The Picture of Dorian Gray

The Picture of Dorian Gray
Author: Oscar Wilde
Publisher: Xist Publishing
Total Pages: 229
Release: 2016-03-24
Genre: Fiction
ISBN: 168195897X

The Picture of Dorian Gray by Oscar Wilde from Coterie Classics All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book. “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.” ― Oscar Wilde, The Picture of Dorian Gray A man sells his soul for eternal youth and scandalizes the city in Oscar Wilde's The Picture of Dorian Gray.

The Uncensored Picture of Dorian Gray

The Uncensored Picture of Dorian Gray
Author: Oscar Wilde
Publisher:
Total Pages: 139
Release: 2020-08-29
Genre:
ISBN:

Over 120 years after Oscar Wilde submitted The Picture of Dorian Gray for publication, the uncensored version of his novel appears here for the first time in a paperback edition. This volume restores material, including instances of graphic homosexual content, removed by the novel's first editor, who feared it would be "offensive" to Victorians.

Sexuality, Aesthetics and Morality in "The Picture of Dorian Gray" by Oscar Wilde

Sexuality, Aesthetics and Morality in
Author: Mirja Quix
Publisher: GRIN Verlag
Total Pages: 26
Release: 2018-06-20
Genre: Foreign Language Study
ISBN: 3668730822

Seminar paper from the year 2016 in the subject Didactics for the subject English - Literature, Works, grade: 1,3, University of Cologne (Englisches Seminar), course: Gender and the Sister Arts, language: English, abstract: Since The Picture of Dorian Gray by Oscar Wilde was first published in 1890, it can be seen as a representation of the Victorian era; a period that lasted uncommonly long from 1837 till 1901. While the length of more than sixty years complicates the exact classification of typical Victorian literary movements, certain recurring ideas and literary approaches can be found in its literature. Especially the conception of art and aesthetics seemed to experience a time of change, reshaping the way in which art was received and the role of the artist in comparison to the spectator. Still, as art seemed to be in a state of carination, the public reception of new artistic attempts was not always positive. Especially the representation of morality and sexuality caused ground for public discontent. A connection of morality, aesthetics and sexuality in The Picture of Dorian Gray that seems to be of high importance for the novel. This paper, therefore, is going to analyse the novel regarding these aspects and the way they influence each other, illuminating whether morality is really depicted as subordinate to an artistic effect or if it is needed in order for the story to advance.

Quintessential Wilde

Quintessential Wilde
Author: Annette M. Magid
Publisher: Cambridge Scholars Publishing
Total Pages: 307
Release: 2017-01-06
Genre: Social Science
ISBN: 1443868442

This volume presents interpretive essays utilizing a variety of approaches to honor the 160th anniversary of Oscar Wilde’s birth, celebrating the writer’s genius. This unique collection of scholarship explores a broad spectrum of subjects, including his travels, sexuality, children’s literature, jail writings, novel, poetry, individualism, masks, homosexuality, influence on others, and morality. It offers historical, biographical, psychological and sociological perspectives written by international experts and features a broad spectrum of subjects which will appeal to a range of scholars seeking original and alternative approaches to understanding Oscar Wilde, his aesthetics and his influence in a variety of genres in the twenty-first century. The multiplicity of interest in the writer expands across genres, disciplines, cultures and time. Quintessential Wilde examines his intellectual strength in “His Worldly Place,” analyzes his ingenious thoughts in “His Penetrating Philosophy,” and recounts his enduring place in “His Influential Aestheticism.”

Aestheticism in Oscar Wilde's "The Picture of Dorian Gray"

Aestheticism in Oscar Wilde's
Author: Jannis Rudzki-Weise
Publisher: GRIN Verlag
Total Pages: 21
Release: 2010-12-07
Genre: Literary Collections
ISBN: 3640771494

