Afro Asia

Afro Asia
Author: Fred Ho
Publisher: Duke University Press
Total Pages: 420
Release: 2008-06-25
Genre: History
ISBN: 9780822342816

A collection of writing on the historical alliances, cultural connections, and shared political strategies linking African Americans and Asian Americans.

Resounding Afro Asia

Resounding Afro Asia
Author: Tamara Roberts
Publisher: Oxford University Press
Total Pages: 249
Release: 2016
Genre: Music
ISBN: 0199377413

Resounding Afro Asia examines black-Asian musical collaborations as part of a genealogy of cross-racial culture and politics in the U.S. Roberts argues these projects offer a glimpse into how artists live multiracial lives that inhabit yet exceed multicultural frameworks built on racial essentialism and segregation.

Afro Asia

Afro Asia
Author: Fred Ho
Publisher: Duke University Press
Total Pages: 415
Release: 2008-06-25
Genre: Social Science
ISBN: 0822381176

With contributions from activists, artists, and scholars, Afro Asia is a groundbreaking collection of writing on the historical alliances, cultural connections, and shared political strategies linking African Americans and Asian Americans. Bringing together autobiography, poetry, scholarly criticism, and other genres, this volume represents an activist vanguard in the cultural struggle against oppression. Afro Asia opens with analyses of historical connections between people of African and of Asian descent. An account of nineteenth-century Chinese laborers who fought against slavery and colonialism in Cuba appears alongside an exploration of African Americans’ reactions to and experiences of the Korean “conflict.” Contributors examine the fertile period of Afro-Asian exchange that began around the time of the 1955 Bandung Conference, the first meeting of leaders from Asian and African nations in the postcolonial era. One assesses the relationship of two important 1960s Asian American activists to Malcolm X and the Black Panthers. Mao Ze Dong’s 1963 and 1968 statements in support of black liberation are juxtaposed with an overview of the influence of Maoism on African American leftists. Turning to the arts, Ishmael Reed provides a brief account of how he met and helped several Asian American writers. A Vietnamese American spoken-word artist describes the impact of black hip-hop culture on working-class urban Asian American youth. Fred Ho interviews Bill Cole, an African American jazz musician who plays Asian double-reed instruments. This pioneering collection closes with an array of creative writing, including poetry, memoir, and a dialogue about identity and friendship that two writers, one Japanese American and the other African American, have performed around the United States. Contributors: Betsy Esch, Diane C. Fujino, royal hartigan, Kim Hewitt, Cheryl Higashida, Fred Ho, Everett Hoagland, Robin D. G. Kelley, Bill V. Mullen, David Mura, Ishle Park, Alexs Pate, Thien-bao Thuc Phi, Ishmael Reed, Kalamu Ya Salaam, Maya Almachar Santos, JoYin C. Shih, Ron Wheeler, Daniel Widener, Lisa Yun

The United Nations and Decolonization: The Role of Afro — Asia

The United Nations and Decolonization: The Role of Afro — Asia
Author: Y. El-Ayouty
Publisher: Springer Science & Business Media
Total Pages: 306
Release: 2012-12-06
Genre: Law
ISBN: 940117525X

When the United Nations' Charter was signed in San Francisco in 1945, the number of African member states of the Organisation was only 4. By the end of 1960 it had risen to 22. Today it is 41. How has this come about? The answer is given in this valuable book by Dr. Yassin EI-Ayouty. The handful of Asian and African countries who had the privilege of foundation membership made it their business to see to it that their brethren who were still under the colonial yoke attained their freedom and independence as soon as possible and, in the meanwhile, that they were treated with decency and fairness by their colonial masters. It was a tough assignment. The struggle was long, requiring a great deal of patience and endurance. It was at times fierce, requiring much dogged resolution. It also called for the deployment of intellectual agility ofthe highest order. Fortunately all these qualities were available in the rep resentatives of Asia and Africa who led the great struggle. These dis tinguished delegates also demonstrated a wonderful degree of solidarity which has, happily, become an Afro-Asian tradition at the United Nations. The battle began even before the Organisation had itself become a fact. It would have been a more difficult struggle, had there been no provision in the Charter at all in respect of colonies, by whatever name called.

