Aesthetics After Darwin
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| Author | : Winfried Menninghaus |
| Publisher | : Academic Studies PRess |
| Total Pages | : 227 |
| Release | : 2019-12-10 |
| Genre | : Psychology |
| ISBN | : 1644692597 |
Darwin famously proposed that sexual competition and courtship is (or at least was) the driving force of “art” production not only in animals, but also in humans. The present book is the first to reveal that Darwin’s hypothesis, rather than amounting to a full-blown antidote to the humanist tradition, is actually strongly informed both by classical rhetoric and by English and German philosophical aesthetics, thereby Darwin’s theory far richer and more interesting for the understanding of poetry and song. The book also discusses how the three most discussed hypothetical functions of the human arts––competition for attention and (loving) acceptance, social cooperation, and self-enhancement––are not mutually exclusive, but can well be conceived of as different aspects of the same processes of producing and responding to the arts. Finally, reviewing the current state of archeological findings, the book advocates a new hypothesis on the multiple origins of the human arts, posing that they arose as new variants of human behavior, when three ancient and largely independent adaptions––sensory and sexual selection-driven biases regarding visual and auditory beauty, play behavior, and technology––joined forces with, and were transformed by, the human capacities for symbolic cognition and language.
| Author | : Richard O. Prum |
| Publisher | : Anchor |
| Total Pages | : 436 |
| Release | : 2017-05-09 |
| Genre | : Science |
| ISBN | : 0385537220 |
A FINALIST FOR THE PULITZER PRIZE NAMED A BEST BOOK OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, SMITHSONIAN, AND WALL STREET JOURNAL A major reimagining of how evolutionary forces work, revealing how mating preferences—what Darwin termed "the taste for the beautiful"—create the extraordinary range of ornament in the animal world. In the great halls of science, dogma holds that Darwin's theory of natural selection explains every branch on the tree of life: which species thrive, which wither away to extinction, and what features each evolves. But can adaptation by natural selection really account for everything we see in nature? Yale University ornithologist Richard Prum—reviving Darwin's own views—thinks not. Deep in tropical jungles around the world are birds with a dizzying array of appearances and mating displays: Club-winged Manakins who sing with their wings, Great Argus Pheasants who dazzle prospective mates with a four-foot-wide cone of feathers covered in golden 3D spheres, Red-capped Manakins who moonwalk. In thirty years of fieldwork, Prum has seen numerous display traits that seem disconnected from, if not outright contrary to, selection for individual survival. To explain this, he dusts off Darwin's long-neglected theory of sexual selection in which the act of choosing a mate for purely aesthetic reasons—for the mere pleasure of it—is an independent engine of evolutionary change. Mate choice can drive ornamental traits from the constraints of adaptive evolution, allowing them to grow ever more elaborate. It also sets the stakes for sexual conflict, in which the sexual autonomy of the female evolves in response to male sexual control. Most crucially, this framework provides important insights into the evolution of human sexuality, particularly the ways in which female preferences have changed male bodies, and even maleness itself, through evolutionary time. The Evolution of Beauty presents a unique scientific vision for how nature's splendor contributes to a more complete understanding of evolution and of ourselves.
| Author | : Winfried Menninghaus |
| Publisher | : |
| Total Pages | : |
| Release | : 2019 |
| Genre | : Aesthetics |
| ISBN | : 9781644690017 |
"The original German version of this book was published in 2011. For the purposes of the present English translation, it was substantially revised."
| Author | : Barbara Larson |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 192 |
| Release | : 2013-01-01 |
| Genre | : Art |
| ISBN | : 9781409448709 |
Darwin and Theories of Aesthetics and Cultural History is a significant contribution to the fields of theory, Darwin studies, and cultural history. This collection of eight essays is the first volume to address, from the point of view of art and literary historians, Darwin's intersections with aesthetic theories and cultural histories from the eighteenth century to the present day. Among the philosophers of art influenced by Darwinian evolution and considered in this collection are Alois Riegl, Ruskin, and Aby Warburg. This stimulating collection ranges in content from essays on the influence of eighteenth-century aesthetic theory on Darwin and nineteenth-century debates circulating around beauty to the study of evolutionary models in contemporary art.
| Author | : Matthew Rampley |
| Publisher | : Penn State Press |
| Total Pages | : 201 |
| Release | : 2017-01-12 |
| Genre | : Art |
| ISBN | : 0271079002 |
The surge of evolutionary and neurological analyses of art and its effects raises questions of how art, culture, and the biological sciences influence one another, and what we gain in applying scientific methods to the interpretation of artwork. In this insightful book, Matthew Rampley addresses these questions by exploring key areas where Darwinism, neuroscience, and art history intersect. Taking a scientific approach to understanding art has led to novel and provocative ideas about its origins, the basis of aesthetic experience, and the nature of research into art and the humanities. Rampley’s inquiry examines models of artistic development, the theories and development of aesthetic response, and ideas about brain processes underlying creative work. He considers the validity of the arguments put forward by advocates of evolutionary and neuroscientific analysis, as well as its value as a way of understanding art and culture. With the goal of bridging the divide between science and culture, Rampley advocates for wider recognition of the human motivations that drive inquiry of all types, and he argues that our engagement with art can never be encapsulated in a single notion of scientific knowledge. Engaging and compelling, The Seductions of Darwin is a rewarding look at the identity and development of art history and its complicated ties to the world of scientific thought.
| Author | : Thierry Hoquet |
| Publisher | : Springer |
| Total Pages | : 322 |
| Release | : 2015-01-28 |
| Genre | : Philosophy |
| ISBN | : 9401795851 |
This root-and-branch re-evaluation of Darwin’s concept of sexual selection tackles the subject from historical, epistemological and theoretical perspectives. Contributions from a wealth of disciplines have been marshaled for this volume, with key figures in behavioural ecology, philosophy, and the history of science adding to its wide-ranging relevance. Updating the reader on the debate currently live in behavioural ecology itself on the centrality of sexual selection, and with coverage of developments in the field of animal aesthetics, the book details the current state of play, while other chapters trace the history of sexual selection from Darwin to today and inquire into the neurobiological bases for partner choices and the comparisons between the hedonic brain in human and non-human animals. Welcome space is given to the social aspects of sexual selection, particularly where Darwin drew distinctions between eager males and coy females and rationalized this as evolutionary strategy. Also explored are the current definition of sexual selection (as opposed to natural selection) and its importance in today’s biological research, and the impending critique of the theory from the nascent field of animal aesthetics. As a comprehensive assessment of the current health, or otherwise, of Darwin’s theory, 140 years after the publication of his Descent of Man, the book offers a uniquely rounded view that asks whether ‘sexual selection’ is in itself a progressive or reactionary notion, even as it explores its theoretical relevance in the technical biological study of the twenty-first century.
| Author | : Colin Martindale |
| Publisher | : Routledge |
| Total Pages | : 256 |
| Release | : 2019-06-04 |
| Genre | : Psychology |
| ISBN | : 1351844547 |
In this book, well-known scholars describe new and exciting approaches to aesthetics, creativity and psychology of the arts, approaching these topics from a point of view that is biological or related to biology and answering new questions with new methods and theories. All known societies produce and enjoy arts such as literature, music and visual decoration or depiction. Judging from prehistoric archaeological evidence, this arose very early in human development. Furthermore, Darwin was explicit in attributing aesthetic sensitivity to lower animals. These considerations lead us to wonder whether the arts might not be evolutionarily based. Although such an evolutionary basis is not obvious on the face of it, the idea has recently elicited considerable attention. The book begins with a consideration of ten theories on the evolutionary function of specific arts such as music and literature. The theory of evolution was first drawn up in biology, but evolution is not confined to biology: genuinely evolutionary theories of sociocultural change can be formulated. That they need to be formulated is shown in several chapters that discuss regular trends in literature and scientific writings. Psychologists have recently rediscovered the obvious fact that thought and perception occur in the brain, so cognitive science moves ever closer to neuroscience. Several chapters give overviews of neurocognitive and neural network approaches to creativity and aesthetic appreciation. The book concludes with two exciting describing brain-scan research on what happens in the brain during creativity and presenting a close examination of the relationship between genetically transmitted mental disorder and creativity.
| Author | : Eckart Voland |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 376 |
| Release | : 2013-04-17 |
| Genre | : Science |
| ISBN | : 3662071428 |
Evolutionary aesthetics is the attempt to understand the aesthetic judgement of human beings and their spontaneous distinction between "beauty" and "ugliness" as a biologically adapted ability to make important decisions in life. The hypothesis is - both in the area of "natural beauty" and in sexuality, with regard to landscape preferences, but also in the area of "artificial beauty" (i.e. in art and design) - that beauty opens up fitness opportunities, while ugliness holds fitness risks. In this book, this adaptive view of aesthetics is developed theoretically, presented on the basis of numerous examples, and its consequences for evolutionary anthropology are illuminated.
| Author | : Denis Dutton |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 289 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 0199539421 |
The Dinka have a connoisseur's appreciation of the patterns and colours of the markings on their cattle. The Japanese tea ceremony is regarded as a performance art. Some cultures produce carving but no drawing; others specialize in poetry. Yet despite the rich variety of artistic expression to be found across many cultures, we all share a deep sense of aesthetic pleasure. The need to create art of some form is found in every human society.In The Art Instinct, Denis Dutton explores the idea that this need has an evolutionary basis: how the feelings that we all share when we see a wonderful landscape or a beautiful sunset evolved as a useful adaptation in our hunter-gather ancestors, and have been passed on to us today, manifest in our artistic natures. Why do people indulge in displaying their artistic skills? How can we understand artistic genius? Why do we value art, and what is it for? These questions have long been asked by scholars in the humanities and in literature, but this is the first book to consider the biological basis of this deep human need.This sparking and intelligent book looks at these deep and fundamental questions, and combines the science of evolutionary psychology with aesthetics, to shed new light on longstanding questions about the nature of art.
| Author | : Devin Griffiths |
| Publisher | : Cambridge University Press |
| Total Pages | : 275 |
| Release | : 2022-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1009184881 |
Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. This volume gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence.
