African American Concert Dance
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Author | : John O. Perpener |
Publisher | : University of Illinois Press |
Total Pages | : 354 |
Release | : 2001 |
Genre | : Biography & Autobiography |
ISBN | : 9780252026751 |
Provides biographical and historical information on a group of African-American artists who worked during the 1920s, 1930s, and 1940s to legitimize dance of the African diaspora as a serious art form.
Author | : Barbara S. Glass |
Publisher | : McFarland |
Total Pages | : 0 |
Release | : 2012-05-10 |
Genre | : Performing Arts |
ISBN | : 9780786471577 |
Africans brought as slaves to North America arrived without possessions, but not without culture. The fascinating elements of African life manifested themselves richly in the New World, and among the most lasting and influential of these was the art of African dance. This generously illustrated history follows the dynamics of African dance forms throughout each generation. Early chapters discuss the African continent and the heritage of African American dance; the discrimination and marginalization of African Americans and the fortitude with which their dance forms survived; and black dance in the slavery era and later in the nineteenth century. Remaining chapters outline ten major characteristics that have consistently marked African American dance, and describe the various styles of black vernacular dance that became popular in America. The book concludes with a discussion of African dance at the end of the twentieth century and its important role in the flowering of African American arts. Instructors considering this book for use in a course may request an examination copy here.
Author | : Thomas F. Defrantz |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 382 |
Release | : 2002-04-01 |
Genre | : Performing Arts |
ISBN | : 0299173135 |
Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing. Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.
Author | : Thomas DeFrantz |
Publisher | : Oxford University Press, USA |
Total Pages | : 324 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 9780195301717 |
He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.
Author | : Susan Manning |
Publisher | : U of Minnesota Press |
Total Pages | : 332 |
Release | : 2004 |
Genre | : Performing Arts |
ISBN | : 9780816637362 |
Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance.
Author | : Lorraine Elena Roses |
Publisher | : |
Total Pages | : 462 |
Release | : 1990 |
Genre | : Biography & Autobiography |
ISBN | : |
In this ground-breaking collection of literary biographies, many with pictures, authors Lorraine Elena Roses and Ruth Elizabeth Randolph chronicle the lives and works of 100 black women novelists, short-story writers, playwrights, poets, essayists, critics, historians, journalists, and editors writing in the United States between 1900 and 1945. Here are insightful portraits of famous black women, among them Zora Neale Hurston, Katherine Dunham, Angelina Weld Grimké, Mary Eliza Church Terrell, and Ida Bell Wells-Barnett. Here, too, are many thoughtful profiles of neglected writers--their works deserving to be rescued from obscurity. Drawing on extensive archival research and interviews with the writers and their families, The Harlem Renaissance and Beyond traces its subjects' contributions to literature, their concerns about race and gender, their common themes, their relationships with artistic contemporaries, and the influence of these early writers on their modern-day counterparts in American literature.
Author | : Kariamu Welsh |
Publisher | : University of Illinois Press |
Total Pages | : 446 |
Release | : 2019-12-23 |
Genre | : Performing Arts |
ISBN | : 0252051815 |
The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh
Author | : Nadine George-Graves |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 256 |
Release | : 2010-07-08 |
Genre | : Performing Arts |
ISBN | : |
"The author's long-term engagement with the company has given her unprecedented access to Urban Bush Women. This Clearly contributes to her in-depth understanding of the dynamics of the company and of the choreographic processes that undergird Urban Bush Women Concert Pieces."---Sarah Davies Cordova, author of Paris Dances: Textual Choreographies in the Ninettenth-Century French Novel --
Author | : Dorothea Fischer-Hornung |
Publisher | : LIT Verlag Münster |
Total Pages | : 164 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : 9783825844738 |
A collection of essays concerning the black body in American dance, EmBODYing Liberation serves as an important contribution to the growing field of scholarship in African American dance, in particular the strategies used by individual artists to contest and liberate racialized stagings of the black body. The collection features special essays by Thomas DeFrantz and Brenda Dixon Gottschild, as well as an interview with Isaac Julien.
Author | : George Hutchinson |
Publisher | : Harvard University Press |
Total Pages | : 566 |
Release | : 1995 |
Genre | : Education |
ISBN | : 9780674372627 |
By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.