The Geometries of Afro Asia

The Geometries of Afro Asia
Author: Joan Kee
Publisher: Univ of California Press
Total Pages: 316
Release: 2023-04-18
Genre: Art
ISBN: 0520392450

"How do we embark on a history of art that proceeds from the assumption of a global majority? Taking as a rhetorical departure the construct of Afro Asia which doubles as both an ontological reference and an epistemological intervention, this book centers the worlds Black and Asian artists initiate through their work. Afro Asia breaks down delineated time into points, trajectories, angles, magnitudes and relative positions so that temporality and chronology figure primarily as questions of geometry: it asks if and how we can we be something other than what biology, politics, culture, and economics tells us we are or must become. Spanning North America, Europe, Asia, and Africa, this book challenges the institutionalization of contemporary art as a global enterprise increasingly governed by the judgments of a self-selecting minority"--

The Afro-Asian States and Their Problems

The Afro-Asian States and Their Problems
Author: K. M. Panikkar
Publisher: Routledge
Total Pages: 105
Release: 2010-11-26
Genre: Business & Economics
ISBN: 113685861X

This reissue of Sandar Panikkar’s 1959 book is based upon a series of lectures given at the Institut d’Etude de Development Economique et Social, which spotlights the problems faced by the multitude of African and Asian states which achieved independence between 1945 and 1957. From Asia, the author discusses the plight of India, Pakistan, Burma, Indonesia, Ceylon, Vietnam, Cambodia, laos, Syria and Lebanon whilst in Africa he assesses the independence of the Sudan, Tunisia, Morroco and Ghana. The problems faced by these countries have many similarities, not least the need to develop systems of political organisation, administrative services necessary for a modern government and the need to completely reorganise their economy.

Resounding Afro Asia

Resounding Afro Asia
Author: Tamara Roberts
Publisher: Oxford University Press
Total Pages: 249
Release: 2016-02-16
Genre: Music
ISBN: 019937743X

Cultural hybridity is a celebrated hallmark of U.S. American music and identity. Yet hybrid music is all too often marked -and marketed - under a single racial label. Resounding Afro Asia examines music projects that counter this convention; these projects instead foreground racial mixture in players, audiences, and sound in the very face of the ghettoizing culture industry. Giving voice to four contemporary projects, author Tamara Roberts traces black/Asian engagements that reach across the United States and beyond: Funkadesi, Yoko Noge, Fred Ho and the Afro Asian Music Ensemble, and Red Baraat. From Indian funk & reggae, to Japanese folk & blues, to jazz in various Asian and African traditions, to Indian brass band and New Orleans second line, these artists live multiracial lives in which they inhabit - and yet exceed - multicultural frameworks built on essentialism and segregation. When these musicians collaborate, they generate and perform racially marked sounds that do not conform to their individual racial identities. The Afro Asian artists discussed in this book splinter the expectations of racial determinism, and through improvisation and composition, articulate new identities and subjectivities in conversation with each other. These dynamic social, aesthetic, and sonic practices construct a forum for the negotiation of racial and cultural difference and the formation of inter-minority solidarities. Resounding Afro Asia joins a growing body of literature that is writing Asian American artists back into U.S. popular music history, while highlighting interracial engagements that have fueled U.S. music making. The book will appeal to scholars of music, ethnomusicology, race theory, and politics, as well as those interested in race and popular music.

The Afro-Asian Movement

The Afro-Asian Movement
Author: David Kimche
Publisher: Jerusalem : Israel Universities Press ; New York : Halsted Press
Total Pages: 312
Release: 1973
Genre: Afro-Asian politics
ISBN:

Beyond The Chinese Connection

Beyond The Chinese Connection
Author: Crystal S. Anderson
Publisher: Univ. Press of Mississippi
Total Pages: 331
Release: 2013-05-14
Genre: Social Science
ISBN: 1628467495

In Beyond “The Chinese Connection,” Crystal S. Anderson explores the cultural and political exchanges between African Americans, Asian Americans, and Asians over the last four decades. To do so, Anderson examines such cultural productions as novels (Frank Chin’s Gunga Din Highway [1999], Ishmael Reed’s Japanese by Spring [1992], and Paul Beatty’s The White Boy Shuffle [1996]); films (Rush Hour 2 [2001], Unleashed [2005], and The Matrix trilogy [1999-2003]); and Japanese animation (Samurai Champloo [2004]), all of which feature cross-cultural conversations. In exploring the ways in which writers and artists use this transferal, Anderson traces and tests the limits of how Afro-Asian cultural production interrogates conceptions of race, ethnic identity, politics, and transnational exchange. Ultimately, this book reads contemporary black/Asian cultural fusions through the recurrent themes established by the films of Bruce Lee, which were among the first—and certainly most popular—works to use this exchange explicitly. As a result of such films as Enter the Dragon (1973), The Chinese Connection (1972), and The Big Boss (1971), Lee emerges as both a cross-cultural hero and global cultural icon who resonates with the experiences of African American, Asian American and Asian youth in the 1970s. Lee’s films and iconic imagery prefigure themes that reflect cross-cultural negotiations with global culture in post-1990 Afro-Asian cultural production.