Afro-Eccentricity

Afro-Eccentricity
Author: W. Hart
Publisher: Springer
Total Pages: 386
Release: 2011-04-25
Genre: Social Science
ISBN: 0230118712

Afro-Eccentricity explores three overlapping stories of Black Religion: the Soul, Black Church, and Ancestor Narratives. Hart contends that these narratives dominate most accounts of Black Religion that, collectively, he calls the "Standard Narrative of Black Religion."

Black Men from behind the Veil

Black Men from behind the Veil
Author: George Yancy
Publisher: Rowman & Littlefield
Total Pages: 235
Release: 2022-01-14
Genre: Philosophy
ISBN: 1666906484

The Black male scholars within this important book are painfully aware that the brutal murder of George Floyd was not due to a few "bad apples." They understand that they are perceived as "threats" and "criminals" within a distorted white imaginary that is embedded with processes of mythopoetic construction, racial capitalism, and a deep anti-Black male social ontology. Edited by prominent philosopher George Yancy, Black Men from behind the Veil: Ontological Interrogations emphasizes the importance of Black male epistemic agency and the courage to speak the truth regarding an America that values Black male life on the cheap and that attempts to control the movement of Black men, their capacity to breathe, and their being through anti-Black technologies of surveillance, confinement, policing, and white nation-building. There is no single monolithic Black male voice that dominates this crucial and necessary text. Each voice speaks of pain behind the Veil, revealing narrative specificity and an important recursive truth: Black men, within the white American psyche, are both necessary and yet disposable. The existential and sociohistorical weight of this truth is made painfully clear through the voices of these Black men.

Black Religion

Black Religion
Author: W. Hart
Publisher: Springer
Total Pages: 234
Release: 2008-06-09
Genre: Religion
ISBN: 0230612733

This book explores the spiritual dimensions (political, racial, sexual, and violent) of Malcolm X's journey from Christianity to Islam, Julius Lester's journey from Christianity to Judaism, and Jan Willis's journey from Christianity to Buddhism.

Hope Draped in Black

Hope Draped in Black
Author: Joseph R. Winters
Publisher: Duke University Press
Total Pages: 306
Release: 2016-05-20
Genre: Social Science
ISBN: 0822374080

In Hope Draped in Black Joseph R. Winters responds to the enduring belief that America follows a constant trajectory of racial progress. Such notions—like those that suggested the passage into a postracial era following Barack Obama's election—gloss over the history of racial violence and oppression to create an imaginary and self-congratulatory world where painful memories are conveniently forgotten. In place of these narratives, Winters advocates for an idea of hope that is predicated on a continuous engagement with loss and melancholy. Signaling a heightened sensitivity to the suffering of others, melancholy disconcerts us and allows us to cut against dominant narratives and identities. Winters identifies a black literary and aesthetic tradition in the work of intellectuals, writers, and artists such as W. E. B. Du Bois, Ralph Ellison, Toni Morrison, and Charles Burnett that often underscores melancholy, remembrance, loss, and tragedy in ways that gesture toward such a conception of hope. Winters also draws on Walter Benjamin and Theodor Adorno to highlight how remembering and mourning the uncomfortable dimensions of American social life can provide alternate sources for hope and imagination that might lead to building a better world.

Decolonial Theology in the North Atlantic World

Decolonial Theology in the North Atlantic World
Author: Joseph Drexler-Dreis
Publisher: BRILL
Total Pages: 94
Release: 2019-09-24
Genre: Religion
ISBN: 9004412123

This essay develops a response to the historical situation of the North Atlantic world in general and the United States in particular through theological reflection. It offers an overview of some decolonial perspectives with which theologians can engage, and argues for a general perspective for a decolonial theology as a possible response to modern/colonial structures and relations of power, particularly in the United States. Decolonial theory holds together a set of critical perspectives that seek the end of the modern/colonial world-system and not merely a democratization of its benefits. A decolonial theology, Joseph Drexler-Dreis argues, critiques how the confinement of knowledge to European traditions has closed possibilities for understanding historical encounters with divinity, and thus possibilities of critical reflection. A decolonial theology reflects critically on a historical situation in light of faith in a divine reality, the understanding of which is liberated from the monopoly of modern/colonial ways of knowing, in order to catalyze social transformation.

