Adaptation In Contemporary Culture
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Author | : Simone Murray |
Publisher | : Routledge |
Total Pages | : 273 |
Release | : 2012-03-12 |
Genre | : History |
ISBN | : 1136660240 |
Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast studies of individual novel and film pairings. This has left almost completely unexamined crucial questions of how adaptations come to be made, what are the industries with the greatest stake in making them, and who the decision-makers are in the adaptation process. The Adaptation Industry re-imagines adaptation not as an abstract process, but as a material industry. It presents the adaptation industry as a cultural economy of six interlocking institutions, stakeholders and decision-makers all engaged in the actual business of adapting texts: authors; agents; publishers; book prize committees; scriptwriters; and screen producers and distributors. Through trading in intellectual property rights to cultural works, these six nodal points in the adaptation network are tightly interlinked, with success for one party potentially auguring for success in other spheres. But marked rivalries between these institutional forces also exist, with competition characterizing every aspect of the adaptation process. This book constructs an overdue sociology of contemporary literary adaptation, never losing sight of the material and institutional dimensions of this powerful process.
Author | : Rachel Carroll |
Publisher | : A&C Black |
Total Pages | : 226 |
Release | : 2009-11-30 |
Genre | : Literary Criticism |
ISBN | : 0826444563 |
A comprehensive interdisciplinary collection offering a survey of adaptation of literary texts across media including animation, film, TV, fan fiction, biopics and music video.
Author | : William Petersen |
Publisher | : Routledge |
Total Pages | : 602 |
Release | : 2022-04-13 |
Genre | : Social Science |
ISBN | : 1000662284 |
Underlying the anthropological study of man is the principle that there is a reality to which man must adapt if he is to survive. Reproduce, and to perpetuate himself. Populations must adapt to the realities of the physical world and maintain a proper "fit" between their biological makeup and the pressures of the various niches of the world in which they seek to live. Social groups-where culture is found-must develop adaptive mechanisms in the organization of their social relations if there is to be order, regularity, and predictability in patterns of cooperation and competition and if they are to survive as viable units. This three-volume set of readings presents an introduction to anthropology that is unified and made systematic by focus on adaptations that have accompanied the evolution of man, from non-human primate to inhabitant of vast urban areas in modern industrial societies. Man in Adaptation: The Cultural Present introduces Cultural Anthropoloty also from the point of view of adaptation and provides coherence for the study of human societies from man's social beginnings to the present. The book deals sequentially with the more and more complex technologies and political and social structures that have enabled different societies to make effective use of the energy potentials in their habitats. This and the two companion volumes are the first attempt to unify the disparate subject matter of anthropology within a single and powerful explanatory framework. They incorporate the work of the most renowned anthropological experts on man, and they illuminate clearly one of the most important concepts around which one can build an investigation of the nature and scope of anthropology itself. For these reasons, they are recognized as indispensable reading for every professional anthropologist and as perhaps the best available means of introducing new students to the field.
Author | : Julie Grossman |
Publisher | : Springer |
Total Pages | : 292 |
Release | : 2017-12-06 |
Genre | : Performing Arts |
ISBN | : 3319585800 |
This book gathers together essays written by leading scholars of adaptation studies to explore the full range of practices and issues currently of concern in the field. The chapters demonstrate how content and messaging are shared across an increasing number of platforms, whose interrelationships have become as intriguing as they are complex. Recognizing that a signature feature of contemporary culture is the convergence of different forms of media, the contributors of this book argue that adaptation studies has emerged as a key discipline that, unlike traditional literary and art criticism, is capable of identifying and analyzing the relations between source texts and adaptations created from them. Adaptation scholars have come to understand that these relations not only play out in individual case histories but are also institutional, and this collection shows how adaptation plays a key role in the functioning of cinema, television, art, and print media. The volume is essential reading for all those interested both in adaptation studies and also in the complex forms of intermediality that define contemporary culture in the 21st century.
