Africa Shoots Back
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| Author | : Melissa Thackway |
| Publisher | : Indiana University Press |
| Total Pages | : 244 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9780253216427 |
"Filmmakers in sub-Saharan Francophone Africa have been using cinema since independence in the Sixties to challenge existing Western stereotypes of the continent. The author shows how directors working in a postcolonial context that has inevitably influence film agendas and styles have produced a range of alternative, challenging representations"--Page 4 of cover.
| Author | : Kevin Robertson |
| Publisher | : Quiller |
| Total Pages | : 0 |
| Release | : 2005-07-29 |
| Genre | : Big game hunting |
| ISBN | : 9781571573193 |
An invaluable reference guide to the sport hunter of African game animals. It includes information from the natural history and sex determination of the game trophy through to the rifle, calibre, bullet selection and shot placement. An excellent mini edition to take with you.
| Author | : Isak Dinesen |
| Publisher | : Harper Collins |
| Total Pages | : 408 |
| Release | : 2014-06-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 1443432954 |
In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
| Author | : Kenneth C. Barnes |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 285 |
| Release | : 2005-10-12 |
| Genre | : Social Science |
| ISBN | : 0807876224 |
Liberia was founded by the American Colonization Society (ACS) in the 1820s as an African refuge for free blacks and liberated American slaves. While interest in African migration waned after the Civil War, it roared back in the late nineteenth century with the rise of Jim Crow segregation and disfranchisement throughout the South. The back-to-Africa movement held great new appeal to the South's most marginalized citizens, rural African Americans. Nowhere was this interest in Liberia emigration greater than in Arkansas. More emigrants to Liberia left from Arkansas than any other state in the 1880s and 1890s. In Journey of Hope, Kenneth C. Barnes explains why so many black Arkansas sharecroppers dreamed of Africa and how their dreams of Liberia differed from the reality. This rich narrative also examines the role of poor black farmers in the creation of a black nationalist identity and the importance of the symbolism of an ancestral continent. Based on letters to the ACS and interviews of descendants of the emigrants in war-torn Liberia, this study captures the life of black sharecroppers in the late 1800s and their dreams of escaping to Africa.
| Author | : Glenn Reynolds |
| Publisher | : McFarland |
| Total Pages | : 245 |
| Release | : 2015-06-16 |
| Genre | : Performing Arts |
| ISBN | : 078647985X |
In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the "Scramble for Africa" and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship. While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period--wrought by large-scale mining in southern Africa--led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.
| Author | : Lizelle Bisschoff |
| Publisher | : Routledge |
| Total Pages | : 368 |
| Release | : 2019-11-14 |
| Genre | : Performing Arts |
| ISBN | : 1351854704 |
Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.
| Author | : Lindiwe Dovey |
| Publisher | : Columbia University Press |
| Total Pages | : 358 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 0231147546 |
Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.
| Author | : Mette Hjort |
| Publisher | : Indiana University Press |
| Total Pages | : 327 |
| Release | : 2019-03-01 |
| Genre | : Performing Arts |
| ISBN | : 0253039460 |
Bringing theory and practice together, African Cinema and Human Rights argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: documenting human rights abuses and thereby supporting the claims of victims and goals of truth and reconciliation within larger communities; legitimating, and consequently solidifying, an expanded scope for human rights; and promoting the realization of social and economic rights. Including the voices of African scholars, scholar-filmmakers, African directors Jean-Marie Teno and Gaston Kaboré, and researchers whose work focuses on transnational cinema, this volume explores overall perspectives, and differences of perspective, pertaining to Africa, human rights, and human rights filmmaking alongside specific case studies of individual films and areas of human rights violations. With its interdisciplinary scope, attention to practitioners' self-understandings, broad perspectives, and particular case studies, African Cinema and Human Rights is a foundational text that offers questions, reflections, and evidence that help us to consider film's ideal role within the context of our ever-continuing struggle towards a more just global society.
| Author | : Frederick Roderick Noble Findlay |
| Publisher | : |
| Total Pages | : 352 |
| Release | : 1903 |
| Genre | : Africa, East |
| ISBN | : |
| Author | : Vaughn W. M. Watson |
| Publisher | : Teachers College Press |
| Total Pages | : 257 |
| Release | : 2024 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0807782440 |
This book illuminates emerging perspectives and possibilities of the vibrant schooling and civic lives of Black African youth and communities in the United States, Canada, and globally. Chapters present key research on how to develop and enact teaching methodologies and research approaches that support Black African immigrant and refugee students. The contributors illuminate contours of the Framework for Educating African Immigrant Youth which focuses on four complementary approaches for teaching and learning: emboldening tellings of diaspora narratives; navigating pasts, presence, and futures of teaching and learning; enacting social civic literacies to extend complex identities; and affirming and extending cultural, heritage, and embodied knowledges, languages, and practices. The frameworks and practices will strengthen how educators address the interplay of identities presented by African, and by extension, Black immigrant populations. Disciplinary perspectives include literacy and language, social studies, civics, mathematics, and higher education; university and community partnerships; teacher education; global and comparative education, and after-school initiatives. Contributors: Susan Akello Ogwal, Sibel Akin-Sabuncu, Irteza Anwara Mohyuddi, OreOluwa Badaki, Joel Berends, Jasmine L. Blanks Jones, David Bwire, Nyimasata Damba Danjo, Liv T. Dvila, Priscila Dias Corra, Maryann J. Dreas-Shaikha, Patrick Keegan, Dinamic Kubangana, James Alan Oloo, Lakeya Omogun, Oyemolade Osibodu, Natacha Roberts.
