 |
Introduction to Afrofuturism delivers a fresh and contemporary introduction to Afrofuturism, discussing key themes, understandings, and interdisciplinary topics across multiple genres in Black literature, film, and music. From Afrofuturism’s origins to the present, this critical volume features scholarly works, poetry, drama, and creative nonfiction which illuminates on the contributions of notable Afrofuturists such as Octavia Bulter, Sun Ra, N.K. Jemisin, Janelle Monáe, Nnedi Okorafor, Saul Williams, Prince, and more. The volume highlights the impact of films such as Black Panther (2018, 2022), The Woman King (2022), and They Cloned Tyrone (2023) and covers a variety of essential topics giving students a comprehensive view of the legacy of storytelling and the tradition of “remixing” in Black literature and arts. This volume makes connections across academic subject areas and is an engaging reader for pop culture and media film studies, women’s, gender, and sexuality studies, Black and Africana studies, hip-hop studies, creative writing, and composition and rhetoric.
| Author | : Nafissa Thompson-Spires |
| Publisher | : Simon and Schuster |
| Total Pages | : 224 |
| Release | : 2018-04-10 |
| Genre | : Fiction |
| ISBN | : 1501168010 |
Winner of the PEN Open Book Award * Winner of the Whiting Award * Longlisted for the National Book Award and Aspen Words Literary Prize * Nominated for the PEN/Robert W. Bingham Prize * Finalist for the Kirkus Prize and Los Angeles Times Book Prize Named a Best Book of the Year by Refinery29, NPR, The Root, HuffPost, Vanity Fair, Bustle, Chicago Tribune, PopSugar, and The Undefeated In one of the season’s most acclaimed works of fiction, Nafissa Thompson-Spires offers “a firecracker of a book...a triumph of storytelling: intelligent, acerbic, and ingenious” (Financial Times). Nafissa Thompson-Spires grapples with race, identity politics, and the contemporary middle class in this “vivid, fast, funny, way-smart, and verbally inventive” (George Saunders, author of Lincoln in the Bardo) collection. Each captivating story plunges headfirst into the lives of utterly original characters. Some are darkly humorous—two mothers exchanging snide remarks through notes in their kids’ backpacks—while others are devastatingly poignant. In the title story, when a cosplayer, dressed as his favorite anime character, is mistaken for a violent threat the consequences are dire; in another story, a teen struggles between her upper middle class upbringing and her desire to fully connect with so-called black culture. Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires “has taken the best of what Toni Cade Bambara, Morgan Parker, and Junot Díaz do plus a whole lot of something we’ve never seen in American literature, blended it all together...giving us one of the finest short-story collections” (Kiese Laymon, author of Long Division).
| Author | : Mark Polizzotti |
| Publisher | : Yale University Press |
| Total Pages | : 232 |
| Release | : 2024-01-09 |
| Genre | : Art |
| ISBN | : 030027386X |
An elegant consideration of the Surrealist movement as a global phenomenon and why it continues to resonate Why does Surrealism continue to fascinate us a century after André Breton’s Manifesto of Surrealism? How do we encounter Surrealism today? Mark Polizzotti vibrantly reframes the Surrealist movement in contemporary terms and offers insight into why it continues to inspire makers and consumers of art, literature, and culture. Polizzotti shows how many forms of popular media can thank Surrealism for their existence, including Monty Python, Theatre of the Absurd, and trends in fashion, film, and literature. While discussing the movement’s iconic figures—including André Breton, Leonora Carrington, Salvador Dalí, René Magritte, Man Ray, and Dorothea Tanning—he also broadens the traditionally French and male-focused narrative, constructing a more diverse and global representation. And he addresses how the Surrealists grappled with ideas that mirror current concerns, including racial and economic injustice, sexual politics, issues of identity, labor unrest, and political activism. Why Surrealism Matters provides a concise, engaging exploration of how, a century later, the “Surrealist revolution” remains as dynamic as ever.
| Author | : Reynaldo Anderson |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 283 |
| Release | : 2019-11-13 |
| Genre | : Social Science |
| ISBN | : 149851054X |
The Black Speculative Arts Movement: Black Futurity, Art+Design is a 21st century statement on the intersection of the future of African people with art, culture, technology, and politics. This collection enters the global debate on the emerging field of Afrofuturism studies with an international array of scholars and artists contributing to the discussion of Black futurity in the 21st century. The contributors analyze and respond to the invisibility or mischaracterization of Black people in the popular imagination, in science fiction, and in philosophies of history.
| Author | : Artel Great |
| Publisher | : Taylor & Francis |
| Total Pages | : 196 |
| Release | : 2023-03-30 |
| Genre | : Social Science |
| ISBN | : 1000843653 |
This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape. At a moment some scholars have described as post-post-racial, Black Cinema & Visual Culture provides new, urgent definitions and theories for Black cinema and furthers the development of its critical discourses. Gathering some of the leading scholars and critics in the field, this book enriches and advances the study of Black film and media and its social and political implications at a breakthrough period of expansion in the 21st century. This anthology tackles a wide range of topics from social justice, new media, and Afrofuturism, to race, gender, sexuality, mass incarceration, cultural memory, and Afrosurrealism, exploring the current climate of Black cinematic art that has proven wildly popular with domestic and global audiences, including hit films like Get Out and Marvel’s Black Panther. Together, these essays deepen understandings of Black visual culture, its creative image-makers, the political economy of Hollywood, and the cultural politics at the intersection of modern cinema, streaming platforms, and digital technologies. Black Cinema & Visual Culture will serve as an important learning tool for university courses spanning topics in film studies, American film and television, cultural studies, American studies, African Diaspora studies, media activism, social analysis, and African-American studies. This volume will also provide a benchmark in popular and intellectual circles for anyone interested in popular culture, Black-American cinema, media, issues of race in Hollywood, or Black culture and the conditions that shape both its art and politics.
