Aesthetische Paranoia

Aesthetische Paranoia
Author: Jürgen Klauke
Publisher: Hatje Cantz
Total Pages: 0
Release: 2010
Genre: Photography, Artistic
ISBN: 9783775725941

Photo and media artist Jürgen Klauke (*1943) is known for his critical examination of socially standardized gender identities and patterns of behavior. His most recent work describes the paranoid perception as well as the paranoid structure of today's world. He is the first to so strikingly transpose the symptoms of this situation into an aesthetic. Klauke's photographs reflect the fundamental conditions of a fearful existence in scenes that range from the austerely minimalist to the excessive and occasionally surreal. He employs everyday materials as tools to create his scenes, succeeding in shaping a concentrated view of the absurdity of life. This publication documents groups of works the artist produced in past years, such as Ästhetische Paranoia (Aesthetic Paranoia) and Wackelkontakt (Loose Connection), as well as the Schlachtfelder (Battlefields) series, published here for the first time.

How to Make a Paranoid Laugh

How to Make a Paranoid Laugh
Author: Mark Ensalaco
Publisher: University of Pennsylvania Press
Total Pages: 216
Release: 2000
Genre: Political Science
ISBN: 9780812217087

3. The new order

The Cultural Turn

The Cultural Turn
Author: Fredric Jameson
Publisher: Verso Books
Total Pages: 225
Release: 2009-06-09
Genre: Philosophy
ISBN: 1844673499

Fredric Jameson, a leading voice on the subject of postmodernism, assembles his most powerful writings on the culture of late capitalism in this essential volume. Classic insights on pastiche, nostalgia, and architecture stand alongside essays on the status of history, theory, Marxism, and the subject in an age propelled by finance capital and endless spectacle. Surveying the debates that blazed up around his earlier essays, Jameson responds to critics and maps out the theoretical positions of postmodernism’s prominent friends and foes.

A Singular Modernity

A Singular Modernity
Author: Fredric Jameson
Publisher: Verso Books
Total Pages: 213
Release: 2014-06-17
Genre: Philosophy
ISBN: 1784780065

The concepts of modernity and modernism are amongst the most controversial and vigorously debated in contemporary philosophy and cultural theory. In this intervention, Fredric Jameson-perhaps the most influential and persuasive theorist of postmodernity-excavates and explores these notions in a fresh and illuminating manner.The extraordinary revival of discussions of modernity, as well as of new theories of artistic modernism, demands attention in its own right. It seems clear that the (provisional) disappearance of alternatives to capitalism plays its part in the universal attempt to revive 'modernity' as a social ideal. Yet the paradoxes of the concept illustrate its legitimate history and suggest some rules for avoiding its misuse as well. In this major interpretation of the problematic, Jameson concludes that both concepts are tainted, but nonetheless yield clues as to the nature of the phenomena they purported to theorize. His judicious and vigilant probing of both terms-which can probably not be banished at this late date-helps us clarify our present political and artistic situations.

The Modernist Papers

The Modernist Papers
Author: Fredric Jameson
Publisher: Verso Books
Total Pages: 448
Release: 2016-03-08
Genre: Literary Criticism
ISBN: 1784783471

Cultural critic Fredric Jameson, renowned for his incisive studies of the passage of modernism to postmodernism, returns to the movement that dramatically broke with all tradition in search of progress for the first time since his acclaimed A Singular Modernity . The Modernist Papers is a tour de froce of anlysis and criticism, in which Jameson brings his dynamic and acute thought to bear on the modernist literature of the nineteenth and twentieth centuries. Jameson discusses modernist poetics, including intensive discussions of the work of Baudelaire, Rimbaud, Mallarmé, Wallace Stevens, Joyce, Proust, and Thomas Mann. He explores the peculiarties of the American literary field, taking in William Carlos Williams and the American epic, and examines the language theories of Gertrude Stein. Refusing to see modernism as simply a Western phenomenon he also pays close attention to its Japanese expression; while the complexities of a late modernist representation of twentieth-century politics are articulated in a concluding section on Peter Weiss’s novel The Aesthetics of Resistance. Challenging our previous understanding of the literature of this pperiod, this monumental work will come to be regarded as the classic study of modernism.