Sounding Like a No-No

Sounding Like a No-No
Author: Francesca T. Royster
Publisher: University of Michigan Press
Total Pages: 267
Release: 2012-12-26
Genre: Music
ISBN: 0472051792

Sounding Like a No-No traces a rebellious spirit in post–civil rights black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's innovative readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corporeal freedom from the social death of slavery and its legacy of racism, to engender new sexualities and desires, to escape the sometimes constrictive codes of respectability and uplift from within the black community, and to make space for new futures for their listeners. The book's perspective on music as a form of black corporeality and identity, creativity, and political engagement will appeal to those in African American studies, popular music studies, queer theory, and black performance studies; general readers will welcome its engaging, accessible, and sometimes playful writing style, including elements of memoir.

The Blackness of Black

The Blackness of Black
Author: William David Hart
Publisher: Rowman & Littlefield
Total Pages: 263
Release: 2020-10-16
Genre: Social Science
ISBN: 179361587X

This book explores the relations among blackness, antiblackness, and Black people within the discourse of the blackness of black. This critical discourse developed during the last two decades as scholars explored what Saidiya Hartman describes as the afterlife of slavery. Hartman’s concept, which argues for a troubling continuity between the status of enslaved and emancipated Black people, is the pivot between discursive tributaries and trajectories. Tributaries of the discourse of the blackness of black comprise five foundational concepts: Frantz Fanon’s “phobogenic blackness,” Orlando Patterson’s “social death,” Cedric Robinson’s “racial capitalism and the black radical tradition,” and Hortense Spillers’ “flesh.” The book traces three trajectories within the afterlife of slavery: Frank Wilderson’s “ Afropessimism,” Fred Moten’s “generative blackness,” and Calvin Warren’s “black nihilism.” This ensemble of concepts enable us to understand what is at state in how we understand the relations among blackness, antiblackness, and Black people.

Black Transhuman Liberation Theology

Black Transhuman Liberation Theology
Author: Philip Butler
Publisher: Bloomsbury Publishing
Total Pages: 222
Release: 2019-12-12
Genre: Religion
ISBN: 1350081957

Mediating Black religious studies, spirituality studies, and liberation theology, Philip Butler explores what might happen if Black people in the United States merged technology and spirituality in their fight towards materializing liberating realities. The discussions shaping what it means for humans to exist with technology and as part of technology are already underway: transhumanism suggests that any use of technology to augment intellectual, psychological, or physical capability makes one transhuman. In an attempt to encourage Black people in the United States to become technological progenitors as a spiritual act, Butler asks whether anyone has ever been 'just' human? Butler then explores the implications of this question and its link to viewing the body as technology. Re-imagining incarnation as a relationship between vitality, biochemistry, and genetics, the book also takes a critical scientific approach to understanding the biological embodiment of Black spiritual practices. It shows how current and emerging technologies might align with the generative biological states of Black spiritualities in order to concretely disrupt and dismantle oppressive societal structures.

What is African American Literature?

What is African American Literature?
Author: Margo N. Crawford
Publisher: John Wiley & Sons
Total Pages: 192
Release: 2021-01-27
Genre: Literary Criticism
ISBN: 1119123348

After Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature? The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system. Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition. Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.

Black Time and the Aesthetic Possibility of Objects

Black Time and the Aesthetic Possibility of Objects
Author: Daphne Lamothe
Publisher: UNC Press Books
Total Pages: 203
Release: 2024-01-09
Genre: Art
ISBN:

The decades following the civil rights and decolonization movements of the sixties and seventies—termed the post-soul era—created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literature, art, and music resisted the pull of singular and universal notions of racial identity. Developing the idea of "Black aesthetic time"—a multipronged theoretical concept that analyzes the ways race and time collide in the process of cultural production—she assesses Black fiction, poetry, and visual and musical texts by Paule Marshall, Zadie Smith, Tracy K. Smith, Dionne Brand, Toyin Ojih Odutola, and Stromae, among others. Lamothe asks how our understanding of Blackness might expand upon viewing racial representation without borders—or, to use her concept, from the permeable, supple place of Black aesthetic time. Lamothe purposefully focuses on texts told from the vantage point of immigrants, migrants, and city dwellers to conceptualize Blackness as a global phenomenon without assuming the universality or homogeneity of racialized experience. In this new way to analyze Black global art, Lamothe foregrounds migratory subjects poised on thresholds between not only old and new worlds, but old and new selves.