Seminar paper from the year 2010 in the subject American Studies - Literature, grade: 2.0, University of Kassel, course: Anglo-American Literature, language: English, abstract: Oscar Wilde’s only novel, The Picture of Dorian Gray, can be considered a revolutionary piece of literature not only because it broke out of the traditional value and belief pattern of the Victorian society but also because it replaced the traditional pattern with new concepts coined by Wilde and his former tutors. Several themes such as homoeroticism, an aesthetic lifestyle or influence and corruption, were issues that many had been afraid to address in the time before Wilde. In this research paper, I will place my main focus on the matter of aestheticism, the causes that it has and the consequences that result from an aesthetic lifestyle. In order to analyze these aspects, it is inevitable to have a closer look at Oscar Wilde’s beliefs about art and morality which serve as a basis for understanding the main character’s behavior in the novel. To begin my paper, I will outline Wilde’s thoughts on art and aestheticism as presented in his famous selection, Intentions, which consists of a number of essays and dialogues on aesthetics as well as his preface to The Picture of Dorian Gray that has been regarded as Wilde’s personal praise of aestheticism. This background information is essential to understanding the main character’s motivations in the story, which can often be related to Wilde’s life as an artist. I will then make a detailed analysis of the characters Basil Hallward, Lord Henry Wotton, Sibyl Vane and Dorian Gray and will explain how their aesthetic behavior and their moral beliefs can be linked to Wilde’s thoughts. To end, I will attempt to summarize my findings referring to the statement that Wilde also included criticism of aestheticism in his novel. The term ‘aestheticism’ derives from Greek, meaning “perceiving through senses” and is a nineteenth-century European concept that rejects the moral rules and conventions of Victorian society, and focuses instead on beauty and the resulting pleasure in life. Since it is hard to nail down ‘aestheticism’ to one definition and since it has different meanings to different people, I will take a closer look at Oscar Wilde's thoughts about this concept, in order to better understand the correlation between this idea, and The Picture of Dorian Gray. When it was first published in Lippincott's Monthly Magazine on 20 June 1890, The Picture of Dorian Gray was attacked fiercely as it suggested a new set of moral beliefs.

Oscar Wilde and the Radical Politics of the Fin de Siècle

Oscar Wilde and the Radical Politics of the Fin de Siècle
Author: Deaglán Ó Donghaile
Publisher:
Total Pages: 0
Release: 2022-08-18
Genre:
ISBN: 9781474459440

This book reads Oscar Wilde's literary texts in relation to his open support for revolutionaries, along with his expressions of solidarity with Irish republicans, anarchists, workers and migrants.

Oscar Wilde in Context

Oscar Wilde in Context
Author: Kerry Powell
Publisher: Cambridge University Press
Total Pages: 437
Release: 2013-12-12
Genre: Drama
ISBN: 1107016134

Concise and illuminating articles explore Oscar Wilde's life and work in the context of the turbulent landscape of his time.

Good Form

Good Form
Author: Jesse Rosenthal
Publisher: Princeton University Press
Total Pages: 270
Release: 2017
Genre: Literary Criticism
ISBN: 069117170X

What do we mean when we say that a novel's conclusion "feels right"? How did feeling, form, and the sense of right and wrong get mixed up, during the nineteenth century, in the experience of reading a novel? Good Form argues that Victorian readers associated the feeling of narrative form—of being pulled forward to a satisfying conclusion—with inner moral experience. Reclaiming the work of a generation of Victorian “intuitionist” philosophers who insisted that true morality consisted in being able to feel or intuit the morally good, Jesse Rosenthal shows that when Victorians discussed the moral dimensions of reading novels, they were also subtly discussing the genre’s formal properties. For most, Victorian moralizing is one of the period’s least attractive and interesting qualities. But Good Form argues that the moral interpretation of novel experience was essential in the development of the novel form—and that this moral approach is still a fundamental, if unrecognized, part of how we understand novels. Bringing together ideas from philosophy, literary history, and narrative theory, Rosenthal shows that we cannot understand the formal principles of the novel that we have inherited from the nineteenth century without also understanding the moral principles that have come with them. Good Form helps us to understand the way Victorians read, but it also helps us to understand the way we read now.

Dorian

Dorian
Author: Will Self
Publisher: Penguin UK
Total Pages: 285
Release: 2003-06-26
Genre: Fiction
ISBN: 0140290567

Takes both subject and style seriously. This title features the locations, characters, plot and epigrams transposed from the 1890s to the 1990s.

The Verbal Icon

The Verbal Icon
Author: W.K. Wimsatt
Publisher: University Press of Kentucky
Total Pages: 320
Release: 2014-10-17
Genre: Literary Criticism
ISBN: 0813158494

The sixteen essays in this volume form a series of related focuses upon various levels and areas of literary criticism. W.K. Wimsatt's assumption is that practice and theory of both the past and the present are integrally related-that there is a continuity in the materials of criticism-that a person who studies poetry today has a critical concern, not merely a historical interest, in what Aristotle or Plato said about poetry. He regards the great perennial problems of criticism as arising not by the whim of a tolerantly pluralist choice, but from the nature of language and reality. With profound learning and insight, Wimsatt treats almost the whole range of literary criticism. The first group of essays deals with fallacies he believes are involved in prevalent approaches to the literary object. The next two groups face the responsibilities of the critic who defends literature as a form of knowledge; they treat various problems of structure and style. The last group undertakes to examine the relation of literature to other arts, the relation of evaluative criticism to historical studies, and the relation of literature not only to morals, but more broadly to the whole complex of the Christian religious tradition.