African Renaissance
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Author | : Washington A. Jalango Okumu |
Publisher | : Africa World Press |
Total Pages | : 310 |
Release | : 2002 |
Genre | : Business & Economics |
ISBN | : 9781592210138 |
An intellectual tour de force, this bold, imaginative and provocative analysis of Africa's striving for political stability and economic growth demonstrates the potential for an African Renaissance today. One of Africa's leading intellectuals, Okumu analyses new initiatives such as NEPAD and discusses their potential role in Africa's economic welfare and future, while putting forward his own practical, policy oriented programme for an African Renaissance.
Author | : Cheikh Anta Diop |
Publisher | : Red Sea Press(NJ) |
Total Pages | : 156 |
Release | : 1996 |
Genre | : Social Science |
ISBN | : |
Author | : Peter Magubane |
Publisher | : Struik Publishers |
Total Pages | : 176 |
Release | : 2000 |
Genre | : History |
ISBN | : |
The term African Renaissance, first used by liberation leaders in the early 1960's, has been revived by South Africa's new president, Thabo Mbeki, as a rallying call for the re-birth of pride and prosperity on the continent. With the flowering of democracy in South Africa, there is an awakening sense of pride in being African, in all it's dimensions. African Renaissance, from the camera of renowned photographer Peter Magubane, celebrates something of what it means to be African. His insightful eye explores not only fast-disappearing traditional cultures, but also the developing customs of modern Africa, an amalgam of the ancient and the contemporary. The guide is arranged by theme, covering subjects such as dress and adornment, rites of passage and homesteads. The section on dress and adornment examines beadwork, headgear and traditional dress, while the section on rites of passage takes a look at various initiation ceremonies, and at traditional and modern weddings.
Author | : Charles Villa-Vicencio |
Publisher | : Georgetown University Press |
Total Pages | : 260 |
Release | : 2015-03-16 |
Genre | : History |
ISBN | : 1626161976 |
The hope and despair surrounding the Afro-Arab Spring in North Africa has only begun to be played out in regional and global politics. And the call for an African renaissance that followed the miraculous political transition in South Africa is, twenty years later, viewed with similar ambiguity. What is clear is that current developments in Africa, north and south, promise something markedly different from what has prevailed at any point since the dawn of the African independence movements of the 1950s and 60s. But the continent's own identity remains unresolved, posing the question whether and how its multiple and divergent experiences can be understood and perhaps woven into a basis for unity. Contributors to this volume explore whether or not events north of the Sahara and on the southern tip of Africa can be catalysts for change in other parts of the continent. Chapters assesses the nature of political resistance, revolution, and transition in North and Southern Africa, addressing critical factors--economics, culture, gender, theology--that reveal the promises and perils of African reform. Includes a foreword by former South African president Thabo Mbeki.
Author | : Natalie Zemon Davis |
Publisher | : Walters Art Gallery |
Total Pages | : 143 |
Release | : 2012 |
Genre | : Africans in art |
ISBN | : 9780911886788 |
"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
Author | : M Okediji |
Publisher | : |
Total Pages | : 228 |
Release | : 2002-09-15 |
Genre | : Art |
ISBN | : |
African Renaissance: New Forms, Old Images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth- and twenty-first-century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Moyo Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria’s independence and the new nation’s subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland.
Author | : Tony Martin |
Publisher | : The Majority Press |
Total Pages | : 388 |
Release | : 1991 |
Genre | : Biography & Autobiography |
ISBN | : 9780912469096 |
The real roots of the Harlem Renaissance lie in,the Garvey Movement. This volume presents a rich,treasury of literary criticism, book reviews,poetry, short stories, music, art appreciation and,polemics on the Black aesthetic and other never,before published literary and cultural writings of,Garvey's Harlem Renaissance.
Author | : Joshua I. Cohen |
Publisher | : University of California Press |
Total Pages | : 301 |
Release | : 2020-07-21 |
Genre | : Art |
ISBN | : 0520309685 |
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Author | : Molefi Kete Asante |
Publisher | : Polity |
Total Pages | : 185 |
Release | : 2007-12-17 |
Genre | : Social Science |
ISBN | : 0745641024 |
Molefi Kete Asante's Afrocentric philosophy has become one of the most persistent influences in the social sciences and humanities over the past three decades. It strives to create new forms of discourse about Africa and the African Diaspora, impact on education through expanding curricula to be more inclusive, change the language of social institutions to reflect a more holistic universe, and revitalize conversations in Africa, Europe, and America, about an African renaissance based on commitment to fundamental ideas of agency, centeredness, and cultural location. In An Afrocentric Manifesto, Molefi Kete Asante examines and explores the cultural perspective closest to the existential reality of African people in order to present an innovative interpretation on the modern issues confronting contemporary society. Thus, this book engages the major critiques of Afrocentricity, defends the necessity for African people to view themselves as agents instead of as objects on the fringes of Europe, and proposes a more democratic framework for human relationships. An Afrocentric Manifesto completes Asante's quartet on Afrocentric theory. It is at the cutting edge of this new paradigm with implications for all disciplines and fields of study. It will be essential reading for urban studies, philosophy, African and African American Studies, social work, sociology, political science, and communication.
Author | : Joseph William Trotter Jr. |
Publisher | : University of Pittsburgh Press |
Total Pages | : 353 |
Release | : 2010-06-27 |
Genre | : History |
ISBN | : 0822977559 |
African Americans from Pittsburgh have a long and distinctive history of contributions to the cultural, political, and social evolution of the United States. From jazz legend Earl Fatha Hines to playwright August Wilson, from labor protests in the 1950s to the Black Power movement of the late 1960s, Pittsburgh has been a force for change in American race and class relations. Race and Renaissance presents the first history of African American life in Pittsburgh after World War II. It examines the origins and significance of the second Great Migration, the persistence of Jim Crow into the postwar years, the second ghetto, the contemporary urban crisis, the civil rights and Black Power movements, and the Million Man and Million Woman marches, among other topics. In recreating this period, Trotter and Day draw not only from newspaper articles and other primary and secondary sources, but also from oral histories. These include interviews with African Americans who lived in Pittsburgh during the postwar era, which reveal firsthand accounts of what life was truly like during this transformative epoch. Race and Renaissance illuminates how Pittsburgh's African Americans arrived at their present moment in history. It also links movements for change to larger global issues: civil rights with the Vietnam War; affirmative action with the movement against South African apartheid. As such, the study draws on both sociology and urban studies to deepen our understanding of the lives of urban blacks.