African Battle Traditions Of Insult
Download African Battle Traditions Of Insult full books in PDF, epub, and Kindle. Read online free African Battle Traditions Of Insult ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Tanure Ojaide |
| Publisher | : Springer Nature |
| Total Pages | : 324 |
| Release | : 2023-04-26 |
| Genre | : Literary Criticism |
| ISBN | : 303115617X |
This book explores the “battles” of words, songs, poetry, and performance in Africa and the African Diaspora. These are usually highly competitive, artistic contests in which rival parties duel for supremacy in poetry composition and/or its performance. This volume covers the history of this battle tradition, from its origins in Africa, especially the udje and halo of the Urhobo and Ewe respectively, to its transportation to the Americas and the Caribbean region during the Atlantic slave trade period, and its modern and contemporary manifestations as battle rap or other forms of popular music in Africa. Almost everywhere there are contemporary manifestations of the more traditional, older genres. The book is thus made up of studies of contests in which rivals duel for supremacy in verbal arts, song-poetry, and performance as they display their wit, sense of humor, and poetic expertise.
| Author | : Tanure Ojaide |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023 |
| Genre | : |
| ISBN | : 9783031156199 |
This book explores the "battles" of words, songs, poetry, and performance in Africa and the African Diaspora. These are usually highly competitive, artistic contests in which rival parties duel for supremacy in poetry composition and/or its performance. This volume covers the history of this battle tradition, from its origins in Africa, especially the udje and halo of the Urhobo and Ewe respectively, to its transportation to the Americas and the Caribbean region during the Atlantic slave trade period, and its modern and contemporary manifestations as battle rap or other forms of popular music in Africa. Almost everywhere there are contemporary manifestations of the more traditional, older genres. The book is thus made up of studies of contests in which rivals duel for supremacy in verbal arts, song-poetry, and performance as they display their wit, sense of humor, and poetic expertise. Tanure Ojaide is the Frank Porter Graham Professor of Africana Studies at the University of North Carolina at Charlotte, USA. Educated at Ibadan and Syracuse, Tanure Ojaide has published twenty-one collections of poetry, as well as novels, short stories, memoirs, and scholarly work. He has won the ANA Poetry Prize four times: 1988, 1994, 2003, and 2011. His other awards include the Commonwealth Poetry Prize for the Africa Region, the All-Africa Okigbo Prize for Poetry, and the BBC Arts and Africa Poetry Award. In 2016 he won both the African Literature Association's Folon-Nichols Award for Excellence in Writing and the Nigerian National Order of Merit Award for the Humanities. In 2018 he co-won the Soyinka Prize for Literature in Africa. He has won the National Endowment for the Arts grant, twice the Fulbright, and twice the Carnegie African Diaspora Program fellowship.
| Author | : Salvatore Attardo |
| Publisher | : SAGE Publications |
| Total Pages | : 985 |
| Release | : 2014-02-25 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1483364704 |
The Encyclopedia of Humor: A Social History explores the concept of humor in history and modern society in the United States and internationally. This work’s scope encompasses the humor of children, adults, and even nonhuman primates throughout the ages, from crude jokes and simple slapstick to sophisticated word play and ironic parody and satire. As an academic social history, it includes the perspectives of a wide range of disciplines, including sociology, child development, social psychology, life style history, communication, and entertainment media. Readers will develop an understanding of the importance of humor as it has developed globally throughout history and appreciate its effects on child and adult development, especially in the areas of health, creativity, social development, and imagination. This two-volume set is available in both print and electronic formats. Features & Benefits: The General Editor also serves as Editor-in-Chief of HUMOR: International Journal of Humor Research for The International Society for Humor Studies. The book’s 335 articles are organized in A-to-Z fashion in two volumes (approximately 1,000 pages). This work is enhanced by an introduction by the General Editor, a Foreword, a list of the articles and contributors, and a Reader’s Guide that groups related entries thematically. A Chronology of Humor, a Resource Guide, and a detailed Index are included. Each entry concludes with References/Further Readings and cross references to related entries. The Index, Reader’s Guide themes, and cross references between and among related entries combine to provide robust search-and-browse features in the electronic version. This two-volume, A-to-Z set provides a general, non-technical resource for students and researchers in such diverse fields as communication and media studies, sociology and anthropology, social and cognitive psychology, history, literature and linguistics, and popular culture and folklore.
| Author | : Keith Allan |
| Publisher | : |
| Total Pages | : 465 |
| Release | : 2019 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0198808194 |
This volume brings together experts from a wide range of disciplines to define and describe taboo words and language and to investigate the reasons and beliefs behind them. It examines topics such as impoliteness, swearing, censorship, taboo in deaf communities, translation of tabooed words, and the use of taboo in banter and comedy.
| Author | : Elijah Wald |
| Publisher | : Oxford University Press |
| Total Pages | : 258 |
| Release | : 2012-06 |
| Genre | : Humor |
| ISBN | : 0199895406 |
Following his groundbreaking explorations of the blues and American popular music in Escaping the Delta and How the Beatles Destroyed Rock 'n' Roll, Elijah Wald turns his attention to the tradition of African American street rhyming and verbal combat that ruled urban neighborhoods long before rap: the viciously funny, outrageously inventive insult game called "the dozens."At its simplest, the dozens is a comic concatenation of "yo' mama" jokes. At its most complex, it is a form of social interaction that reaches back to African ceremonial rituals. Whether considered vernacular poetry, verbal dueling, a test of street cool, or just a mess of dirty insults, the dozens has been a basic building block of African-American culture. A game which could inspire raucous laughter or escalate to violence, it provided a wellspring of rhymes, attitude, and raw humor that has influenced pop musicians from Jelly Roll Morton to Ice Cube. Wald explores the depth of the dozens' roots, looking at mother-insulting and verbal combat from Greenland to the sources of the Niger, and shows its breadth of influence in the seminal writings of Richard Wright, Langston Hughes, and Zora Neale Hurston; the comedy of Richard Pryor and George Carlin; the dark humor of the blues; the hip slang and competitive jamming of jazz; and most recently in the improvisatory battling of rap. A forbidden language beneath the surface of American popular culture, the dozens links children's clapping rhymes to low-down juke joints and the most modern street verse to the earliest African American folklore.In tracing the form and its variations over more than a century of African American culture and music, The Dozens sheds fascinating new light on schoolyard games and rural work songs, serious literature and nightclub comedy, and pop hits from ragtime to rap.
| Author | : Douglas E. Thomas |
| Publisher | : McFarland |
| Total Pages | : 291 |
| Release | : 2015-05-11 |
| Genre | : Religion |
| ISBN | : 1476620199 |
African traditional religion encompasses a variety of non-dogmatic, spiritual practices followed by millions around the world. Some scholars argue it is related to the Nubian religion of Egypt's Dynastic Period. In an expanded second edition, this book examines the nature of African traditional religion and describes common attributes of various cultural belief systems, with an emphasis on West Africa. Principal elements studied include sacrifice, salvation and culture, modes of revelation, divination, and African resilience in the face of invasion and colonization. The religious experiences of black people throughout the Americas are also covered. The author finds the cosmology, symbolism and rituals of the Yoruba culture to be the fundamental bases of African traditional religion, and draws similarities between the oral and written literature of West Africans and that of New World practitioners. The influence of Islam and Christianity is also discussed. Instructors considering this book for use in a course may request an examination copy here.
| Author | : Stephen Belcher |
| Publisher | : Indiana University Press |
| Total Pages | : 308 |
| Release | : 1999-10-22 |
| Genre | : History |
| ISBN | : 9780253212818 |
"Belcher's volume contains a much needed and extremely well-integrated overview and discussion of a vast inter-related West African culture complex that deserves and requires the kind of original, insightful treatment it receives here." —David Conrad Epic Traditions of Africa crosses boundaries of language, distance, and time to gather material from diverse African oral epic traditions. Stephen Belcher explores the rich past and poetic force of African epics and places them in historical and social, as well as artistic contexts. Colorful narratives from Central and West African traditions are illuminated along with texts that are more widely available to Western readers—the Mande Sunjata and the Bamana Segou. Belcher also takes up questions about European influences on African epic poetry and the possibility of mutual influence through out the genre. This lively and informative volume will inspire an appreciation for the distinctive qualities of this uniquely African form of verbal art.
| Author | : Ruth Finnegan |
| Publisher | : Open Book Publishers |
| Total Pages | : 614 |
| Release | : 2012-09 |
| Genre | : Social Science |
| ISBN | : 1906924708 |
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
| Author | : Sherril Dodds |
| Publisher | : Oxford University Press |
| Total Pages | : 265 |
| Release | : 2023-12-12 |
| Genre | : Choreography |
| ISBN | : 019762037X |
The face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. Author Sherril Dodds focuses on popular presentational dance, which permits the face to be one of excess and spectacle, as well as disclosure or deception. The concept of facial choreography resists the idea that the expressive countenance in dance is simply by chance, and instead conceives its movement as purposeful, creative, and communicative. The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles. Chapters are organized according to action-expressions, actively working even in times of stillness: SMILE, LOOK, FROWN, CRY, SCREAM, and LAUGH. Across each case study, the book explores pedagogies of facial composition, the purpose of codified expressions, and how dancers re-choreograph their faces as a critical unworking of what a dancing visage might represent. Facial choreographies engender opportunity for startling creativity, the articulation of identity, a cathartic expression of emotions and attitudes, and the capacity to dismantle previously held assumptions. As the dancing face tauntingly slips between visual, sensory, and kinetic registers it ensures that nothing can be taken at face value.
| Author | : Elijah Wald |
| Publisher | : Oxford University Press |
| Total Pages | : 257 |
| Release | : 2014 |
| Genre | : Games & Activities |
| ISBN | : 0199394040 |
A game which could inspire raucous laughter or escalate to violence, the dozens provided a wellspring of rhymes, attitude, and raw humor that has influenced pop musicians from Jelly Roll Morton and Robert Johnson to Tupac Shakur and Jay Z. Wald explores the depth of the dozens' roots, looking at mother-insulting and verbal combat from Greenland to the sources of the Niger, and shows its breadth of influence in the writings of Richard Wright, Langston Hughes, and Zora Neale Hurston; the comedy of Richard Pryor and George Carlin; the dark humor of the blues; the hip slang and competitive jamming of jazz; and most recently in the improvisatory battling of rap.
