African Pasts Presents And Futures
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Author | : Touria Khannous |
Publisher | : Lexington Books |
Total Pages | : 231 |
Release | : 2013-10-17 |
Genre | : Literary Criticism |
ISBN | : 0739170422 |
African Pasts, Presents, and Futures: Generational Shifts in African Women's Literature, Film, and Internet Discourse, by Touria Khannous, provides a history of African women’s cultural production, as well as an alternative approach to the arguments that have traditionally dominated post-colonial studies in general, and African and gender studies in particular. It examines some of the more overarching questions that are prevalent in the works of African women authors, who position themselves within the contexts of Islam, feminism, nationalism, modernity, and global and postcolonial politics, thus engaging in the construction of socio-political platforms for reform in their home countries. The book explores different aspects of women’s agency at the political, cultural, social, religious and aesthetic level, and highlights their civil society activism and push for legal reform. It also traces their opinions on a range of social and political questions and underscores fundamental shifts in their positions and concerns through the different generations.
Author | : Tony Binns |
Publisher | : Routledge |
Total Pages | : 441 |
Release | : 2014-09-25 |
Genre | : Science |
ISBN | : 1317880390 |
This is the first book to combine a discussion of post-apartheid development initiatives with an extended historical analysis of South Africa's dynamic race, class, gender and ethnic identities. Bringing together the research of an historical geographer and two development geographers, the book enables us to locate the post-apartheid transition in a broad historical and spatial perspective. Within this perspective, the limitations as well as the achievements of South Africa's current transformation are highlighted.
Author | : Norman K. Denzin |
Publisher | : Taylor & Francis |
Total Pages | : 333 |
Release | : 2024-06-03 |
Genre | : Psychology |
ISBN | : 1040014704 |
Qualitative Inquiry in Transition—Pasts, Presents, & Futures: A Critical Reader gathers more than 30 internationally renowned scholars in qualitative inquiry to present provocative interventions into the politics of research, philosophy of inquiry, justice matters, and writing practices. Drawn from a decade of cutting-edge plenary volumes emanating from the annual International Congress of Qualitative Inquiry, these contributors and their chapters represent the leading edge of scholarship that has pushed the field forward over the last decade. Topics discussed include the research marketplace, data entanglements, the neoliberal university, Indigenous methodologies, slow research, performative ethics, intersectionality, civically engaged research, post-qualitative inquiry and the new materialisms, collaborative research, poetic inquiry, academic writing, and the future of the field. These and other topics comprise a moving—rather than static—center to the field, one that moves across contexts and ontologies, moves between agreement and disagreement, forges new collaborations, and informs new inter- and trans-disciplinary approaches to research. Qualitative Inquiry in Transition—Pasts, Presents, & Futures: A Critical Reader will be required reading for those seeking to understand where the field of qualitative inquiry has been and will look to go in the years to come.
Author | : Ali Soliman |
Publisher | : |
Total Pages | : 336 |
Release | : 1926 |
Genre | : African Americans |
ISBN | : |
Author | : |
Publisher | : BRILL |
Total Pages | : 407 |
Release | : 2022-02-28 |
Genre | : Social Science |
ISBN | : 9004471642 |
The essays in this collection are written to make readers (re)consider what is possible in Africa. The essays shake the tree of received wisdom and received categories, and hone in on the complexities of life under ecological and economic constraints. Yet, throughout this volume, people do not emerge as victims, but rather as inventors, engineers, scientists, planners, writers, artists, and activists, or as children, mothers, fathers, friends, or lovers – all as future-makers. It is precisely through agents such as these that Africa is futuring: rethinking, living, confronting, imagining, and relating in the light of its many emerging tomorrows.
