African Small Publishers Catalogue 2018
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| Author | : Higgs, Colleen |
| Publisher | : Modjaji Books |
| Total Pages | : 117 |
| Release | : 2018-09-26 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1928215726 |
This is the fourth edition of the African Small Publishers’ Catalogue. Once again we have many more publishers and some of the publishers we featured last time have either left the scene, or their circumstances have changed. The catalogue is a showcase of the variety and extent of independent and small publishing in Africa. It is still weighted with many more South African publishers, but each time we have brought out a new edition, there are more listings from a wider spread of African publishers. The catalogue aims to uncover and highlight the work and existence of small publishers in Africa. I hope that librarians, booksellers, books’ page editors, educators, readers, writers and bigger publishers will be enriched by having access to these publishers and that the publishers themselves will find new customers, access to funds and technologies that will enable them to thrive. It is thrilling to see all the writers and publishers who are toiling away, doing extraordinary creative cultural work.
| Author | : Colleen Higgs |
| Publisher | : African Books Collective |
| Total Pages | : 143 |
| Release | : 2021-10-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1928433308 |
An invaluable reference book for publishers or anyone interested or in any way involved in the African book/publishing/literary scene, or writers looking for a publisher. Lists a wide range of over 60 small and independent publishers in countries from around Africa. The catalogue also contains articles about publishing the indie way, book-making in the time of COVID-19, and more. Includes publishers from South Africa, Ghana, Zimbabwe, Senegal, France, the United Kingdom, Switzerland, Nigeria, the United States, Canada, Togo, Mozambique, Morocco, Uganda, Rwanda, Malawi, Algeria, Egypt, Uganda, and Namibia.
| Author | : Sandra Llopart Babot |
| Publisher | : Universitat de València |
| Total Pages | : 342 |
| Release | : 2023-05-31 |
| Genre | : Literary Criticism |
| ISBN | : 8411181707 |
This volume brings forward a descriptive approach to the translation and reception of African American women’s literature in Spain. Drawing from a multidisciplinary theoretical and methodological framework, it traces the translation history of literature produced by African American women, seeking to uncover changing strategies in translation policies as well as shifts in interests in the target context, and it examines the topicality of this cohort of authors as frames of reference for Spanish critics and reviewers. Likewise, the reception of the source literature in the Spanish context is described by reconstructing the values that underlie judgements in different reception sources. Finally, this book addresses the specific problem of the translation of Black English into Spanish. More precisely, it pays attention to the ideological and the ethical implications of translation choices and the effect of the latter on the reception of literary texts.
| Author | : Robert B Winans |
| Publisher | : University of Illinois Press |
| Total Pages | : 490 |
| Release | : 2018-08-15 |
| Genre | : Music |
| ISBN | : 0252050649 |
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
| Author | : Richard Primack |
| Publisher | : Open Book Publishers |
| Total Pages | : 712 |
| Release | : 2019-09-10 |
| Genre | : Nature |
| ISBN | : 1783747536 |
Conservation Biology in Sub-Saharan Africa comprehensively explores the challenges and potential solutions to key conservation issues in Sub-Saharan Africa. Easy to read, this lucid and accessible textbook includes fifteen chapters that cover a full range of conservation topics, including threats to biodiversity, environmental laws, and protected areas management, as well as related topics such as sustainability, poverty, and human-wildlife conflict. This rich resource also includes a background discussion of what conservation biology is, a wide range of theoretical approaches to the subject, and concrete examples of conservation practice in specific African contexts. Strategies are outlined to protect biodiversity whilst promoting economic development in the region. Boxes covering specific themes written by scientists who live and work throughout the region are included in each chapter, together with recommended readings and suggested discussion topics. Each chapter also includes an extensive bibliography. Conservation Biology in Sub-Saharan Africa provides the most up-to-date study in the field. It is an essential resource, available on-line without charge, for undergraduate and graduate students, as well as a handy guide for professionals working to stop the rapid loss of biodiversity in Sub-Saharan Africa and elsewhere.
| Author | : Emilie Boone |
| Publisher | : Duke University Press |
| Total Pages | : 207 |
| Release | : 2023-09-01 |
| Genre | : Photography |
| ISBN | : 1478027169 |
While James Van Der Zee is widely known and praised for his studio portraits from the Harlem Renaissance era, much of the diversity and expansive reach of his work has been overlooked. From the major role his studio played for decades photographing ordinary people and events in the Harlem community to the inclusion of his photographs in the landmark Harlem on My Mind exhibition at the Metropolitan Museum of Art in 1969, Van Der Zee was a foundational Black photographer whose work illustrates the shifting ways photography serves as a constitutive force within Black life. In A Nimble Arc, Emilie Boone considers Van Der Zee’s photographic work over the course of the twentieth century, showing how it foregrounded aspects of Black daily life in the United States and in the larger African diaspora. Boone argues that Van Der Zee’s work exists at the crossroads of art and the vernacular, challenging the distinction between canonical art photographs and the kind of output common to commercial photography studios. Boone’s account recasts our understanding not only of this celebrated figure but of photography within the arc of quotidian Black life.
| Author | : Jasmine Nichole Cobb |
| Publisher | : Duke University Press |
| Total Pages | : 177 |
| Release | : 2022-11-11 |
| Genre | : Social Science |
| ISBN | : 1478023708 |
From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustrations, documentary films, and photography as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside styling products or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.
| Author | : Colleen Higgs |
| Publisher | : African Books Collective |
| Total Pages | : 60 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 1920397256 |
Colleen Higgs launched Modjaji Books, the first publishing house for southern African women writers, in 2007. Her first collection of poetry, Halfborn Woman, was published in 2004. She lives in Cape Town with her partner and her daughter.
| Author | : James L. Conyers |
| Publisher | : Myers Education Press |
| Total Pages | : 283 |
| Release | : 2020-07-17 |
| Genre | : Education |
| ISBN | : 1975502078 |
While there is a wealth of scholarship on Africana Education, no single volume has examined the roles of such important topics as Black Male Identity, Hip Hop Culture, Adult Learners, Leadership at Historically Black Colleges and Universities, Critical Black Pedagogy, among others. This book critically examines African Americans in higher education, with an emphasis on the social and philosophical foundations of Africana culture. This is a critical interdisciplinary study, one which explores the collection, interpretation, and analysis of quantitative and qualitative data in the field of higher education. To date, there are not any single-authored or edited collections that attempt to research the logical and conceptual ideas of the disciplinary matrix of Africana social and philosophical foundations of African Americans in higher education. Therefore, this volume provides readers with a compilation of literary, historical, philosophical, and communicative essays that describe and evaluate the Black experience from an Afrocentric perspective for the first time. It is required reading in a wide range of African American Studies courses. Perfect for courses such as: African American Social and Philosophical Foundations | African American Studies | African Nationalist Thought | History of Black Education
| Author | : Naomi Andre |
| Publisher | : University of Illinois Press |
| Total Pages | : 386 |
| Release | : 2018-05-04 |
| Genre | : Music |
| ISBN | : 0252050614 |
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
