African American Golfers During The Jim Crow Era
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| Author | : Marvin P. Dawkins |
| Publisher | : Praeger |
| Total Pages | : 208 |
| Release | : 2000-01-30 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Throughout the period of legally supported segregation in the United States, practices of racial discrimination, touching every sector of American life, prevented African Americans from participating formally in professional sports. Jim Crow policies remained in place in baseball, football, and basketball until a few years before the Supreme Court struck down the separate but equal doctrine in 1954. By the late 1950s, the African American presence was felt in major sports. But this was not the case in professional golf, which continued to maintain segregation policies perpetuating the stereotype that African Americans were suited only to caddie roles in support of white players. The Professional Golfers Association, unaffected by the 1954 Brown decision since it was a private organization, maintained a Caucasian only membership clause until 1961. All-white private clubs maintained racial exclusion until the PGA Championship Shoal Creek Country Club Affair in 1990. Using black newspapers, archives, interviews with living professional golfers and other informants, and black club records, Dawkins and Kinloch reconstruct the world of segregated African American golf from the 1890s onward. In the process they show the pivotal role of Joe Louis, who claimed his hardest fight was the one against segregated golf. While others have documented the rise of an African American presence in other sports, no comparable efforts have traced their roles in golf. This is a pioneering work that will be a resource for other writers and researchers and all who are interested in Black life in American society and sports.
| Author | : Steven A. Reich |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 627 |
| Release | : 2019-06-24 |
| Genre | : History |
| ISBN | : |
This two-volume set is a thematically-arranged encyclopedia covering the social, political, and material culture of America during the Jim Crow Era. What was daily life really like for ordinary African American people in Jim Crow America, the hundred-year period of enforced legal segregation that began immediately after the Civil War and continued until the passage of the Civil Rights Act of 1964 and Voting Rights Act of 1965? What did they eat, wear, believe, and think? How did they raise their children? How did they interact with government? What did they value? What did they do for fun? This Daily Life encyclopedia explores the lives of average people through the examination of social, cultural, and material history. Supported by the most current research, the multivolume set examines social history topics—including family, political, religious, and economic life—as it illuminates elements of a society's emotional life, interactions, opinions, views, beliefs, intimate relationships, and connections between individuals and the greater world. It is broken up into topical sections, each dealing with a different aspect of cultural life. Each section opens with an introductory essay, followed by A–Z entries on various aspects of that topic.
| Author | : Catherine M. Lewis |
| Publisher | : University of Arkansas Press |
| Total Pages | : 314 |
| Release | : 2009-03-01 |
| Genre | : Social Science |
| ISBN | : 155728895X |
This is a resource on racism and segregation in American life. The book is chronologically organized into five sections, each of which focuses on a different historical period in the story of Jim Crow: inventing, building, living, resisting, and dismantling.
| Author | : Gerald R. Gems |
| Publisher | : U of Nebraska Press |
| Total Pages | : 321 |
| Release | : 2017-02-01 |
| Genre | : Sports & Recreation |
| ISBN | : 0803266790 |
Vietnam and the Colonial Condition of French Literature explores an aspect of modern French literature that has been consistently overlooked in literary histories: the relationship between the colonies—their cultures, languages, and people—and formal shifts in French literary production. Starting from the premise that neither cultural identity nor cultural production can be pure or homogenous, Leslie Barnes initiates a new discourse on the French literary canon by examining the work of three iconic French writers with personal connections to Vietnam: André Malraux, Marguerite Duras, and Linda Lê. In a thorough investigation of the authors’ linguistic, metaphysical, and textual experiences of colonialism, Barnes articulates a new way of reading French literature: not as an inward-looking, homogenous, monolingual tradition, but rather as a tradition of intersecting and interdependent peoples, cultures, and experiences. One of the few books to focus on Vietnam’s position within francophone literary scholarship, Barnes challenges traditional concepts of French cultural identity and offers a new perspective on canonicity and the division between “French” and “francophone” literature.
| Author | : Robert J. Robertson |
| Publisher | : Texas A&M University Press |
| Total Pages | : 262 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 1603446109 |
Annotation In the summer of 1955, six African American golfers in Beaumont, Texas, began attacking the Jim Crow caste system when they filed a federal lawsuit for the right to play the municipal golf course. The golfers and their African American lawyers went to federal court and asked a conservative white Republican judge to render a decision that would not only integrate the local golf course but also set precedent for desegregation of other public facilities. In Fair Ways, Robert J. Robertson chronicles three parallel stories that converged in this important case. He tells the story of the plaintiffs-avid golfers who had learned the game while working as caddies and waiters-of their young lawyers, recent graduates from Howard University law school, and of the Republican judge just appointed to the bench by President Eisenhower. Using public case papers, public records, newspapers, and oral histories, Robertson has recreated the scene in Beaumont on the eve of desegregation. Fair Ways gives a vivid picture of racial segregation and the forces that brought about its end.
| Author | : M. Mikell Johnson |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 217 |
| Release | : 2007-12-30 |
| Genre | : Social Science |
| ISBN | : 0313349053 |
The African American Woman Golfer: Her Legacy gives a brief historical overview of African American women in golf and examines the sport to uncover all African American women who have been involved in golf over the past 75 years. M. Mikell Johnson shows how these women-who were seemingly far removed from the white, male, privileged world of the country club-broke both color and gender barriers to become golfers. This book traces the history of how African American women got involved in golf. Title VI and Title IX alleviated some of the racial and financial burdens for some young women in high school and college athletics, allowing them to participate in all sports regardless of race, creed, or gender. Women's clubs also provided a stable foundation for female athletes in male-dominated sports. The misinformation, social apathy, financial encumbrances, and, finally, the role of the media in both promoting and preventing black women's opportunities in golf are discussed. The African American Woman Golfer: Her Legacy identifies over 300 women and their lives in golf. The author also profiles prominent golfers such as Althea Gibson, who crossed the LPGA color line; Helen Webb Harris, who created the first club for black women golfers; and Ann Gregory, who broke the USGA whites only clause in women's golf.