Author | : Pierre-Philippe Fraiture |
Publisher | : Oxford University Press |
Total Pages | : 328 |
Release | : 2021 |
Genre | : History |
ISBN | : 1800348401 |
This book proposes to examine French and Francophone intellectual history in the period leading to the decolonization of sub-Saharan Africa (1945-1960). The analysis favours the epistemological links between ethnology, museology, sociology, and (art) history. In this discussion, a specific focus is placed on temporality and the role ascribed by these different disciplines to African pasts, presents, and futures. It is argued here that the post-war context, characterized, inter alia, by the creation of UNESCO, the birth of Pr�sence Africaine and the prevalence of existentialism, bore witness to the development of new regimes of historicity and to the partial refutation of a progress-based modernity. This investigation is predicated on case studies from West and Central Africa (AOF, AEF and Belgian Congo) and, whilst adopting a postcolonial methodology, it explores African and French authors such as Georges Balandier, Cheikh Anta Diop, Frantz Fanon, Chris Marker, Joseph Ki-Zerbo, Claude L�vi-Strauss, Alain Resnais, Jean-Paul Sartre and Placide Tempels. This study explores the intellectual legacy of the 'long nineteenth century' and the difficulty encountered by these authors to articulate their anti-colonial agenda away from the modern methodologies of the 'colonial library'. By focussing on issues of intellectual alienation, this book also demonstrates that the post-WW2 period foreshadowed twenty-first century debates on extroversion, racial inequalities, the decolonization of history, and cultural (mis)appropriation.
Author | : Darren Newbury |
Publisher | : Routledge |
Total Pages | : 297 |
Release | : 2020-10-26 |
Genre | : Photography |
ISBN | : 100018269X |
This collection explores women’s multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography, the collection provides a model for interdisciplinary feminist approaches for scholars and students of art history, visual studies and African history.
Author | : Tim Woods |
Publisher | : Manchester University Press |
Total Pages | : 304 |
Release | : 2018-09-30 |
Genre | : Literary Criticism |
ISBN | : 1526130793 |
African pasts examines African literatures in English since the end of colonialism, investigating how they represents African history through the twin matrices of memory and trauma. Inextricably tied up with the historical conditions of Africa’s colonisation, charting the emergence of its independence, and scrutinising Africa’s contemporary neo-colonial and postcolonial states as a legacy of the colonial past, African literatures are continually preoccupied with exploring modes of representation to ‘work through’ their different traumatic colonial pasts. Among other issues, this book deals with literature in the era of apartheid, the post-apartheid aftermath, metafictional experiments in African fiction, gender representation in reaction to the trauma of colonialism and ‘imprisonment narratives’. African pasts covers a wide range of African literatures and a cross-section of genres – fiction, poetry, prison-narratives, postcolonial theory – and embraces such well-known writers as Soyinka, Coetzee, Ngugi and Achebe, and more recent writers such as Nuruddin Farah, Tsitsi Dangarembga, Achmat Dangor, Etienne van Heerden, Zakes Mda, Gillian Slovo and Calixthe Beyala.
Author | : Kristen Lillvis |
Publisher | : University of Georgia Press |
Total Pages | : 149 |
Release | : 2017 |
Genre | : Literary Criticism |
ISBN | : 0820351229 |
Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- Chapter 1 Temporal Liminality in Toni Morrison's Beloved and A Mercy -- Chapter 2 Posthuman Solidarity in Sherley Anne Williams's Dessa Rose -- Chapter 3 Afrofuturist Aesthetics in the Works of Erykah Badu, Janelle Monáe, and Gayl Jones -- Chapter 4 Posthuman Multiple Consciousness in Octavia E. Butler's Science Fiction -- Chapter Submarine Transversality in Texts by Sheree Renée Thomas and Julie Dash -- Notes -- Works Cited -- Index
Author | : Gabriella Nugent |
Publisher | : Leuven University Press |
Total Pages | : 226 |
Release | : 2021-12-15 |
Genre | : Art |
ISBN | : 9462702993 |
In Colonial Legacies, Gabriella Nugent examines a generation of contemporary artists born or based in the Congo whose lens-based art attends to the afterlives and mutations of Belgian colonialism in postcolonial Congo. Focusing on three artists and one artist collective, Nugent analyses artworks produced by Sammy Baloji, Michèle Magema, Georges Senga and Kongo Astronauts, each of whom offers a different perspective onto this history gleaned from their own experiences. In their photography and video art, these artists rework existent images and redress archival absences, making visible people and events occluded from dominant narratives. Their artworks are shown to offer a re-reading of the colonial and immediate post-independence past, blurring the lines of historical and speculative knowledge, documentary and fiction. Nugent demonstrates how their practices create a new type of visual record for the future, one that attests to the ramifications of colonialism across time.