Author | : Young Yun Kim |
Publisher | : SAGE Publications, Incorporated |
Total Pages | : 328 |
Release | : 1988-03 |
Genre | : Language Arts & Disciplines |
ISBN | : |
How do people adapt to life in a foreign country? Is the process different for immigrants, refugees and diplomats, or do all individuals in a new cultural milieu share common adaptation experiences? This multi-disciplinary volume considers the cross-cultural adaptation process from psychological, sociological, anthropological and communication perspectives. Using diverse case examples, it integrates theoretical and empirical research and presents studies of both long- and short-term adaptation.
Author | : Pascal Nicklas |
Publisher | : Walter de Gruyter |
Total Pages | : 288 |
Release | : 2012-05-29 |
Genre | : Literary Criticism |
ISBN | : 3110272237 |
“Hamlet” by Olivier, Kaurismäki or Shepard and “Pride and Prejudice” in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.
Author | : |
Publisher | : BRILL |
Total Pages | : 265 |
Release | : 2024-04-30 |
Genre | : Literary Criticism |
ISBN | : 9004694978 |
The anthology consists of essays authored by scholars of different nationalities from diverse cultures, nations and primary languages. They cover Conrad’s presence across multiple media (fiction, films, comics, and graphic novels). The collection is unique because the contributors focused on Conrad’s presence in contemporary culture – a constantly changing field – rather than well-trodden paths. The exploration of Polish, French, Italian, Spanish, English and American works of art strengthens its originality. The artists discussed in connection with Conrad include Olga Tokarczuk, Stanisław Lem, Robert Silveberg, Loic Godart, Christian Bobin, Christian Perrissin, Tom Tirabosco, Eduardo Berti, J.M. Coetzee, Michelangelo Antonioni. Last but not least, the volume contains 20 stunning reproductions in full colour from films, graphic novels and comics.
Author | : Daniel Black |
Publisher | : Rowman & Littlefield |
Total Pages | : 275 |
Release | : 2016-09-23 |
Genre | : Social Science |
ISBN | : 1783487100 |
The study of Asian culture, media and communications is an area that has developed rapidly over the past two decades. This rapid development has led to the deployment of diverse scholarly approaches while simultaneously raising important questions regarding the extent to which the use of key terms such as “nation”, “citizenship” and “modernity” must be modified to reflect the specificity of an Asian context. Furthermore, the irrepressible flows of popular cultural forms and the enthusiastic adoption of new communications technologies across the region demand approaches that can accommodate the dynamism and diversity of Asian culture and media. Contemporary Culture and Media in Asia brings together leading scholars from Asia, North America and Australia to address questions related to these challenges, producing new insights and frameworks that can be productively utilized by students and scholars working in the field.
Author | : Simone Murray |
Publisher | : Routledge |
Total Pages | : 327 |
Release | : 2020-10-11 |
Genre | : Language Arts & Disciplines |
ISBN | : 1000178293 |
Introduction to Contemporary Print Culture examines the role of the book in the modern world. It considers the book’s deeply intertwined relationships with other media through ownership structures, copyright and adaptation, the constantly shifting roles of authors, publishers and readers in the digital ecosystem and the merging of print and digital technologies in contemporary understandings of the book object. Divided into three parts, the book first introduces students to various theories and methods for understanding print culture, demonstrating how the study of the book has grown out of longstanding academic disciplines. The second part surveys key sectors of the contemporary book world – from independent and alternative publishers to editors, booksellers, readers and libraries – focusing on topical debates. In the final part, digital technologies take centre stage as eBook regimes and mass-digitisation projects are examined for what they reveal about information power and access in the twenty-first century. This book provides a fascinating and informative introduction for students of all levels in publishing studies, book history, literature and English, media, communication and cultural studies, cultural sociology, librarianship and archival studies and digital humanities.
Author | : Colleen Kennedy-Karpat |
Publisher | : Springer |
Total Pages | : 236 |
Release | : 2017-09-07 |
Genre | : Performing Arts |
ISBN | : 3319528548 |
This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature.