Adams Phillip Press Clippings
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Phillip Adams
Author | : Phillip Adams |
Publisher | : |
Total Pages | : 288 |
Release | : 2017-07 |
Genre | : Broadcasters |
ISBN | : 9781925642025 |
Phillip Adams, the occasionally controversial but undeniably prolific writer and broadcaster, has collected his favourite insights and reflections from previous columns and speeches in this generous volume spanning 2003 to the present day. Adams social commentary has been a part of the Australian cultural landscape for decades, and here he dives into wide-ranging topics from the dying art of the circus to the threat of global warming. This volume includes thoughts on: The notorious Melbourne underworld figure Billy The Texan Longley, The War in Iraq, The power of the human brain, World leaders including Donald Trump and Malcolm Turnball, The Queen and the Republic, The 2016 Census, and many more.
Papers of Phillip Adams
Author | : Phillip Adams |
Publisher | : |
Total Pages | : 45 |
Release | : 1956 |
Genre | : Advertising executives |
ISBN | : |
The Acc04.228 instalment consists of correspondence, film scripts, speeches and addresses (44 cartons).
Soulstealers
Author | : Philip A KUHN |
Publisher | : Harvard University Press |
Total Pages | : 316 |
Release | : 2009-06-30 |
Genre | : History |
ISBN | : 0674039777 |
Midway through the reign of the Ch'ien-lung emperor, Hungli, mass hysteria broke out among the common people. It was feared that sorcerers were roaming the land, clipping off the ends of men's queues (the braids worn by royal decree) and chanting magical incantations over them in order to steal the souls of their owners. In a fascinating chronicle of this epidemic of fear and the official prosecution of soulstealers that ensued, Philip Kuhn opens a window on the world of eighteenth-century China.
Misfit Modernism
Author | : Octavio R. González |
Publisher | : Penn State Press |
Total Pages | : 133 |
Release | : 2021-05-07 |
Genre | : Literary Criticism |
ISBN | : 0271087374 |
In this book, Octavio R. González revisits the theme of alienation in the twentieth-century novel, identifying an alternative aesthetic centered on the experience of double exile, or marginalization from both majority and home culture. This misfit modernist aesthetic decenters the mainstream narrative of modernism—which explores alienation from a universal and existential perspective—by showing how a group of authors leveraged modernist narrative to explore minoritarian experiences of cultural nonbelonging. Tying the biography of a particular author to a close reading of one of that author’s major works, González considers in turn Nella Larsen’s Quicksand, Wallace Thurman’s The Blacker the Berry, Jean Rhys’s Quartet, and Christopher Isherwood’s A Single Man. Each of these novels explores conditions of maladjustment within one of three burgeoning cultural movements that sought representation in the greater public sphere: the New Negro movement during the Harlem Renaissance, the 1920s Paris expatriate scene, and the queer expatriate scene in Los Angeles before Stonewall. Using a methodological approach that resists institutional taxonomies of knowledge, González shows that this double exile speaks profoundly through largely autobiographical narratives and that the novels’ protagonists challenge the compromises made by these minoritarian groups out of an urge to assimilate into dominant social norms and values. Original and innovative, Misfit Modernism is a vital contribution to conversations about modernism in the contexts of sexual identity, nationality, and race. Moving beyond the debates over the intellectual legacies of intersectionality and queer theory, González shows us new ways to think about exclusion.
Hearing Things
Author | : Leigh Eric Schmidt |
Publisher | : Harvard University Press |
Total Pages | : 342 |
Release | : 2000-09-15 |
Genre | : Religion |
ISBN | : 9780674003033 |
“Faith cometh by hearing”—so said Saint Paul, and devoted Christians from Augustine to Luther down to the present have placed particular emphasis on spiritual arts of listening. In quiet retreats for prayer, in the noisy exercises of Protestant revivalism, in the mystical pursuit of the voices of angels, Christians have listened for a divine call. But what happened when the ear tuned to God’s voice found itself under the inspection of Enlightenment critics? This book takes us into the ensuing debate about “hearing things”—an intense, entertaining, even spectacular exchange over the auditory immediacy of popular Christian piety.The struggle was one of encyclopedic range, and Leigh Eric Schmidt conducts us through natural histories of the oracles, anatomies of the diseased ear, psychologies of the unsound mind, acoustic technologies (from speaking trumpets to talking machines), philosophical regimens for educating the senses, and rational recreations elaborated from natural magic, notably ventriloquism and speaking statues. Hearing Things enters this labyrinth—all the new disciplines and pleasures of the modern ear—to explore the fate of Christian listening during the Enlightenment and its aftermath.In Schmidt’s analysis the reimagining of hearing was instrumental in constituting religion itself as an object of study and suspicion. The mystic’s ear was hardly lost, but it was now marked deeply with imposture and illusion.