| Author | : Todd Boyd |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 834 |
| Release | : 2008-10-30 |
| Genre | : Social Science |
| ISBN | : 0313064083 |
The African American influence on popular culture is among the most sweeping and lasting this country has seen. Despite a history of institutionalized racism, black artists, entertainers, and entrepreneurs have had enormous impact on American popular culture. Pioneers such as Oscar Michaeux, Paul Robeson, Satchel Paige, Josh Gibson, Langston Hughes, Bill Bojangles Robinson, and Bessie Smith paved the way for Jackie Robinson, Nina Simone, James Baldwin, Bill Russell, Muhammad Ali, Sidney Poitier, and Bill Cosby, who in turn opened the door for Spike Lee, Dave Chappelle, Dr. Dre, Jay-Z, Tiger Woods, and Michael Jordan. Today, hip hop is the most powerful element of youth culture; white teenagers outnumber blacks as purchasers of rap music; black-themed movies are regularly successful at the box office, and black writers have been anthologized and canonized right alongside white ones. Though there are still many more miles to travel and much to overcome, this three-volume set considers the multifaceted influence of African Americans on popular culture, and sheds new light on the ways in which African American culture has come to be a fundamental and lasting part of America itself. To articulate the momentous impact African American popular culture has had upon the fabric of American society, these three volumes provide analyses from academics and experts across the country. They provide the most reliable, accurate, up-to-date, and comprehensive treatment of key topics, works, and themes in African American popular culture for a new generation of readers. The scope of the project is vast, including: popular historical movements like the Harlem Renaissance; the legacy of African American comedy; African Americans and the Olympics; African Americans and rock 'n roll; more contemporary articulations such as hip hop culture and black urban cinema; and much more. One goal of the project is to recuperate histories that have been perhaps forgotten or obscured to mainstream audiences and to demonstrate how African Americans are not only integral to American culture, but how they have always been purveyors of popular culture.
| Author | : David K. Wiggins |
| Publisher | : University of Arkansas Press |
| Total Pages | : 289 |
| Release | : 2016-11-01 |
| Genre | : History |
| ISBN | : 1682260178 |
The hardening of racial lines during the first half of the twentieth century eliminated almost all African Americans from white organized sports, forcing black athletes to form their own teams, organizations, and events. This separate sporting culture, explored in the twelve essays included here, comprised much more than athletic competition; these "separate games" provided examples of black enterprise and black self-help and showed the importance of agency and the quest for racial uplift in a country fraught with racialist thinking and discrimination.
| Author | : M. Mikell Johnson, Ph.D. |
| Publisher | : Trafford Publishing |
| Total Pages | : 279 |
| Release | : 2010-08-24 |
| Genre | : Social Science |
| ISBN | : 1426934211 |
Heroines of African American Golf, a fully-illustrated companion volume to The African American Golfer: Her Legacy, serves as a compendium of in-depth biographies of women, collegians, and junior golfers who have defied the odds in playing in the sport of golf. Ten of the golfers’ biographies included are actually written by the athletes themselves, covering their personal experiences in the sport. Fascinating photographs also illustrate many of the golfers’ stories. A heroine is a daring person, good, adventurous, famous, ideal, legendary, victorious, and courageous—a role model and a goddess. The African American woman golfer personifies all of these traits and more. She is the woman of no equal in the days of modern sports. Black women today are stronger, healthier, more educated, well traveled, and living longer than ever before. Their organizations bring the sport of golf to their communities, encouraging women to become more active in the sport at all levels. This collection of biographies tells their stories, describing the adventures of heroines from the past, the present and the future.
| Author | : Robert J. Robertson |
| Publisher | : Texas A&M University Press |
| Total Pages | : 276 |
| Release | : 2005-10-18 |
| Genre | : History |
| ISBN | : 9781585444427 |
In the summer of 1955, early in the modern civil rights era, six African American golfers in Beaumont, Texas, began attacking the Jim Crow caste system when they filed a federal lawsuit for the right to play the municipal golf course. The golfers and their African American lawyers went to federal court and asked a conservative white Republican judge to render a decision that would not only integrate the local golf course but also set precedent for desegregation of other public facilities, as well. In Fair Ways, Beaumont native Robert J. Robertson chronicles three parallel stories that converged in this important case. He tells the story of the plaintiffs—avid golfers who had learned the game while working as caddies and waiters—and their young lawyers, recent graduates from Howard University law school, and the Republican judge just appointed to the bench by President Eisenhower. Would the judge apply the new principles of Brown v. Board of Education to the questions before him? Would he use federal judicial power to override state laws and outlaw local customs? Fair Ways gives an uncommonly vivid picture of racial segregation and the forces that brought about its end. Using public case papers, public records, newspapers, and oral histories, Robertson has recreated the scene in Beaumont on the eve of desegregation, describing in detail the parallel white and black communities that characterized the Jim Crow caste system. Through this account, the forces at work in the South—education, military experience, rising expectations, the NAACP, and the rule of law—are personified dramatically by the golfers, the lawyers, and the judge.
