Afro-Modern: Journeys Through the Black Atlantic
Author | : Tanya Barson |
Publisher | : Tate |
Total Pages | : 228 |
Release | : 2010-06 |
Genre | : Art |
ISBN | : |
Published on the occasion of the exhibition at Tate Liverpool, 29 January until 25 April 2010.
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Author | : Tanya Barson |
Publisher | : Tate |
Total Pages | : 228 |
Release | : 2010-06 |
Genre | : Art |
ISBN | : |
Published on the occasion of the exhibition at Tate Liverpool, 29 January until 25 April 2010.
Author | : Paul Gilroy |
Publisher | : |
Total Pages | : 0 |
Release | : 2022-05 |
Genre | : African Americans |
ISBN | : 9781839766121 |
Author | : Kobena Mercer |
Publisher | : Duke University Press |
Total Pages | : 299 |
Release | : 2016-02-04 |
Genre | : Art |
ISBN | : 082237451X |
Over the years, Kobena Mercer has critically illuminated the visual innovations of African American and black British artists. In Travel & See he presents a diasporic model of criticism that gives close attention to aesthetic strategies while tracing the shifting political and cultural contexts in which black visual art circulates. In eighteen essays, which cover the period from 1992 to 2012 and discuss such leading artists as Isaac Julien, Renée Green, Kerry James Marshall, and Yinka Shonibare, Mercer provides nothing less than a counternarrative of global contemporary art that reveals how the “dialogical principle” of cross-cultural interaction not only has transformed commonplace perceptions of blackness today but challenges us to rethink the entangled history of modernism as well.
Author | : Henry Louis Gates, Jr. |
Publisher | : NYU Press |
Total Pages | : 272 |
Release | : 2012-08-01 |
Genre | : History |
ISBN | : 0814738184 |
12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest-over ten and a half million-were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences. Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge-or deny-their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries-Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru-through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.
Author | : Akinwumi Ogundiran |
Publisher | : Indiana University Press |
Total Pages | : 419 |
Release | : 2014-10-03 |
Genre | : History |
ISBN | : 0253013917 |
Focusing on everyday rituals, the essays in this volume look at spheres of social action and the places throughout the Atlantic world where African–descended communities have expressed their values, ideas, beliefs, and spirituality in material terms. The contributors trace the impact of encounters with the Atlantic world on African cultural formation, how entanglement with commerce, commodification, and enslavement and with colonialism, emancipation, and self-rule manifested itself in the shaping of ritual acts such as those associated with birth, death, healing, and protection. Taken as a whole, the book offers new perspectives on what the materials of rituals can tell us about the intimate processes of cultural transformation and the dynamics of the human condition.
Author | : Alice L Baumgartner |
Publisher | : Basic Books |
Total Pages | : 362 |
Release | : 2020-11-10 |
Genre | : History |
ISBN | : 1541617770 |
A brilliant and surprising account of the coming of the American Civil War, showing the crucial role of slaves who escaped to Mexico. The Underground Railroad to the North promised salvation to many American slaves before the Civil War. But thousands of people in the south-central United States escaped slavery not by heading north but by crossing the southern border into Mexico, where slavery was abolished in 1837. In South to Freedom, historianAlice L. Baumgartner tells the story of why Mexico abolished slavery and how its increasingly radical antislavery policies fueled the sectional crisis in the United States. Southerners hoped that annexing Texas and invading Mexico in the 1840s would stop runaways and secure slavery's future. Instead, the seizure of Alta California and Nuevo México upset the delicate political balance between free and slave states. This is a revelatory and essential new perspective on antebellum America and the causes of the Civil War.
Author | : Saidiya Hartman |
Publisher | : Macmillan |
Total Pages | : 292 |
Release | : 2008-01-22 |
Genre | : Biography & Autobiography |
ISBN | : 9780374531157 |
An original, thought-provoking meditation on the corrosive legacy of slavery from the 16th century to the present.--Elizabeth Schmidt, "The New York Times."
Author | : Alex La Guma |
Publisher | : Lexington Books |
Total Pages | : 285 |
Release | : 2017-04-18 |
Genre | : Social Science |
ISBN | : 1498536034 |
In 1978, the South African activist and novelist Alex La Guma (1925–1985) published A Soviet Journey, a memoir of his travels in the Soviet Union. Today it stands as one of the longest and most substantive first-hand accounts of the USSR by an African writer. La Guma’s book is consequently a rare and important document of the anti-apartheid struggle and the Cold War period, depicting the Soviet model from an African perspective and the specific meaning it held for those envisioning a future South Africa. For many members of the African National Congress and the South African Communist Party, the Soviet Union represented a political system that had achieved political and economic justice through socialism—a point of view that has since been lost with the collapse of the USSR and the end of the Cold War. This new edition of A Soviet Journey—the first since 1978—restores this vision to the historical record, highlighting how activist-intellectuals like La Guma looked to the Soviet Union as a paradigm of self-determination, decolonization, and postcolonial development. The introduction by Christopher J. Lee discusses these elements of La Guma’s text, in addition to situating La Guma more broadly within the intercontinental spaces of the Black Atlantic and an emergent Third World. Presenting a more expansive view of African literature and its global intellectual engagements, A Soviet Journey will be of interest to readers of African fiction and non-fiction, South African history, postcolonial Cold War studies, and radical political thought.
Author | : Nicole N. Aljoe |
Publisher | : University of Virginia Press |
Total Pages | : 302 |
Release | : 2014-11-14 |
Genre | : Literary Criticism |
ISBN | : 081393639X |
Focusing on slave narratives from the Atlantic world of the eighteenth and early nineteenth centuries, this interdisciplinary collection of essays suggests the importance—even the necessity—of looking beyond the iconic and ubiquitous works of Olaudah Equiano, Frederick Douglass, and Harriet Jacobs. In granting sustained critical attention to writers such as Briton Hammon, Omar Ibn Said, Juan Francisco Manzano, Nat Turner, and Venture Smith, among others, this book makes a crucial contribution not only to scholarship on the slave narrative but also to our understanding of early African American and Black Atlantic literature. The essays explore the social and cultural contexts, the aesthetic and rhetorical techniques, and the political and ideological features of these noncanonical texts. By concentrating on earlier slave narratives not only from the United States but from the Caribbean, South America, and Latin America as well, the volume highlights the inherent transnationality of the genre, illuminating its complex cultural origins and global circulation.